New York Classical Theatre has revealed the cast for William Shakespeare’s The Tragedy of Julius Caesar, programming for the summer season, and new partnership with “Civics is Sexy.”
MOVIES TV MAYHEM, a satirical comedy written by Dean Taucher and directed by Richard Caliban, is in its final week at Theatre Row in New York City, starring Jason Donovan Hall, Grant Neale, and Oneika Phillips.
Movies TV Mayhem, a new play by Dean Taucher, will premiere Off-Broadway at Theatre Row in New York. Directed by Richard Caliban, the production satirizes the entertainment industry. The play will run for a limited engagement in Manhattan.
What’s happening Off-Broadway this spring? BroadwayWorld is here to guide you through the top picks for theatre this season. Spring 2026 is packed with exciting revivals, new works, and star-powered productions.
Movies TV Mayhem, an uproarious new play written by acclaimed production designer Dean Taucher, will have its world premiere production, directed by award winning theater artist Richard Caliban at Theatre Row in New York City.
Dean Taucher, the set designer for The Sopranos, will serve as a guest speaker at the Museum of the Moving Image. His participation is part of the ongoing events of this series exhibition.
The world premiere of Movies TV Mayhem, an uproarious new play written by acclaimed production designer Dean Taucher, will premiere off-Broadway at Theatre Row in April. Learn more here!
What did our critic think of MERRY WIVES at Harman Hall? Shakespeare Theatre Company is opening their 40th Season with Merry Wives, pulling one of Shakespeare’s lesser known plays into modern day Harlem while retaining all the impact of the original work.
Shakespeare Theatre Company is presenting Merry Wives. The first show of STC’s forthcoming 40th Anniversary Season, Merry Wives is adapted by Jocelyn Bioh. Get a first look at photos here!
Shakespeare Theatre Company has revealed the full cast and creative team of Merry Wives. See who is starring and learn how to purchase tickets to the production here.
Shakespeare Theatre Company has revealed a sneak peek at casting for the 25/26 Season with several Broadway talents and local favorites leading the list in its first three shows: Merry Wives, The Wild Duck, and Guys and Dolls.
A Room in the Castle, by Lauren M. Gunderson, premiering at the Folger Theatre, is a fresh look at a story we thought we knew – and demands that we reconsider the tale from other viewpoints. The well-paced story is engaging and infused with humor.
Today’s subject Sabrina Lynne Sawyer is currently living her theatre life onstage at Folger Theatre playing Ophelia in the World co-Premiere of A Room in The Castle. The show is a product of the company’s Reading Room Series and runs through April 6th.
Folger Theatre and the Cincinnati Shakespeare Company have announced the world-premiere production of A Room in the Castle, a reimagining of Shakespeare’s Hamlet from the perspectives of the women within the troubled castle walls.
The 3rd Annual Conch Shell International Film Festival made waves on October 10, 2024, at the Regal Midway in Forest Hills. See photos here!
The Perelman Performing Arts Center (PAC NYC, Executive Director Khady Kamara and Artistic Director Bill Rauch) presents Watch Night at the new performing arts center at the World Trade Center site in Lower Manhattan. The production opens tomorrow, November 8, 2023.
The Perelman Performing Arts Center has revealed complete casting for Watch Night at the new performing arts center at the World Trade Center site in Lower Manhattan.
Prepare to party like it’s 1776 with a witty retelling of our founding fathers' stories and how our great nation came to be! This production was developed and premiered by the American Repertory Theater at Harvard University before playing on Broadway with Roundabout Theatre Company at the American Airlines Theatre.
The national tour of 1776 makes its premiere in Seattle at The 5th Avenue Theatre August 2-6, 2023. Tickets are on sale now and can be purchased at The 5th Avenue Theatre’s website, over the phone, or by visiting the box office.
Imagine walking into Jackson Hall on opening night, as I did, thinking, “Why did the directors reimagine this pleasant, if somewhat plodding, old-school musical with an ensemble of multi-ethnic women, trans and non-binary actors cast in the roles of America’s founding fathers?” Then leaving the theater after the final curtain wondering, “why on earth would anyone ever feel the need to cast the roles with men?” and reveling in the fact that 1776 tapped into my heart in unexpected ways, eliciting an emotional and, I daresay, patriotic response.
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