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Review: THE FANTASTICKS at Music Theater Heritage

Now “playing” at Music Theatre Heritage inside Crown Center through February 22 is the latest iteration of the most produced modern musical play in history. It is called “The Fantasticks.” If “Fantasticks” is new to you, you are past due for a treat. If you are one of the thousands of performers who have slipped into one of these character’s costumes, revel in the warm memory. If you have witnessed “Fantasticks” as an audience member, enjoy the pleasure of revisiting an old friend. hat did our critic think of THE FANTASTICKS at Music Theater Heritage?

Review: MAN OF LA MANCHA at Music Theater Heritage

Playing now at Music Theater Heritage through October 23 at Crown Center is an imaginative new production of 1965's Tony award winning Best Musical 'Man of La Mancha' offered by Musical Theater Heritage.

Cristina Morrison Launches First Galapagos Music Fest

New York based American - Ecuadorean singer & actor Cristina Morrison, went back to Ecuador in December to spend some time there and develop new projects but since March she has been caught living under a strict Covid 19 country lockdown installed by the government, including a curfew which starts daily at 2pm.

Bryant Park Dance Party Begins May 1

At each Wednesday Bryant Park Dance Party event, audiences will learn basic steps with expert instructors from 6pm to 7pm by the Bryant Park Fountain, then get the chance to test out their new moves to the hot sounds of live music as performed by some of the New York City's best dance bands from 7:00 pm to 8:30 pm.

MorDance Returns to New York This Spring with SEASON IV, FROM THE CENTER

MorDance, in its mission to create modern, relevant movement that maintains the integrity of classical ballet, returns to New York's newest performing arts center as its resident ballet company this spring with Season IV, From the Center. The first company to perform on the Sheen Center stage in 2014, MorDance returns April 21-24 to present Propinquity and Apart from the Peripheral, both world premieres, and The Shape of Voice, a continuation of a work commissioned by the Columbia Ballet Collaborative in November 2015.

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