Birth Place: Berlin, GERMANY
German born New York-based vocalist Susanne Mack is returning to Pangea (178 Second Avenue) for two (2) performances of her all-new show, “Fragments,” a celebration of human resilience and our deep connectedness to one another in times of separation, disruption, and confusion.
The original “Dainty June” in the 1959 Broadway production of Gypsy is presenting a cabaret program of classic French compositions in her new show, MON HISTOIRE EN CHANSONS FRANCAISES.
Carleton Upham Carpenter, Jr.
Marlene Dietrich and Edith Piaf, both cabaret divas of their own accord, were close friends throughout the years of their careers.
It was the event of the year and people missed it at their peril.
Myriam Phiro revisits her celebrated jazz tribute to Edith Piaf
Back in Business marks Haley’s return to the stage at Feinstein’s/54 Below as a joyous triumph of life, love, and the pursuit of dreams.
The wonderful, magical part of MOSTLY MARLENE is that Kim David Smith plays none of it for camp.
Next month, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.
Starting this Saturday 4 September, Drag Race UK alumni Joe Black will be bringing some much-needed H&M (humour and music) to clubs around the UK as part of his eagerly awaited Decopunk tour.
The title “Sound Of Music” is derived from the Pythagorean theory of musica universalis or the “music of the spheres” wherein Pythagoreas states that if objects in motion create sound then the planets forever in motion must forever produce sound.
A very pro-European record, Bright Magic is ultimately not just about one city, but all centers of human interaction and community which allow the free exchange and cross-pollination of ideas.
What is Club Cumming without a little Kim David Smith, Weimar and Dietrich?
Hill Country Community Theatre has announced its 2021-22 season featuring the musical comedy “Nunsense A-Men!,” a holiday comedy “A Doublewide, Texas Christmas,” an evening of sketches from “The Carol Burnett Show,” the new comedy “Breakfast Club,” and the musical “Destry Rides Ag
There are young people in the cabaret rooms of New York City because of the young talent and ever-changing material to be found in those rooms.
Seeing Hilde Louise Asbjørnsen on stage is a good lesson in star power.
He had the audience in the palm of his hand.
Robyn Archer's performance seemed over all too soon
Not all Lady Artemisia's selections are in their mother tongue, but enough of them are to give you a true sense of period, intention, and Weimar tone.
