Marc De La News

National Alliance for Musical Theatre announces final casting for the 31st Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 24 and Friday, October 25, 2019 at New World Stages (340 West 50th Street, between 8th and 9th Avenues).

National Alliance for Musical Theatre announces preliminary casting and additional programming for the 31st Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 24 and Friday, October 25, 2019 at New World Stages

AT THIS PERFORMANCEa?? celebrates its 16th anniversary and returns to The Green Room 42 featuring Standbys and Understudies from Moulin Rouge; Ain't Too Proud; Broadway Bounty Hunter; Frozen; Kiss Me, Kate; Be More Chill; Alice By Heart; School Of Rock; and Bandstand on Monday, October 7th at 7pm.

On Sunday, members of the Broadway community gathered to support Stephanie Klemons and her not-for-profit organization, Katie's Art Project, for the 3rd Annual installation of [the art project] - A one-day-only gallery event that works to raise funds to connect children facing life-threatening illnesses with emerging and established artists through collaborative programs to create a lasting legacy through art.

AT THIS PERFORMANCEa?? returns to The Green Room 42 featuring Standbys and Understudies from AIN'T TOO PROUD; BROADWAY BOUNTY HUNTER; WICKED; KISS ME KATE; BE MORE CHILL; A STRANGE LOOP and ANASTASIA on MONDAY, SEPTEMBER 9TH at 7 PM.

AT THIS PERFORMANCEa?? returns to The Green Room 42 featuring Standbys and Understudies from AIN'T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS; THE PROM; BE MORE CHILL; OKLAHOMA!; CHICAGO; BEETLEJUICE; KISS ME KATE and AVENUE Q on MONDAY, AUGUST 5TH at 7 PM.

Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE… to be held on Monday, June 3rd at The Green Room 42, Green Fig, Fourth Floor, Yotel NYC, 570 Tenth Avenue (at 42nd Street), New York, NY 10036 at 7 PM. Hosted by series Producing Artistic Director and Casting Director Stephen DeAngelis, the popular series allows performers to showcase their versatility and share anecdotes about their experiences.

AT THIS PERFORMANCE… returns featuring Standbys and Understudies from BE MORE CHILL; HADESTOWN; DEAR EVAN HANSEN; MEAN GIRLS; CHARLIE AND THE CHOCOLATE FACTORY and HOLIDAY INN on MONDAY, MAY 6TH at 7 PM.

What good is sitting alone in your room this week? If you don't already have plans to see a Broadway show, come out to see your favorite Broadway stars in a cabaret act instead. After Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Highlights this week include Amanda Jane Cooper, Katie Ladner, Nick Cordero and many more!

AT THIS PERFORMANCE... returns featuring Standbys and Understudies from BE MORE CHILL; CHOIR BOY; ONCE ON THIS ISLAND; THE OTHER JOSH COHEN; SUPERHERO and SWEENEY TODD on MONDAY, APRIL 8TH at 7 PM.

Five years ago, Tony Award winner Idina Menzel made her long-awaited return to Broadway, teaming up with her Rent director Michael Grief for Tom Kitt and Brian Yorkey's original musical If/Then! To celebrate the occasion, we're throwing it back to the show's opening night at the Richard Rodgers Theatre. Check out all the footage below!

Stephen DeAngelis continues his ongoing salute to Broadway and Off-Broadway Standbys, Understudies and Alternates with its next edition of AT THIS PERFORMANCE... to be held on Monday, March 4th at The Green Room 42.

A music video has been released, featuring many Broadway favorites, urging people to get out and vote. Mario Lopez and Daphne Rubin-Vega lead the performers lending their voices to the song, called Enough Already.

The Board of Directors and Artistic Director, David Leidholdt, present the Millbrook premiere of HONKY TONK LAUNDRY, a new musical written by Roger Bean creator of The Marvelous Wonderettes, Life Could Be A Dream. HONKY TONK LAUNDRY will begin performances on Friday, October 19, and perform through Sunday, October 28 in the Poorman Cabaret.

To commemorate its 50th anniversary, the 1968 cult musical Golden Rainbow will return for one night only at Feinstein's/54 Below today, September 11th, 2018, at 7:00pm and 9:30pm.

This week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond

To commemorate its 50th anniversary, the 1968 cult musical Golden Rainbow will return for one night only at Feinstein's/54 Below on Tuesday, September 11th, 2018, at 7:00pm and 9:30pm.

The Board of Directors and Artistic Director, David Leidholdt, are excited to present AN ACT OF GOD by David Javerbaum, playing from July 27th to August 5th in the Poorman Cabaret.

The preshow speech of VIETGONE is spoken by the playwright, in which we learn that the play is a love story of how Mom and Dad got together. We also learn that the Vietnamese characters will speak like action heroes/Joss Whedon archetypes and that the Americans will speak... Well, some of it will be words. As Marc de la Cruz, who plays Quang, the playwright's father, says, 'The characters speak and relate to each other as many young Americans today despite the fact that they are Vietnamese and it's 1975... Also, the play is hilarious in an 'omigosh I can't believe they went there' kind of way.' Instantly, we are aware that the universe of VIETGONE is a one of a kind place. Director, Natsu Onoda Power, elaborates: '...it allows audience to perceive 'Vietnamese' characters NOT as the 'other'; it is so rare. (In this play, 'American' is the other).' Regina Aquino, who plays Tong, the playwright's mother, adds, 'From the very first page I was immediately impressed by Qui's flipping of the stereotype script... doing to the Americans what is done to Asian characters in film/tv/theatre all the time. It was shocking and I was totally in love with how subversively clever the writing was throughout the entire play.'