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Review: CLARKSTON, starring Joe Locke, Trafalgar Theatre

First performed at Dallas Theater Center in 2015, Samuel D. Hunter’s three-hander play Clarkston makes its British première in a production at Trafalgar Theatre, which is directed by Jack Serio. Set in the Washington state town of Clarkston, the lives of Connecticut native Jake and nearby Lewistonian Chris are intertwined as they find themselves working the nightshift together at Costco; both have secrets that they are trying to hide from - but does the answer lie in stacking shelves?

Photos: THE CLIMATE ERA at The Playground Theatre.

The Gate Theatre will present the European premiere of David Finnigan’s Scenes from the Climate Era at The Playground Theatre in West London, running September 23–October 25, 2025. See photos of the production.

Photos: First Look At DEAR ENGLAND UK National Tour

The National Theatre’s Dear England, James Graham’s Olivier Award-winning play about Gareth Southgate and the England men’s football team, has begun its first national tour. Check out photos of the production!

Review: ROMANS, A NOVEL, Almeida Theatre

Alice Birch’s Romans, a novel is an expansive portrait of literary masculinity through the ages. With an ever-shifting form, an array of subtle references, and an intricate, thought-provoking script, this is a play that many will find difficult and impenetrable. At its core, however, it’s a truly perceptive piece that understands masculinity like little else.

Review: DRACULA, Lyric Hammersmith

Now that days are getting colder and nights are getting longer, it’s time to get spooky. When a viral video asked women if they’d rather choose to be alone with a man or with a bear last year, the internet exploded. To this day, more than half of the women in the 18-29 range who took part in the online discussion chose the bear, citing fears of violence and lack of safety around male strangers. It’s alarming. Riding that wave, Morgan Lloyd Malcolm has written a revolutionary take on Bram Stoker’s Dracula with a twist that redefines the original. Forget everything you know because nothing is what it seems: it’s time to follow Mina Harker on her own quest.

Review: TOSCA, Starring Anna Netrebko, Royal Ballet and Opera

If you come to opera via film musicals and, later, stage shows, Tosca is amongst the most accessible. The story of the lovers and the evil apparatchik is told at a furious pace, trauma after trauma piling up as the emotional heft becomes all but unbearable. There’s no standing about for twenty minutes while someone sings stage left, no mythical dwarves hiding gold, no magical toymaker. Nor, as early critics were quick to point out, is there a whole lot of poetry either in Luigi Illica and Giuseppe Giacosa adaptation of Victorien Sardou’s sensational play. However, there are compensations…

Review: JUNIPER BLOOD, Donmar Warehouse

Worlds clash once again in Mike Bartlett’s universe. Lip and Ruth’s pull to return to nature is disrupted when Ruth’s stepdaughter, Millie, and her academically inclined best friend, Femi, visit the couple’s earthy homestead. This rural idyll, where the sky is enormous and the trees tell a story of their own, is suddenly disturbed by brutal talks of capitalist wars and nihilism while the economics of permaculture are discussed. What happens when ecological extremism starts to look like a sensible decision? Should we put our planet before our family? Generations lock horns, blame becomes currency, and the land watches on in three big scenes divided by two intervals. It’s all very Mike Bartlett-y.

Photos: EMMA In Rehearsal At Rose Theatre

Rose Theatre will present the world premiere of Emma, Ava Pickett’s new adaptation of Jane Austen’s timeless story of romance, friendship, and the tricky business of figuring out what truly makes us happy. Check out photos from inside the rehearsal room!

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