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BWW Review: graveyard shift at Goodman Theatre

BWW Review: graveyard shift at Goodman Theatre

by Rachel Weinberg — February 20, 2020

orde arrington tuttle's graveyard shift, now making its world-premiere following an initial workshop production during Goodman Theatre's 2018 New Stages Festival, is a haunting and beautiful reflection on police brutality against Black Americans.

Photo Flash: First Look at GRAVEYARD SHIFT at Goodman Theatre

Photo Flash: First Look at GRAVEYARD SHIFT at Goodman Theatre

by A.A. Cristi — February 17, 2020

Rising stars playwright korde arrington tuttle and director Danya Taymor reunite for the world premiere production of graveyard shift, following its appearance as a developmental production in the Goodman's 2018 New Stages Festival.

BWW Review: HOW TO DEFEND YOURSELF at Victory Gardens Theater

BWW Review: HOW TO DEFEND YOURSELF at Victory Gardens Theater

by Rachel Weinberg — February 2, 2020

Liliana Padilla's HOW TO DEFEND YOURSELF offers a brilliant examination of collegiate life, and, more specifically, the ways in which rape culture and the entirely real possibility of sexual assault affect university students.

BWW Review: ROE at Goodman Theatre

BWW Review: ROE at Goodman Theatre

by Rachel Weinberg — January 28, 2020

Lisa Loomer's ROE offers a timely exploration of the history behind the 1973 Supreme Court case Roe v.

BWW Review: GREASE at Marriott Theatre

BWW Review: GREASE at Marriott Theatre

by Emily McClanathan — January 25, 2020

The Marriott Theatre opens its 45th season with director Scott Weinstein's staging of GREASE, the 1971 musical that was born in Chicago and became a Broadway hit, a famous film and a perennial favorite of theaters across the country.

BWW Review: Scenario Two's THE LIGHT IN THE PIAZZA at Lyric Opera House

BWW Review: Scenario Two's THE LIGHT IN THE PIAZZA at Lyric Opera House

by Rachel Weinberg — December 17, 2019

Lyric Opera's special holiday engagement of Adam Guettel's THE LIGHT IN THE PIAZZA, one of the few contemporary musicals written in a style that harkens back to the Golden Age, is beautifully sung with the composer's complicated and melodious score performed by a superb orchestra.


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