In the hands of Synetic Theater, Shakespeare’s A MIDSUMMER NIGHT'S DREAM becomes more than a whimsical tale of love and mischief—it transforms into a kinetic, visually arresting spectacle that dances between comedy and enchantment.
GALA Hispanic Theatre will present the world premiere of The 22+ Weddings of Hugo (Las 22+ bodas de Hugo) in Spanish by Venezuelan playwright and GALA’s Artistic Director Gustavo Ott from September 5 to 29, 2024.
Synetic Theater, the home of American Physical Theater and movement-based storytelling, announces the return of its acclaimed adaptation of William Shakespeare's A Midsummer Night's Dream, directed and choreographed by company co-founders Paata and Irina Tsikurishvili.
Synetic Theater announces a one-week extension of its newest production, the world premiere of Vato Tsikurishvili’s wordless adaptation of THE SERVANT OF TWO MASTERS, based on the original work by Carlo Osvaldo Goldoni, with choreography by Maryam Najafzada and compositions by resident composer Konstantine Lortkipanidze*.
If there were any doubt in your mind that theatre is back, as thrilling and death-defying as ever, make your plans now to see Synetic Theatre’s take on the old Italian classic “Servant of Two Masters.” Fasten your seat belts, you’ll be on a roller-coaster of virtuosity, wordless and breathless, for a solid hour and a half.
SYNETIC THEATER has announced the world premiere production of Vato Tsikurishvili’s THE SERVANT OF TWO MASTERS, with choreography by Maryam Najafzada and compositions by resident composer Konstantine Lortkipanidze.
The story of Cinderella has been told and retold around the world countless times, from its probable origins in Egypt to the Brothers Grimm version to dozens of film and TV renditions. Synetic Theater’s adaptation transcends boundaries of age and language by presenting a wordless version of the classic story designed to charm children and adults.
SYNETIC THEATER has announced the world premiere production of Maria Simpkins and Emily Whitworth’s CINDERELLA, with choreography by Janine Baumgardner and compositions by Konstantine Lortkipanidze.
Synetic Theater is known for bringing their audiences on a journey through creative movement and dancing. Without a word spoken or a note sung, Synetic manages to capture the audience by putting movement in the spotlight while telling familiar tales. The Tsikurishvilis have now coupled a beloved tale with a creative twist - Gaston Leroux's Phantom of the Opera. Synetic Theater's production is as hauntingly masterful as the story itself and its all due to all overwhelming success of all parties involved.
Synetic Theater brings its unique spin to the high seas with an inclusive and immersive adaptation of Robert Louis Stevenson's Treasure Island. The production features a stellar cast, many of whom are making their Synetic debuts.
Shakespeare's Richard III has been no stranger to DC theatre goers this season. In true Synetic fashion, their current production turns a well known tale on its...crown.
The final show of Synetic Theater's 2018/19 Season is a new adaptation of Robert Louis Stevenson's Treasure Island, starring local actress Anne Flowers in the lead role reimagined as Jane Hawkins. The production runs July 17 through August 18 at Synetic Theater in Crystal City. Tickets start at $35 and can be purchased at synetictheater.org.
Inspired by the idea that the greatest "clowns" sometimes hide the greatest pain, Synetic Theater's creative team, helmed by Vato Tsikurishvili in his directorial debut, has created a wonderful world of pantomime and harlequin.
I've come to expect the unexpected from Synetic Theater's exquisite, wordless productions. Somehow they're always able to dazzle me, and their holiday season production of MY FATHER'S DRAGON, based on Ruth Stiles Gannett's children's novel, is an absolute gem. Wide-eyed performers, memorable scenes, and delightful puppets (puppet design by Matthew McGee) make this one a must-see for children (5+) and adults alike.
'The Legend of Sleepy Hollow' draws from American literature and a variety of cinematic treatments. In typical Synetic fashion, however, the story is quite literally turned on its head.
When defining theatrical productions, people like to break down the categories into two basic camps: plays and musicals. Anyone believing those two monikers are the only labels for modern theatrical productions have never witnessed a show like that put on by Synetic Theater in Arlington, VA. As the regions' premiere physical theater, Synetic continually pushes the boundaries of what can be on stage. This statement rang true during Tuesday's one-night-only engagement of Pygmalion & Galatea created by Founding Artistic Director Paata Tsikurishvili and his wife, Co-Founding Choreographer Irina Tsikurishvili. This powerful and highly stylized performance reveals all the best qualities of Synetic.
It's strange to think a Shakespeare production could render words unnecessary, but Synetic Theater's most recent wordless Shakespeare play, TITUS ANDRONICUS, gives you the impossible idea that dialogue might ruin the drama. Without speech, and without stage blood, this incarnation of TITUS is a violent spectacle brought to life by impeccable choreography, top-notch acting, and innovative scenic and lighting design (Phil Charlwood and Brian Allard).
Synetic Theater invites you to the 11th annual Vampire's Ball today, October 27. Press opening will be Saturday, October 21 at 8:00 p.m.
Synetic Theater invites you to the 11th annual Vampire's Ball on Friday, October 27. Press opening will be Saturday, October 21 at 8:00 p.m.
Synetic Theater's 'beautifully disturbing' HUNCHBACK OF NOTRE DAME is gripping storytelling at its best. The wordless production conveys the epic tale with movement, spectacle, connection, and artistry.
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