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Cast Set For A WORLD ELSEWHERE at Shakespeare's Globe

Shakespeare's Globe announced the cast for A WORLD ELSEWHERE, a new show inspired by Shakespeare's tales, directed by Lucy Cuthbertson and co-written by Kerry Frampton and Ben Hales, running at the Sam Wanamaker Playhouse.

Shakespeare's Globe Reveals Summer Season 2026

This summer, join Shakespeare's Globe for a season bursting with world-class artists, lesser-known classics, and much-loved plays, in two of the most iconic theatres in the world.

Review: PINOCCHIO, Globe Theatre

Pinocchio at the Globe Theatre is a radiant and heartfelt triumph which transforms a much loved story into a richly imaginative new musical. The atmosphere is electric, with the standing audience filling the lower space, with a striking set emblazoned with giant letters spelling PINOCCHIO framed by grand red curtains, ensuring the sense of occasion is unmistakable.

BroadwayWorld UK's Olivier Awards 2025 Predictions

Established in 1976, the Olivier Awards celebrate the world-class status of London theatre, and are Britain’s most prestigious stage honours. Leading the way this year is Tom Scutt's Fiddler on the Roof which matches Hamilton's record-breaking 13 nominations, represented in every acting and creative category.

Critics' Choice: Christiana Rose's Best Children's Shows of 2024

In an evolving year of children’s theatre, the themes of climate change and sustainability reign supreme, with a lean towards immersive and inclusive theatre with excellent changes in the industry meaning prior access resources are provided as a matter of course. These resources are often made available in the form of helpful visual guides, sensory and symbol maps, all of which are brilliantly inclusive for those with neurodiversity or additional needs.

Review: ROUGH MAGIC, Shakespeare's Globe

At Rough Magic prepare to enter Shakespeare’s wondrous world to become a Guardian of Destiny. The audience interaction is aimed at children in the audience, who choose which department they wish to join. Options include Fairy, Ghost, Spirit or Witch. The playful atmosphere is instantly set at The Sam Wanamaker Playhouse, the beautiful Jacobean-styled candle-lit indoor small theatre, which is located within Shakespeare’s Globe.

Review: MIDSUMMER MECHANICALS, Globe Theatre

Whether you’re bored by the Bard or a dedicated groundling, taking children to see Shakespeare is a daunting prospect. But be not afeard; for this summer the Globe premieres its first full-scale production for families. And it’s an absolute dream.

BWW Review: SLEEPING BEAUTY AND THE BEAST and PUSS IN MOON BOOTS, Battersea Arts Centre and On Demand

The Sleeping Trees are doing it all. After their phenomenal first online lockdown panto from last year, they’re back not only with an in-person takeover of Battersea Arts Centre, but with an incredible on-demand show too. Catering for all types of audiences and their needs, Sleeping Beauty and the Beast (at the theatre) and Puss in Moon Boots (in living rooms everywhere) couldn’t be more different, but they both share Sleeping Trees’ perfectly brilliant Christmas spirit. Unlikely heroes and evil villains lead to adventures like no others in their utterly unexpected and captivating mash-ups.

BWW Review: THE LEGEND OF MOBY DICK WHITTINGTON, YouTube

Not even a pandemic could stop brilliant comedy trio Sleeping Trees to spread their customary Christmas cheer. In a year ridden with uncertainty and the subversion of habitual theatre conventions, the company have created a joyous, hilarious, heartwarming, and absolutely ingenious panto for the whole family to enjoy - preferably in their jammies.

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