Kathleen Turner News

Based on real events, a?oeLoopeda?? takes place in the summer of 1965, when Tallulah Bankhead needed to redub - or loop - one line of dialogue for what would be her final movie. What starts out as a friendly visit to the studio quickly dissolves into a hilarious battle of wits and wills between the divine diva and the film's editor.

Arena Stage at the Mead Center for American Theater will present the American Artist Award to Tony Award-winning actress, choreographer, director and author Baayork Lee. The award will be presented Wednesday, November 13, 2019 as part of the opening night celebration for Disney's Newsies, directed by Molly Smith. 

On December 8th and 9th, for two performances only, the Ivoryton Playhouse will present a very special production of A CHRISTMAS CAROL with Academy Award-nominated and Golden Globe winner Kathleen Turner in the role of Ebenezer Scrooge and Tony award winner, James Naughton, as Marley and the Ghosts.

A blend of hip-hop, improvisational theater, music, and vocal stylings, Freestyle Love Supreme opened just last night, October 2 at the Booth Theatre.

Broadway In Chicago announces its off-season specials including KATHLEEN TURNER: FINDING MY VOICE; RIVERDANCE 25THANNIVERSARY SHOW; MEN ARE FROM MARS - WOMEN ARE FROM VENUS LIVE!; ROBERT DUBAC'S THE BOOK OF MORON; THE CHOIR OF MAN; THE OFFICE! A MUSICAL PARODY; WAITRESS and LISA LAMPANELLI'S LOSIN' IT!

The fall theatre season is in full swing and that means it's time to get your tickets, plan a meal out, and enjoy the fabulous offerings in the Garden State. From north to south, and east to west, there's musical theatre, drama, comedy, music, dance, and so much more.

Kit Ingui, Long Wharf Theatre's current Acting Managing Director, will assume the role of Managing Director of Long Wharf Theatre effective immediately. Ingui, with 20 years of experience in Broadway and Off-Broadway production, has become a highly-regarded and key member of the leadership team since joining Long Wharf Theatre in 2017 and served as Acting Managing Director from July to September 2019.

Direct from a successful off-Broadway run, Kathleen Turner brings her cabaret show, Finding My Voice, to the Peace Center's Gunter Theatre on Tuesday, Nov. 5, at 7 p.m.

New York based playwright, actor, and producer, John Stanisci quietly debuted his newest work, Lieutenants Upon the Earthto rave audience reviews and three sold out performances over the past two months. 

Beloved storytelling nonprofit The Motha?"the force behind the Peabody Award-winning Moth Radio Hour and the ultra-popular podcasta?"returns to Lincoln Center for the seventh time on Saturday, October 12 at 7:30 p.m., with its signature Mainstage show.

Judson Theatre Company has announced that Tony Award nominee Alan Campbell will headline their November production of Agatha Christie's Witness for the Prosecution. Performances begin Thursday, November 21 and run through Sunday, November 24, 2019 at Owens Auditorium at the newly renovated Bradshaw Performing Arts Center (3395 Airport Road, Pinehurst, NC 28374).

The Metropolitan Opera's annual Summer HD Festival, presenting free outdoor screenings of operas in Lincoln Center Plaza, returns for the 11th time this summer, with one screening each night now through Monday, September 2, 2019 (Labor Day). The series features ten performances from the company's acclaimed Live in HD series of movie theater transmissions, including performances from the 2018 19 season as well as some of the most popular transmissions from past years. Preceding the festival, on Friday, August 23, the classic movie musical Funny Face will be screened in the plaza, in association with Film at Lincoln Center. Funny Face features songs by George and Ira Gershwin, whose opera, Porgy and Bess, will be presented in a new production to open the Met's forthcoming 2019 20 season in September.

General public tickets are now on sale for a one-day-only Master Class exploring the craft of acting taught by Kathleen Turner, a living legend of the stage and screen.

Salon is a weekly open mic night where artists can try out new material in a judgment-free zone. I recently did some undercover reporting. It wasn't dangerous or glamorous, like Hunter S. Thompson or Nellie Bly, though it was both alluring and scary at times. I infiltrated the cabaret community to see what it's like being a nightclub singer - and I had a really good time, but I don't want to do it again. I don't know how cabaret performers do it. It's exhausting and it's expensive. You spend all your time promoting yourself, you pay musicians, press reps, photographers and dry cleaners, and every day you run the risk of waking up with a cold and no voice, and an obligation to sing. It's nerve-wracking. Still, these artists continue to produce art for a willing audience: they do it for love of the art and of the audience. It begs the question, though, when a cabaret performer doesn't have a show to do, how do they keep their skills up? How do they continue to grow without spending precious earned cash on an expensive master class?

Known in soap-land for his roles as villain Charlie Stubbs in Coronation Street and farmer James Barton in Emmerdale, Bill Ward talks to us about walking a mile in four-inch stilettos as he takes over the role of Hugo/Loco Chanelle from RuPaul's Drag Race star Bianca Del Rio.

51Fest, a partnership between Women in the World and IFC Center, continued its inaugural festival last night with screenings and discussions about women's stories. Saturday got to a rowdy start with the exciting documentary Raise Hell: The Life & Times of Molly Ivins, where director Janice Engel led the crowd in a rousing chant to get them into the Ivins' spirit. The film, which tells the incredible life of powerhouse Texas journalist Molly Ivins, who famously told the stories plaguing America with humor, passion, and grit, was followed by a conversation with director Janice Engel and actor Kathleen Turner, moderated by New York Times reporter Rachel Dry.

Principals DJ Martin, Temah Higgins and Mollie Mann of Bond Theatrical Group, a fully independent booking, marketing and publicity company for live entertainment, announced today that industry marketing and press veteran Phillip Aleman will join the company effective immediately.

Joshua Borenstein, who has served at Long Wharf Theatre for 13 years, including as its Managing Director since 2011, will leave the organization at the end of July.

Described by the New York Times as 'Our Town with sex offenders', this daring play with music is based on hundreds of hours of interviews with the inhabitants of Miracle Village, a rural American community of sex offenders. America is Hard to See blends verbatim text with Methodist hymns and original folk music to tell the stories of the villagers in their own - not necessarily 100% true - words. The show explores the lives of individual members of the community as they try to lead normal lives, forming a band at their local church under the Pastor Patti, a cleric who is determined to give the men a second chance. Focusing on the consequences rather than the transgression, the show asks if redemption is possible, and takes an uncomfortable look on what it means to put forgiveness into practice.

The Metropolitan Opera's annual Summer HD Festival, presenting free outdoor screenings of operas in Lincoln Center Plaza, returns for the 11th time this summer, with one screening each night from Saturday, August 24, to Monday, September 2, 2019 (Labor Day). The series features ten performances from the company's acclaimed Live in HD series of movie theater transmissions, including performances from the 2018 19 season as well as some of the most popular transmissions from past years. Preceding the festival, on Friday, August 23, the classic movie musical Funny Face will be screened in the plaza, in association with Film at Lincoln Center. Funny Face features songs by George and Ira Gershwin, whose opera, Porgy and Bess, will be presented in a new production to open the Met's forthcoming 2019 20 season in September.