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Lea Michele Will Be Out Of FUNNY GIRL Tonight; August 29, 2023

Lea Michele will be out of tonight's 7pm performance of Funny Girl as she is under the weather, per an announcement from the production. The production also stars Tony and Olivier Award  nominee Ramin Karimloo, 2022 Tony & Drama Desk Award nominee and Chita Rivera Award winner Jared Grimes and four-time Tony Award nominee Tovah Feldshuh.

Photos: On the Red Carpet at Opening Night of EL MAGO POP

El Mago Pop, the eponymous Broadway show from Antonio Díaz, “El Mago Pop,” opened on Broadway on Sunday, August 20th at the Ethel Barrymore Theatre, Check out photos from the red carpet at opening night here!

Listen: HARMONY Releases Second Single 'Every Single Day'; Full Digital Album Drops This Month

Ghostlight Records and producers Ken Davenport, Sandi Moran and Garry Kief have released “Every Single Day,” the second single from the upcoming Broadway production of Harmony – the new musical by Barry Manilow and Bruce Sussman with direction and choreography by Warren Carlyle. “Every Single Day” is sung by Danny Kornfeld who plays 'Young Rabbi' in the musical.

Photos: Jim Caruso's Cast Party Celebrates Twenty Years With Proclamations and Thrilling Talent!

On Monday, July 24, Birdland Jazz Club celebrated the landmark 20th Anniversary of its wildly popular weekly open mic night/variety show “Jim Caruso’s Cast Party.” The evening featured regular favorites, as well as special surprise guests. As usual, music director Billy Stritch held court at the ivories, along with Steve Doyle on bass and Daniel Glass on drums. Check out photos here!

AT THIS PERFORMANCE... Returns To The Green Room 42

AT THIS PERFORMANCE…  returns to The Green Room 42 featuring standbys, understudies and alternates from  Shucked, Six The Musical, Once Upon A One More Time, The Book Of Mormon, Camelot, Parade; Aladdin, A Doll's House, and Flying Over Sunset.

Page and Paulus' Revival of 1776 Offers a New Perspective on The Birth Of A Nation

Imagine walking into Jackson Hall on opening night, as I did, thinking, “Why did the directors reimagine this pleasant, if somewhat plodding, old-school musical with an ensemble of multi-ethnic women, trans and non-binary actors cast in the roles of America’s founding fathers?” Then leaving the theater after the final curtain wondering, “why on earth would anyone ever feel the need to cast the roles with men?” and reveling in the fact that 1776 tapped into my heart in unexpected ways, eliciting an emotional and, I daresay, patriotic response.

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