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Review: AS YOU LIKE IT, @sohoplace

Review: AS YOU LIKE IT, @sohoplace

by Cindy Marcolina — December 15, 2022

Presented in the round with the inclusion of closed-captioning at every performance and a few BSL-signing characters, it’s probably the most accessible, most gender-fluid show currently running in London.

Review: NEWSIES, Troubadour Wembley Park Theatre

Review: NEWSIES, Troubadour Wembley Park Theatre

by Gary Naylor — December 9, 2022

The foundations of musical theatre are sacrificed for spectacle and energetic enthusiasm in a venue with acoustics that fail to do justice to the quality of the singing and musicianship

Review: SLEEPING BEAUTY, Sadler's Wells

Review: SLEEPING BEAUTY, Sadler's Wells

by Franco Milazzo — December 8, 2022

Sir Matthew Bourne’s Sleeping Beauty debuted in 2012 to mark the twenty-fifth anniversary of Bourne’s New Adventures company.

Review: HENRY V, Shakespeare's Globe

Review: HENRY V, Shakespeare's Globe

by Cindy Marcolina — November 25, 2022

Winter has come to the Globe and it brought Henry V to the Sam Wanamaker Playhouse for the first time in its history.

Review: GOOD, Harold Pinter Theatre

Review: GOOD, Harold Pinter Theatre

by Aliya Al-Hassan — October 13, 2022

From Dennis Nielsen to DJ in Don Juan In Soho, to the murderous vicar in the BBC’s Inside Man, David Tennant seems drawn to playing the antihero.


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