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BWW Review: INDECENT, Menier Chocolate Factory

Director Rebecca Taichman and playwright Paula Vogel were both drawn to Sholem Asch’s 1907 phenomenon, God of Vengeance. Their Tony-nominated, highly-acclaimed production has landed in London. A show that plays tribute a stage scandal, this is a heartfelt song to something that nearly never was.

BWW Review: FROZEN, Theatre Royal Drury Lane

I would hesitant a guess to say that most of us know about Disney’s colossus beast, Frozen. Made famous when it debuted during Christmas 2013, it quickly became one of the company’s audience’s animated classics. Since its release we’ve had sequels, spinoffs, merchandise and now, a hit musical – which originally premiered in Denver, before opening in Broadway, and now recently landing in London’s West End. Loosely inspired by Hans Christian Andersen’s 19th Century tale, The Snow Queen, Disney’s production turns much of the original story on its head.

BWW Review: WAITRESS, UK & Ireland Tour

Waitress is off on a UK and Ireland tour, kicking off at the New Wimbledon Theatre. Jenna, waitress and pie creator extraordinaire, unexpectedly finds herself pregnant. But will this unwanted twist keep her tied down in a bad relationship or give her the chance to break free?

The Top 20 New London Shows Opening In 2021

As theatre comes roaring back, this autumn and winter see plenty of exciting new productions, including big West End musicals and intriguing plays. Here are the shows that we’re most looking forward to seeing.

BWW Review: BEDKNOBS AND BROOMSTICKS, The Marlowe Theatre, Canterbury

'Where did all the happy endings go? Where can all the good times be?' When West End stalwart Dianne Pilkington enchanted the audience yesterday evening at the press night of Bedknobs and Broomsticks with The Sherman Brothers' 'The Age of Not Believing', perhaps the 1971 Disney film's most iconic number, I couldn't help but think about we have all endured over the past year and a half.

BWW Review: THE PHANTOM OF THE OPERA, Her Majesty's Theatre

They say there's no business like show business. Well, they should change that to there's no show quite like The Phantom of the Opera! The infamous story of the opera ghost and his on/off love affair with the soaring soprano lands as well today as it did back in 1986.

BWW Review: CAROUSEL, Regent's Park Open Air Theatre

During the first three weeks of the initial lockdown in 2020, 16 women and children were murdered in the United Kingdom because of domestic violence. Those numbers were only going to rise during the following year. It is said that men were able to gain power and rule the world because murder makes them less uncomfortable.

BWW Review: UNDER MILK WOOD, National Theatre

“To begin at the beginning”, Welsh poet Dylan Thomas never got to fulfil his true dream for his troubled radio play Under Milk Wood. It took 20 years of laborious work to put the final touches on the personalities of fictional Llareggub. Alcohol poisoning might have taken Thomas’s life before he heard his drinking - and acting - mate Richard Burton’s take on BBC Radio in 1954, a year after his sudden demise.

BWW Review: AFTER LIFE, National Theatre

The National Theatre kicks off its post-lockdown season with a brainteaser: what is the most meaningful or precious moment of your life? The question is central to After Life, Jack Thorne’s stage adaptation of Hirokazu Kore-eda’s acclaimed 1998 film, co-produced by Headlong, which unfolds in a purgatorial facility over the course of a single week.

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