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A.R.T. Announces Events For Company One's HYPE MAN: A BREAK BEAT PLAY

American Repertory Theater (A.R.T.) at Harvard University and Company One Theatre announce free events associated with the reimagined digital version of Company One's critically acclaimed, Elliot Norton Award-winning production of Hype Man: a break beat play by Idris Goodwin.

Huntington and GBH Announce Audio Play TIGER STYLE

The Huntington Theatre Company in partnership with GBH presents the audio version of the comedy Tiger Style! by Mike Lew and directed by Tony Award nominee Moritz von Stuelpnagel (Hand to God on Broadway).

BWW Feature: Barrington Stage to Move Forward with LIVE Performances

Due to the ongoing COVID-19 pandemic, Barrington Stage Company has postponed the previously announced 2020 season until 2021. They have, however, come up with an a?oealternate seasona?? that honors live theatre and allows for gathering safely. BSC has devised a plan which follows Social Distancing guidelines to ensure the safety of audience members, employees, and performers alike.

BWW Review: WOLF PLAY at Company One Theatre

For a long time within their history, Company One has cornered the market in Boston for selecting those cutting-edge new works that are able to effectively spark conversations and juxtaposing them against each other in ways that are both productive and incendiary. Hats off to Director of New Work, Ilana M Brownstein, as well as National New Play Network (NNPN) Producer in Residence, Jasmine Brooks, and the entire administrative staff for selecting, through NNPN, such a well-crafted text for a rolling premiere. Jung, who may be best known in Boston for her equally nuanced play, Cardboard Piano, does not stoop to begin with a message, as seems to be in vogue for playwrights right now. She does not set out to teach us anything in a certain, straightforward lecture subdivided into all-too-interchangeable dialogue. Instead, the genesis of her play seems to center around the hypothetical. As one character explains in a moment of meta-theatricality, the evening is nothing more than a series of 'what if?'s. What if a young boy was adopted from Korea by a a?oenot-future-orienteda?? white couple who have given up on having any biological children of their own? What if, once that couple is able to conceive, the boy is again put up for adoption? What if he is adopted by a lesbian couple, and his adoptive father is not entirely thrilled with the prospect of two women raising a boy? By asking these questions and not providing answers, Jung has effectively done what so many playwrights and their commissioners claim to want. She has created a work with the potential to generate conversations that lead to growth and change. Set against the thorough dramaturgical work one can expect from Company One, the production introduces issues within the idea of transracial adoption, America's systems for adoption, and the thin line between a?oevulnerability and violencea??.

Review Roundup: Broadway-Bound AMERICAN UTOPIA in Boston

After a sold-out, year-long critically acclaimed international tour, David Byrne's American Utopia will play a strictly limited engagement on Broadway at the intimate Hudson Theatre from October 4, 2019 through January 19, 2020, with the official opening set for October 20, 2019.

Photo Flash: First Look At DRAGON MAMA At OBERON

Dragon Mama has its world premiere tonight, Thursday, March 28 at OBERON, the American Repertory Theater's club venue, located at 2 Arrow Street, Cambridge, MA. It plays in repertory with Dragon Lady through Sunday, April 7. Tickets on sale now: online at americanrepertorytheater.org, by phone at 617.547.8300, and in person at the Loeb Drama Center Ticket Services Offices (64 Brattle Street, Cambridge).

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