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Interview: How Idina Menzel Is Giving Back This Pride Month

Idina Menzel is getting 'Dramatic' with her new album! BroadwayWorld sat down with Menzel to discuss giving back to the LGBTQIA+ community through the new album, feeling less apologetic with her music, and her upcoming 'unconventional' musical, Redwood.

Jake Shears Releases New Album 'Last Man Dancing' Featuring Kylie Minogue

Jake Shears has released his new record, Last Man Dancing. The project features the new single, a brand new collaboration with Kylie Minogue (“Voices”), plus recent singles “Too Much Music” and “I Used To be In Love”. Following a recent run of support sets in the UK with Duran Duran, Shears will take Last Man Dancing on the road this summer.

Video: Idina Menzel Drops 'MOVE' Music Video

Idina Menzel is kicking off Pride Month with the new music video for her single 'Move.' Describing her new album as a 'love letter' to the Queer community, Menzel worked alongside global hitmakers Nile Rodgers, Jake Shears, Justin Tranter, Sir Nolan, Simon Wilcox, Laura Veltz, Jim Eliot, Maty Noyes, Mitch Allan, and more for the new dance record.

Jake Shears Shares New Track 'Last Man Dancing'

The record was conceived between the US, Portugal, and London (where Jake relocated from his New Orleans home during the pandemic) alongside the sort of head-turning guestlist that, in Shears’ cross-pollinating universe, also makes total sense: from Amber Martin and Boys Noize to Big Freedia, Kylie Minogue, and cameos from Jane Fonda and Iggy Pop. 

Video: Idina Menzel Discusses Her New Album Being a 'Love Letter' to the Queer Community

Idina Menzel discussed how her new album, 'Drama Queen,' is a 'love letter' to the Queer community. The first single, 'Move,' is out now, produced by Chantry Johnson and Mitch Allan. Menzel also revealed how the LGBTQIA+ community might relate to her characters in Rent, Wicked, and Frozen. Watch the video on The Jess Cagle Show now!

Listen: Idina Menzel Releases New Song 'Move' From 'Drama Queen' Dance Album

Menzel worked alongside global hitmakers Nile Rodgers, Jake Shears, Justin Tranter, Sir Nolan, Simon Wilcox, Laura Veltz, Jim Eliot, Maty Noyes, Mitch Allan, Lindy Robbins, Chantry Johnson, Michelle Zarlenga and more to create a body of work that is a departure from what she’s put out in the past.

Pvssy Riot & Boys Noize Team Up and Bring Alice Glass Along for 'Chastity'

With 'Chastity,' Pussy Riot and Alice Glass wield Boys Noize's racing techno-NRG as a weapon of mass domination. The femme-fatale vocalists take turns drenching the Berlin producer's dark adrenaline with syrupy acid – and while it's an undeniable peak-time rush, a closer listen to the lyrics reveal disturbing new details.

Jake Shears Shares New Track 'I Used To Be In Love'

Throughout an unorthodox career that has Grammy nominations and tours, Jake Shears has continued to shape-shift: he has not only written an acclaimed memoir (‘Boys Keep Swinging’) and performed on Broadway, but also recently opened a musical in London to rave reviews (Tammy Faye, written alongside Elton John and British playwright James Graham).

Jake Shears Shares New Track 'Devil Came Down The Dance Floor'

Jake Shears (the musician and frontman of seminal NYC indie glam-pop greats Scissor Sisters) has shared brand new track, “Devil Came Down the Dance Floor”, featuring Amber Martin. It’s the second preview of his forthcoming album Last Man Dancing, which was introduced in irresistible style recently with first single “Too Much Music”.

BBC Radio 2 Presents Line Up for PIANO ROOM Month

Radio 2 Piano Room month sees an abundance of world famous, award-winning artists each perform exclusively with the BBC Concert Orchestra from Monday 30 January to Friday 24 February 2023.

Review: TAMMY FAYE, Almeida Theatre

Rupert Goold directs a sanitised tale of faith, love, and financial fraud with a cast led by Andrew Rannells and Katie Brayben as the Bakkers - the couple who changed the face of American Christianity by broadcasting “24 hours per day, seven days a week until the second coming” in the 70s and 80s. It’s a camp production, clearly pre-packaged for the West End, that’s too abridged in its retelling of the story to hit the mark. 

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