Jack Saunders News

On “Thank You,” Lang explains it “is all about growing up, accepting your mistakes, and being thankful for the fact that they allow you to learn about yourself and change.”

All three singles demonstrate Lang’s versatility and growth as a songwriter, highlighting Chew The Scenery’s scuzzy indie rock dynamics, psychedelic flourishes, and orchestral grandiosity.

Live, CMAT’s just announced her biggest shows to date for next year - The Academy, Dublin on March 11.

Arriving as the newest addition to her thrilling back catalog, “Bleugh” showcases yet another layer to Hibberd’s vast songwriting skills where she aims to capitalize on the huge wave of momentum provided by rousing anthem, “How Am I Still Alive?” (with The Regrettes’ Lydia Night) earlier this spring.

Chew The Scenery follows a momentous 2020 for Lang which yielded the release of three EPs, Antidote to Being Bored, Hand Over Your Head and Overthunk.

Warpaint is a multi-hued chronicle, showcasing Boy Destroy's genre-bending prowess; influenced by '90s alternative rock which soundtracked his teens, as well as delving into legacy artists like Jeff Buckley and Joni Mitchell, alongside modern emo and trap.

Written to capture the emotions and complicated feelings that are often attached to the embarrassing situations we replay in our minds, Lang describes “Stuck” as “the point where you feel overwhelmed with all the voices in your head.”

A trip back to her guitar-driven roots, the song is a nostalgic slow-burner setting Miynt's delicately haunting vocal against understated production showing the confident restraint of a seasoned artist and songwriter.

“Beautiful Crimes” is a vibrant, nostalgic, alt-R&B meets emo number, showcasing yet another facet of Boy Destroy’s multidimensional universe. The new track sees him looking back on the part he played in a toxic relationship, through a glistening and hedonistic lens.

The band have also unveiled a very special livestream event, taking place in the city they played their first ever show together – Derry City, in the far north of Ireland.

Horror Show’ will receive its full release on 19th March and follows after the LA band’s latest LP release ‘Monsters’ that achieved #85 in the UK Top 100 Album Chart, #1 Itunes Electronic Album in five countries.

Recorded with Rich Cooper (Temper Trap, BANKS, Logic) in London, Flora Fauna blends Marten’s signature hushed, resonant vocals with a rapid pulse and rich instrumentation.

Expertly marrying classic hip-hop sensibilities with fresh energy and a zest for life, Don't Throw Rocks At The Moon was co-produced by frequent collaborator GMF.

Pared back in arrangement yet magnetic in execution, “Gucci Sweater” finds 19-year-old Dylan ruminating on the notion of materialism vs happiness and is yet another flawless showcase of his introspective songwriting. The track was written by Fraser and Jonah Summerfield (who also produced the record).  

Today, Boy Destroy released his new single and video 'You Don’t Want Me When I’m Sober” via Loyalty Obsession. 'You Don’t Want Me When I’m Sober' juxtaposes vulnerable lyricism with an infectious layering of pop sensibilities.

Today Blanketman have shared new track 'Leave The South', taken from their forthcoming debut EP National Trust, produced by Luke Smith (Foals, LIFE), that is due for release on March 19th, 2021 via [PIAS] Recordings.

Acclaimed Belfast band New Pagans have announced the release of their debut album The Seed, The Vessel, The Roots and All, which will be out March 19th via Big Scary Monsters.

Today Claud shares the video for their single “Soft Spot,” the second single taken from their forthcoming debut album Super Monster (February 12st via Saddest Factory Records).

Atlanta newcomers Lowertown have released Honeycomb, Bedbug – their debut EP on new label home Dirty Hit.

Today, Stockholm artist Miynt has released a brand new single titled 'A bite of papaya,' out now via B3SCI Records. A psychedelic slice of indie dance-pop highlighting Miynt's knack for understated, earworm melodies amidst textured production, she describes, 'A bite of papaya is the result of a slow disco jam and too much fruit.'