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Birth Place: Odense, Fyn, DENMARK

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Review: SEA WITCH, Theatre Royal Drury Lane

Staged at the cavernous Theatre Royal Drury Lane, Sea Witch arrived with the sort of fanfare usually reserved for tried-and-tested crowd-pleasers. Instead, this world premiere exposed the perils of unveiling an unpolished new musical on one of the West End’s most imposing stages.

Review: SCOTTISH BALLET'S THE SNOW QUEEN, Theatre Royal

From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s palace, where you’ll find her surrounded by the icy fragments of an enchanted mirror. Along the way, you’ll meet a sparkling cast of characters, from young lovers parted by a spell to a circus ringmaster with a few tricks up his sleeve.

Review: THE LITTLE MERMAID at Wilmington Drama League

Disney’s The Little Mermaid, loosely based on the fairytale of Hans Christian Andersen, tells the simple story of the beautiful young mermaid, Ariel, and her longing to leave her ocean home and live in the world above with humans.

Review: THE RED SHOES, Sadler's Wells Theatre

I couldn't help but get swept away by The Red Shoes. A rich blend of romantic storytelling and cinema, this production showcases the best Matthew Bourne has to offer as a love letter to ballet in its purest (and most haunting) form. If you're unable to find a production of The Nutcracker this holiday season, a trip to Sadler's Wells will more than suffice.

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