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Review: AS YOU LIKE IT, Shakespeare's Globe

Its strength is obviously in its joyous and uncompromising queer nature. McDougall casts it entirely gender-blind, making it a piece where gender doesn’t matter, even though its role is at the very core of it. They turn it into an exploration of the performative quality of identity with plenty of tongue-in-cheek moments that tug at the artifice of drama.

Photos: First Look at RSC's THE EMPRESS at the Swan Theatre

The Royal Shakespeare Company has released production images of The Empress, which will run in the Swan Theatre from Friday 7 July to Friday 15 September 2023, with press night on Tuesday 18 July before transferring to the Lyric Hammersmith Theatre in London from Wednesday 4 October to Saturday 28 October, with press night on Tuesday 10 October.

Review: ROMAN HOLIDAY, Theatre Royal Bath

Olivier-award winning director Jeremy Sams lights up the stage with a fast-paced show. For anyone not convinced by turning a Fifties film into a musical today, Roman Holiday is more relevant than you’d think.

Guest Blog: 'Representation is at the Heart of my Play': Playwright Tanika Gupta on Hidden Histories, Immigration and Cultural Diversity in THE EMPRESS

My play The Empress first premiered at the Royal Shakespeare Company (RSC),Swan Theatre a decade ago in 2013 under the Artistic Directorship of Michael Boyd. A decade later, this play is having a revival back in the Swan Theatre and the Lyric Hammersmith with a new production, a refreshed script and a different director.

Photos: Inside Rehearsal For Talawa Theatre Company's RECOGNITION

All new rehearsal images have been released for Talawa Theatre Company’s major new production, Recognition, which is premiering at Fairfield Halls, Croydon, from 1st – 24th June as part of London Borough of Culture 2023 - This Is Croydon.

Review: DANCEWEST FEST, Lyric Hammersmith

The prospect of a choreographic platform or festival is always exciting. DanceWest Fest at Hammersmith's Lyric saw the first outing of the rebranded Ignition Dance Festival. The night was hosting four dance makers, all presenting new work (or nearly) for an energised audience.

Review: WHITE CHRISTMAS, Liverpool Empire Theatre

While last week's snow may have melted away, there will still be a White Christmas in Liverpool thanks to the touring production of Irving Berlin's beloved Holiday classic.

Review: ONE WOMAN SHOW, Ambassadors Theatre

From the London commute and edgy social media spoken word to dramatic orange-lit flashbacks, Kingsman presents us with a fully-formed show-within-a-show that’s a parody of itself. She squeezes every last drop of funny from every single line of her script. It's a fast-paced takedown of the chaotic white woman in her twenties working in the arts that we all know so well.

        4       …    

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