Review: ANGEL'S BONE, London Coliseum
Whether intentionally or not, London’s opera houses have leaned hard into the Halloween season with an unspoken theme of “go bleak or go home”.
Ellie Kurttz News
Review: SOME WOMAN, Starring Anne-Marie Duff, National Theatre
The National Theatre continue their commitment to new writing with a piece by Helen Edmundson.
Photos: Anne-Marie Duff and More in SOME WOMAN at the National Theatre
The National Theatre has released all new production photos for Some Woman, a new play by Helen Edmundson (Small Island), directed by Blanche McIntyre (Tartuffe).
Guest Post: Theatre Re’s Artistic Director Guillaume Pigé On 15 Years Of THE NATURE OF FORGETTING
It is quite rare to be given the privilege of spending so much time with a single piece of work, returning to it again and again to question it, challenge it and enrich it through encounters with new performers, collaborators and audiences across the world.
Guest Post: 'I Didn't Come From Opera, I Came From Everywhere Else': Artist Mariam Wallentin On Collaborative Storytelling In ENO's ANGEL'S BONE
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
Photos: Anne-Marie Duff and More in Rehearsal For SOME WOMAN at the National Theatre
The National Theatre has released rehearsal photos for Some Woman, a new play by Helen Edmundson, directed by Blanche McIntyre.
Photos: THE PLAY THAT GOES WRONG Cast Hosts Guide Dogs UK Puppies at Duchess Theatre
Seven guide dog puppies in training visited London's Duchess Theatre to meet the cast of THE PLAY THAT GOES WRONG and watch extracts from the Olivier and Tony-winning comedy as part of their socialization training.
Photos: WHATEVER THE WEATHER Opens at the Unicorn Theatre
The Unicorn Theatre and Theatre Hullabaloo have released new production images for Whatever the Weather, a brand-new play installation from Linbury Prize finalist Rūta Irbīte.
Photos: ANGEL'S BONE at English National Opera
First-look production photos have been released for English National Opera’s UK premiere of ANGEL’S BONE by Du Yun.
Guest Blog: 'It Has Been An Honour And An Enormous Responsibility': Samantha Lane on Adapting TOTO THE NINJA CAT AND THE GREAT SNAKE ESCAPE For The Stage
Adapting Toto the Ninja Cat and The Great Snake Escape for the stage has been both an honour and an enormous responsibility.
Review: THE RIVALS, Orange Tree Theatre
After staging a charming version of Oliver Goldsmith's She Stoops to Conquer two years ago, the Orange Tree's Tom Littler brings us Richard Brinsley Sheridan’s 250-year-old comedy The Rivals.
Review: MUSEUM OF AUSTERITY, Young Vic
There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies.
Review: BENGAL TIGER AT THE BAGHDAD ZOO, Young Vic
Bengal Tiger At The Baghdad Zoo, arriving now at the Young Vic for its long-overdue European premiere, is ostensibly about the American occupation of Iraq.
Photos: Patricia Hodge and Robert Bathurst in Rehearsals for THE RIVALS at Orange Tree
You can now get a first look inside rehearsals for The Rivals at the Orange Tree Theatre.
Review: CARMEN, London Coliseum
If you liked Evita at the Palladium, you'll like Carmen at the Coliseum
Guest Blog: 'It's Such An Iconic Opera': Conductor Olivia Clarke on Taking on ENO's CARMEN
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero.
Review: MY ENGLISH PERSIAN KITCHEN, Soho Theatre
Some Soho Theatre audience members at My English Persian Kitchen over the next month may be more enticed by what comes after the show than by the show itself.
Review: ENTERTAINING MR SLOANE, Young Vic
There’s a lot of pressure on an Artistic Director’s first production at a new venue, especially if they’re directing it themselves.
Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre
Little Angel Theatre delivers a vibrant, triumphant and delightful production of We’re Going on a Bear Hunt.
Review: CREDITORS, Starring Charles Dance, Orange Tree Theatre
Orange Tree artistic director Tom Littler first directed Howard Brenton’s adaptation of August Strindberg’s Creditors at Jermyn Street Theatre in 2019, in rep with Miss Julie.
.jpg?format=auto&width=300)
Tickets From $59
Tickets From $70
Tickets From $59
Tickets From $101
