Ellie Kurttz
Ellie Kurttz is a photographer with credits tracked on BroadwayWorld.
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Photos/Video: First Look at The Royal Shakespeare Company's FALKLAND SOUND
by Stephi Wild - 2023-08-10 06:22:17
Photos & Video: Go Inside Rehearsals for THE COLOR PURPLE UK Tour
by Chloe Rabinowitz - 2022-08-25 15:00:15
News
Review: ANGEL'S BONE, London Coliseum
by Franco Milazzo - Oct 18, 2026
Whether intentionally or not, London’s opera houses have leaned hard into the Halloween season with an unspoken theme of “go bleak or go home”. Over in Covent Garden, there’s a revival of Philip Venables’s 4.48 Psychosis (adapted from Sarah Kane’s final play, completed shortly before she took her life aged just 28). The English National Opera, meanwhile, has plumped for something even darker.
by Franco Milazzo - Oct 18, 2026
Whether intentionally or not, London’s opera houses have leaned hard into the Halloween season with an unspoken theme of “go bleak or go home”. Over in Covent Garden, there’s a revival of Philip Venables’s 4.48 Psychosis (adapted from Sarah Kane’s final play, completed shortly before she took her life aged just 28). The English National Opera, meanwhile, has plumped for something even darker.
Review: SOME WOMAN, Starring Anne-Marie Duff, National Theatre
by Cindy Marcolina - Oct 16, 2026
The National Theatre continue their commitment to new writing with a piece by Helen Edmundson. While this is wonderful in itself, this is not only a matter of having an original play on stage. Some Woman spotlights a category that’s often forgotten by the entertainment business, featuring a middle-aged woman as its protagonist. Anne-Marie Duff makes a splendid return to the National Theatre directed by Blanche McIntyre, portraying a woman who finds herself in a baffling position after a ten-year-old verbally abuses her on a train platform. The situation escalates, allowing Edmundson to weave a complex exploration of womanhood and misogyny in the 21st century.
by Cindy Marcolina - Oct 16, 2026
The National Theatre continue their commitment to new writing with a piece by Helen Edmundson. While this is wonderful in itself, this is not only a matter of having an original play on stage. Some Woman spotlights a category that’s often forgotten by the entertainment business, featuring a middle-aged woman as its protagonist. Anne-Marie Duff makes a splendid return to the National Theatre directed by Blanche McIntyre, portraying a woman who finds herself in a baffling position after a ten-year-old verbally abuses her on a train platform. The situation escalates, allowing Edmundson to weave a complex exploration of womanhood and misogyny in the 21st century.
Photos: Anne-Marie Duff and More in SOME WOMAN at the National Theatre
by Stephi Wild - Oct 15, 2026
The National Theatre has released all new production photos for Some Woman, a new play by Helen Edmundson (Small Island), directed by Blanche McIntyre (Tartuffe). Anne-Marie Duff (Bad Sisters) plays Julie Robson in the world premiere.
by Stephi Wild - Oct 15, 2026
The National Theatre has released all new production photos for Some Woman, a new play by Helen Edmundson (Small Island), directed by Blanche McIntyre (Tartuffe). Anne-Marie Duff (Bad Sisters) plays Julie Robson in the world premiere.
Guest Post: Theatre Re’s Artistic Director Guillaume Pigé On 15 Years Of THE NATURE OF FORGETTING
by Guest Author - Oct 9, 2026
It is quite rare to be given the privilege of spending so much time with a single piece of work, returning to it again and again to question it, challenge it and enrich it through encounters with new performers, collaborators and audiences across the world. I am only realising now how much that restless process of exploration and refinement has shaped Theatre Re’s performance language. We would not be the company we are today without The Nature of Forgetting.
by Guest Author - Oct 9, 2026
It is quite rare to be given the privilege of spending so much time with a single piece of work, returning to it again and again to question it, challenge it and enrich it through encounters with new performers, collaborators and audiences across the world. I am only realising now how much that restless process of exploration and refinement has shaped Theatre Re’s performance language. We would not be the company we are today without The Nature of Forgetting.
Guest Post: 'I Didn't Come From Opera, I Came From Everywhere Else': Artist Mariam Wallentin On Collaborative Storytelling In ENO's ANGEL'S BONE
by Guest Author - Oct 7, 2026
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
by Guest Author - Oct 7, 2026
The Swedish cross-genre artist tells BroadwayWorld about working with Kip Williams, moving the production from Manchester's Aviva Studios to the London Coliseum, and the toll of performing Angel's Bone's darkest scenes.
Photos: Anne-Marie Duff and More in Rehearsal For SOME WOMAN at the National Theatre
by Stephi Wild - Sep 15, 2026
The National Theatre has released rehearsal photos for Some Woman, a new play by Helen Edmundson, directed by Blanche McIntyre. Learn more and check out the photos here!
by Stephi Wild - Sep 15, 2026
The National Theatre has released rehearsal photos for Some Woman, a new play by Helen Edmundson, directed by Blanche McIntyre. Learn more and check out the photos here!
Photos: THE PLAY THAT GOES WRONG Cast Hosts Guide Dogs UK Puppies at Duchess Theatre
by Stephi Wild - Sep 3, 2026
Seven guide dog puppies in training visited London's Duchess Theatre to meet the cast of THE PLAY THAT GOES WRONG and watch extracts from the Olivier and Tony-winning comedy as part of their socialization training. Check out photos here!
by Stephi Wild - Sep 3, 2026
Seven guide dog puppies in training visited London's Duchess Theatre to meet the cast of THE PLAY THAT GOES WRONG and watch extracts from the Olivier and Tony-winning comedy as part of their socialization training. Check out photos here!
Photos: WHATEVER THE WEATHER Opens at the Unicorn Theatre
by Stephi Wild - Jul 7, 2026
The Unicorn Theatre and Theatre Hullabaloo have released new production images for Whatever the Weather, a brand-new play installation from Linbury Prize finalist Rūta Irbīte. Check out the photos here!
by Stephi Wild - Jul 7, 2026
The Unicorn Theatre and Theatre Hullabaloo have released new production images for Whatever the Weather, a brand-new play installation from Linbury Prize finalist Rūta Irbīte. Check out the photos here!
Photos: ANGEL'S BONE at English National Opera
by A.A. Cristi - May 12, 2026
First-look production photos have been released for English National Opera’s UK premiere of ANGEL’S BONE by Du Yun. Directed by Kip Williams, the production opens May 12 at Aviva Studios in Manchester before transferring to the London Coliseum.
by A.A. Cristi - May 12, 2026
First-look production photos have been released for English National Opera’s UK premiere of ANGEL’S BONE by Du Yun. Directed by Kip Williams, the production opens May 12 at Aviva Studios in Manchester before transferring to the London Coliseum.
Guest Blog: 'It Has Been An Honour And An Enormous Responsibility': Samantha Lane on Adapting TOTO THE NINJA CAT AND THE GREAT SNAKE ESCAPE For The Stage
by Guest Author - May 13, 2026
Adapting Toto the Ninja Cat and The Great Snake Escape for the stage has been both an honour and an enormous responsibility. Not only is the story clearly very close to Dermot O'Leary’s heart (the cats are inspired by his own) but the books are deeply loved by thousands of young readers. When children arrive at the theatre already carrying a story in their imagination, you have to treat that trust very carefully. The challenge is finding a way to stay true to the essence of the book while also allowing the creative team to make something genuinely theatrical and new.
by Guest Author - May 13, 2026
Adapting Toto the Ninja Cat and The Great Snake Escape for the stage has been both an honour and an enormous responsibility. Not only is the story clearly very close to Dermot O'Leary’s heart (the cats are inspired by his own) but the books are deeply loved by thousands of young readers. When children arrive at the theatre already carrying a story in their imagination, you have to treat that trust very carefully. The challenge is finding a way to stay true to the essence of the book while also allowing the creative team to make something genuinely theatrical and new.
Review: THE RIVALS, Orange Tree Theatre
by Aliya Al-Hassan - Jan 4, 2026
After staging a charming version of Oliver Goldsmith's She Stoops to Conquer two years ago, the Orange Tree's Tom Littler brings us Richard Brinsley Sheridan’s 250-year-old comedy The Rivals. Like She Stoops to Conquer, Littler, along with associate Rosie Tricks, has almost rewritten the play, updating much of the language and making the setting the Wodehousian 1920s.
by Aliya Al-Hassan - Jan 4, 2026
After staging a charming version of Oliver Goldsmith's She Stoops to Conquer two years ago, the Orange Tree's Tom Littler brings us Richard Brinsley Sheridan’s 250-year-old comedy The Rivals. Like She Stoops to Conquer, Littler, along with associate Rosie Tricks, has almost rewritten the play, updating much of the language and making the setting the Wodehousian 1920s.
Review: MUSEUM OF AUSTERITY, Young Vic
by Franco Milazzo - Dec 12, 2025
There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies. Museum of Austerity, revived at the Young Vic, is a cool, technologically-slick indictment, a moral subpoena served directly to your eyeballs through augmented-reality headsets. Grimmer than a midwinter funeral, the show is misnamed and flawed but serves as a salient reminder of how man’s inhumanity to man never ceases to beggar the imagination.
by Franco Milazzo - Dec 12, 2025
There are many museums dedicated to disaster, but only Britain could create one in which the exhibits are victims of its own fiscal policies. Museum of Austerity, revived at the Young Vic, is a cool, technologically-slick indictment, a moral subpoena served directly to your eyeballs through augmented-reality headsets. Grimmer than a midwinter funeral, the show is misnamed and flawed but serves as a salient reminder of how man’s inhumanity to man never ceases to beggar the imagination.
Review: BENGAL TIGER AT THE BAGHDAD ZOO, Young Vic
by Franco Milazzo - Dec 10, 2025
Bengal Tiger At The Baghdad Zoo, arriving now at the Young Vic for its long-overdue European premiere, is ostensibly about the American occupation of Iraq. Really, though, Rajiv Joseph’s Pulitzer-nominated work is about two things: a gold-plated toilet seat stolen from Uday Hussein (son of Saddam and recreational rapist, torturer and murderer), and the sheer, unforgivable absurdity of existence.
by Franco Milazzo - Dec 10, 2025
Bengal Tiger At The Baghdad Zoo, arriving now at the Young Vic for its long-overdue European premiere, is ostensibly about the American occupation of Iraq. Really, though, Rajiv Joseph’s Pulitzer-nominated work is about two things: a gold-plated toilet seat stolen from Uday Hussein (son of Saddam and recreational rapist, torturer and murderer), and the sheer, unforgivable absurdity of existence.
Photos: Patricia Hodge and Robert Bathurst in Rehearsals for THE RIVALS at Orange Tree
by Chloe Rabinowitz - Nov 28, 2025
You can now get a first look inside rehearsals for The Rivals at the Orange Tree Theatre. See photos of Patricia Hodge, Robert Bathurst and more in the production.
by Chloe Rabinowitz - Nov 28, 2025
You can now get a first look inside rehearsals for The Rivals at the Orange Tree Theatre. See photos of Patricia Hodge, Robert Bathurst and more in the production.
Review: CARMEN, London Coliseum
by Gary Naylor - Oct 9, 2025
If you liked Evita at the Palladium, you'll like Carmen at the Coliseum
by Gary Naylor - Oct 9, 2025
If you liked Evita at the Palladium, you'll like Carmen at the Coliseum
Guest Blog: 'It's Such An Iconic Opera': Conductor Olivia Clarke on Taking on ENO's CARMEN
by Guest Author - Oct 8, 2025
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero. Carmen’s extreme drama and memorable music makes it one of the best-loved operas by audiences worldwide.
by Guest Author - Oct 8, 2025
I’m looking forward to conducting Bizet’s Carmen for English National Opera (ENO) this autumn, alongside fellow conductor, Clelia Cafiero. Carmen’s extreme drama and memorable music makes it one of the best-loved operas by audiences worldwide.
Review: MY ENGLISH PERSIAN KITCHEN, Soho Theatre
by Clementine Scott - Oct 3, 2025
Some Soho Theatre audience members at My English Persian Kitchen over the next month may be more enticed by what comes after the show than by the show itself. That’s because Hannah Khalil’s one-woman show has the distinction of featuring onstage cooking.
by Clementine Scott - Oct 3, 2025
Some Soho Theatre audience members at My English Persian Kitchen over the next month may be more enticed by what comes after the show than by the show itself. That’s because Hannah Khalil’s one-woman show has the distinction of featuring onstage cooking.
Review: ENTERTAINING MR SLOANE, Young Vic
by Katie Kirkpatrick - Sep 25, 2025
There’s a lot of pressure on an Artistic Director’s first production at a new venue, especially if they’re directing it themselves. Nadia Fall kicks off her tenure leading the Young Vic with a revival of a classic Joe Orton play, promising ‘seduction and devilish wit.’ But could this show seduce its audience?
by Katie Kirkpatrick - Sep 25, 2025
There’s a lot of pressure on an Artistic Director’s first production at a new venue, especially if they’re directing it themselves. Nadia Fall kicks off her tenure leading the Young Vic with a revival of a classic Joe Orton play, promising ‘seduction and devilish wit.’ But could this show seduce its audience?
Review: WE'RE GOING ON A BEAR HUNT, Little Angel Theatre
by Christiana Rose - Sep 15, 2025
Little Angel Theatre delivers a vibrant, triumphant and delightful production of We’re Going on a Bear Hunt. This much-loved story by Michael Rosen, illustrated by Helen Oxenbury, is transformed into a vibrant 45 minute adventure which captivates children and adults alike with its exquisite puppetry, charming music, and infectious energy.
by Christiana Rose - Sep 15, 2025
Little Angel Theatre delivers a vibrant, triumphant and delightful production of We’re Going on a Bear Hunt. This much-loved story by Michael Rosen, illustrated by Helen Oxenbury, is transformed into a vibrant 45 minute adventure which captivates children and adults alike with its exquisite puppetry, charming music, and infectious energy.
Review: CREDITORS, Starring Charles Dance, Orange Tree Theatre
by Aliya Al-Hassan - Sep 15, 2025
Orange Tree artistic director Tom Littler first directed Howard Brenton’s adaptation of August Strindberg’s Creditors at Jermyn Street Theatre in 2019, in rep with Miss Julie. He has secured quite a coup in gathering such a star-studded cast of acting veterans with Geraldine James, Nicholas Farrell and Charles Dance in this wonderfully performed but underwhelming production.
by Aliya Al-Hassan - Sep 15, 2025
Orange Tree artistic director Tom Littler first directed Howard Brenton’s adaptation of August Strindberg’s Creditors at Jermyn Street Theatre in 2019, in rep with Miss Julie. He has secured quite a coup in gathering such a star-studded cast of acting veterans with Geraldine James, Nicholas Farrell and Charles Dance in this wonderfully performed but underwhelming production.
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