Review: THE TRIALS AND PASSIONS OF UNFAMOUS WOMEN, Brixton House Theatre
A courtroom is a place of tradition, of cold reason rather than emotional responses.
Ellie Kurttz News
Photos: First Look at SOME DEMON at the Arcola Theatre
All new photos have been released from Some Demon at the Arcola Theatre which opens tonight.
Review: MACBETH (AN UNDOING), Lyceum Theatre, Edinburgh
When her husband returns victorious from the battlefield with a prophecy that he is to become King of Scotland, Lady Macbeth will stop at nothing to make their darkest ambition a reality.
Review: THE HOUSE PARTY, Chichester Festival Theatre
Superb performances anchor a hurtling rollercoaster of a play that will live long in the memory of anyone who sees it.
Interview: 'It's Championing Women's Friendships and Voices.': Rebekah Hinds and Bronté Barbé on KATHY & STELLA SOLVE A MURDER!
Recently we had the chance to chat with Bronté Barbé and Rebekah Hinds, who play Kathy and Stella, respectively.
Review: OLIVE JAR, Grand Junction
What is theatre fundamentally about? Why do we create any form of literature or performance? Why do we tell stories? Stories are such a formative part of life, forging our knowledge of the world and helping to bring communities together.
Photos: In Rehearsal for THE HOUSE PARTY At Chichester's Minerva Theatre
Laura Lomas’s The House Party spins Strindberg’s Miss Julie into intense, fizzing life for today’s generation.
Review: JENŮFA, London Coliseum
Opera is not short of stories where women are violated and abandoned by the men in their lives but Leoš Janáček’s Jenůfa is an especially cruel tale.
Photos: Janáček's JENŮFA Returns to the London Coliseum
David Alden’s double Olivier Award-winning production of Janáček’s Jenůfa returns to the London Coliseum.
Review: MACBETH (AN UNDOING), Rose Theatre
A production that promises to be a 'fresh take' on one of Shakepeare's most famous plays is apt to produce a weary sigh or two.
Review: BEN & IMO, Swan Theatre, Stratford-upon-Avon
Written by Mark Ravenhill and directed by Erica Whyman, Ben & Imo tells the story of the composition of Benjamin Britten’s (Samuel Barnett) Gloriana with musical assistant Imogen Holst (Victoria Yeates) over a period of nine months in the coast town of Aldeburgh.
Review: NACHTLAND, Young Vic
Nachtland is a nervous, difficult play whose purpose is decisively blurry.
Review: THE FULL MONTY, Theatre Royal Glasgow
Actors bare it all in Simon Beaufoy's award-winning adaptation of The Full Monty in Glasgow this week.
Review: THIS MIGHT NOT BE IT, Bush Theatre
The local NHS Child and Adolescent Mental Health Service facility has a new temp, but Jay’s bright eyes and hopeful attitude grate against Angela’s 30 years’ worth of experience.
Photos: First Look at Touring Production of CHARLIE COOK'S FAVOURITE BOOK
See the new production shots from the musical adaptation of Julia Donaldson and Axel Scheffler's beloved children's book Charlie Cook’s Favourite Book, which is currently on at Little Angel Studios until 4 February 2024 (then touring to over 50 venues across the UK)!
Photos: First Look at ARABIAN NIGHTS at Bristol Old Vic
Ahead of the official opening night of Bristol Old Vic's festive spectacular Arabian Nights on Wed 29 Nov, production photos have been released.
Photos: First Look at Rehearsals for THE HOMECOMING at the Young Vic
Photos have been released of Matthew Dunster's new version of Harold Pinter’s powerful masterpiece, The Homecoming at the Young Vic.
Review: THE GIRL ON THE TRAIN, Salisbury Playhouse
All aboard for a new rendering of The Girl on the Train at Salisbury Playhouse, with clever background projection to lift a journey that doesn’t quite make its connection.
Photos: First Look at THE GIRL ON THE TRAIN at Salisbury Playhouse
All new production photos have been released for The Girl On The Train, based on the Dreamworks film and bestselling novel by Paula Hawkins, adapted by Rachel Wagstaff and Duncan Abel currently on at Salisbury Playhouse until 11 November.
Review: THE EMPRESS, Lyric Hammersmith
There are meaty themes, moments of humour and insight, and the standard of professionalism you’d expect from a Royal Shakespeare Company production first staged in Stratford in 2013 and now playing at the Lyric Hammersmith.
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