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Review: KING LEAR at Resident Ensemble Players

Resident Ensemble Players’ King Lear is not a safe, reverential staging—it is a bold, bracing confrontation with one of Shakespeare’s most devastating works. Tt is a production that does what great theatre should: it wounds, it awakens, and it leaves us changed.

Review: ROUGH CROSSING at Resident Ensemble Players

The curriculum vitae of Tom Stoppard is staggering. 1964’s “Rosencrantz and Guildenstern Are Dead” brought him initial fame in the theatre world. Prolific does not do the man justice. In every theatrical/writing genre he has excelled. Tony Awards, Academy Awards and every other conceivable one. To give some context, he wrote the film “Shakespeare In Love” and “Indiana Jones and the Last Crusade”. His genius in writing is equal to that of Stephen Sondheim in musical theatre.

Review: THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) at UD Rep Ensemble

Aisle Say began reviewing UD REP - Resident Ensemble Players – in a campus gym, long before the capacious and elegant Roselle Center for the Arts became a reality. I was always struck with their overarching quality of both acting and tech. In many reviews called them the pre-eminent acting company in the region. REP is entering its 15th year, with many of the original actors still plying their craft.

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