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Five For Fighting to Play String Quartet Shows With Broadway Musicians

Beginning in September, Five For Fighting will be playing a series of special string quartet shows (all dates below). Ondrasik will be bringing top musicians including Tony-Award winning concertmaster and co-orchestrator of Moulin Rouge! The Musical Katie Kresek (Violin), Melissa Tong (Violin), who toured with Post Malone in 2023, and Broadway’s Chris Cardona (Viola) and Peter Sachon (Cello). 

SF Symphony Reveals Summer With The Symphony Season

The San Francisco Symphony has announced programming for its summer season, running July 4–August 4 with concerts at Davies Symphony Hall and outdoor performances at Stanford Live’s Frost Amphitheater, Shoreline Amphitheatre, and Sigmund Stern Grove.  

Review: HERE IT IS: A TRIBUTE TO LEONARD COHEN at Kennedy Center

The producer Larry Klein honored the memory of Leonard Cohen with a 2022 tribute album that had a hushed sensibility and taste, as well as an impressive array of vocalists. Hoping to continue that feel, he began work on an equally fine performance version with the same title, “This is Now: A Tribute to Leonard Cohen,” which played two nights with the National Symphony Orchestra at the Kennedy Center over the weekend. 

Review: The Midnight Company's JUST ONE LOOK Continues to Wow Audiences

Howe’s performance was spectacular from the first shows she performed, but as the show has aged, she has comfortably fallen into a vocal performance that is extraordinary. Her meticulous phrasing and body language has continued to mature with each performance. She comfortably inhabits Ronstadt’s voice and delivers the songs with self-assured ease and panache. As a Ronstadt superfan it is hard to pick a favorite song, but Howe delivers “You’re No Good,” “When Will I Be Loved,” “It’s So Easy,” “Tumbling Dice,” and “Just One Looks” like she herself is a rock goddess. The audience mouths the words of Ronstadt’s well-known classics, bob their heads with the beat, and responds with thunderous applause following each number. It is not until Howe takes on Ronstadt’s later in career work that the audience gains appreciation for Howe’s immense talent. Her version of “When You Wish Upon a Star” is out of this world. She confidently handles “Poor Wondering One” from Gilbert and Sullivan’s operetta PIRATES OF PENZANCE, and skillfully sings “Por Un Amor” in Spanish from Ronstadt’s album “Los Canciones de Mi Padre.” Howe digs into every Ronstadt song she sings and delivers a memorable performance that allows the audience to reminisce in the music that defined female rockers for a generation.  

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