The Wallis Annenberg Center for the Performing Arts announced today the 2018/2019 season, delivering ten months of groundbreaking produced and presented works in dance, music and theater from locally, nationally and internationally renowned artists and companies. The season begins September 21, 2018, marking the third year of programming under the leadership of Artistic Director Paul Crewes and Managing Director Rachel Fine and the sixth for the institution. Michael Nemeroff, Chairman of the Board of The Wallis Annenberg Center for the Performing Arts, begins the second year of his term.
Casting is now complete for the inaugural REPRISE 2.0 production of Sweet Charity. Directed and choreographed by Kathleen Marshall, the classic Broadway hit plays from June 20 to July 1 at UCLA's Freud Playhouse.
Wallis Annenberg Center for the Performing Arts is teaming up again with Los Angeles magazine to present Center Stage: Mapping the Ecology of Dance in Los Angeles, a dynamic discussion with both established and emerging leaders in LA's dance world on May 17, 2018 at 9:00 am. This two-part panel will explore the exciting and explosive growth of dance in Los Angeles in recent years and the influences that have made it possible. Admission is free, but reservations are required.This special event, taking place in advance of Dance USA's 10thAnnual Conference in Downtown Los Angeles, will also be available as a Facebook Live stream on The Wallis' Facebook page.
Porchlight Music Theatre announces the final extension of its latest production, Memphis. Memphis must close Saturday, June 16, following that evening's 8 p.m. performance. Now playing through June 16 at The Ruth Page Center for the Arts, 1016 N. Dearborn Street, features book and lyrics by Joe DiPietro and music and lyrics by David Bryan and is directed by Daryl D. Brooks, assistant directed and choreographed by Christopher Carter, music directed by Jermaine Hill and assistant choreographed by Reneisha Jenkins.
Single tickets are now on sale for the inaugural REPRISE 2.0 production of Sweet Charity. Directed and choreographed by Kathleen Marshall, the classic Broadway hit plays from June 20 to July 1 at UCLA's Freud Playhouse. REPRISE 2.0 is led by producing artistic director Marcia Seligson.
Wallis Annenberg Center for the Performing Arts is teaming up again with Los Angeles magazine to present Center Stage: Mapping the Ecology of Dance in Los Angeles, a dynamic discussion with both established and emerging leaders in LA's dance world on May 17, 2018 at 9:00 am. This two-part panel will explore the exciting and explosive growth of dance in Los Angeles in recent years and the influences that have made it possible. Admission is free, but reservations are required.This special event, taking place in advance of Dance USA's 10thAnnual Conference in Downtown Los Angeles, will also be available as a Facebook Live stream on The Wallis' Facebook page.
In just two weeks, Capezio Dance Foundation presents: Capezio celebrates 130 years of excellence in a one-night only special Awards and show on Monday, May 14, 2018 at 7:30 pm at The Smith Center for the Performing Arts, 361 Symphony Park Avenue, Las Vegas NV 89106. A glorious production will highlight some of the magical history of Capezio with numerous dance legends and stars of stage and screen saluting this milestone. Savion Glover the Tony Award winner dancer, choreographer and actor joins this special event. The show is produced and directed by Ann Marie DeAngelo. The show benefts The Actors Fund and Future Dance (a program sponsored by Nevada Ballet Theatre).
Porchlight Music Theatre announces that due to audience demand Memphis is now extended through Sunday, June 10, at The Ruth Page Center for the Arts, 1016 N. Dearborn Street.
Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, concludes its 2017/18 season with the Asolo Repertory Theatre, Arena Stage, Pasadena Playhouse production of The Originalist by John Strand, directed by Molly Smith with Associate Director Seema Sueko, and featuring Edward Gero as Antonin Scalia. The Originalist runs May 10 - June 10, 2018 at Court Theatre, 5535 S. Ellis Ave. The press opening is Saturday, May 19, 2018 at 8:00pm.
TheatreSouth is proud to bring the compelling legal drama, A Class Act, to the Pompano Beach Cultural Center. Written by Norman Shabel, this play focuses on a trio of lawyers who accuse General Chemical Corporation of polluting water across the country through cancer-causing factory runoff. These attorneys are hoping for a big payoff from the deep pockets of the corporation, while the 'suits' at the latter plan to use blackmail as leverage to pay as little as possible.
Boston Conservatory at Berklee Executive Director Cathy Young will present honorary doctorates to opera superstar Victoria Livengood (M.M. '85, voice) and Tony Award-winning performer Billy Porter at the Conservatory's commencement ceremony on Saturday, May 12 at the Berklee Performance Center. Both artists will deliver commencement remarks for the Boston Conservatory at Berklee class of 2018 at the ceremony.
Verb Ballets, Northeast Ohio's premiere contemporary ballet company, to showcase at EJ Thomas Hall on April 27, 2018 with an exciting mix of dances on the program. The company has received international recognition and recently returned from a prestigious tour of Cuba. Known for its innovative works that highlight the classically trained dancers, the company has captured the attention of audiences for over 30 years. The evening features company debut of K281 by internationally acclaimed choreographer Adam Hougland.
Winner of the Pulitzer Prize, O'Neill's classic is a surprisingly contemporary play that crackles with fierce physicality, humor, and drama. After a 20-year separation, a coal barge captain (Lyric Stage favorite Johnny Lee Davenport) is reunited with the daughter he unknowingly abandoned to a life of hardship. When Anna falls in love with a shipwrecked sailor, her father and her suitor come to recognize their own culpability in her plight, and all three struggle in their own way for salvation. Following his acclaimed production of Who's Afraid of Virginia Woolf?, Scott Edmiston takes a fresh look at one of America's greatest playwrights.
Porchlight Music Theatre's Mainstage 2017-2018 season concludes with Memphis, April 19 - June 3, at The Ruth Page Center for the Arts, 1016 N. Dearborn Street. Memphis, book and lyrics by Joe DiPietro and music and lyrics by David Bryan, is directed by Daryl D. Brooks, assistant directed and choreographed by Christopher Carter, music directed by Jermaine Hill and assistant choreographed by Reneisha Jenkins.
Porchlight Music Theatre announced that Lorenzo Rush Jr has replaced James Earl Jones II in Porchlight Revisits They're Playing Our Song, music by Marvin Hamlisch, lyrics by Carole Bayer Sager and book by Neil Simon, with direction and choreography by Christopher Carter and musical direction by Andra Velis Simon. Porchlight Revisits They're Playing our Song is presented for three-nights-only Tuesday, March 6 through Thursday, March 8 at 7:15 p.m. and is performed on the set of Porchlight's Merrily We Roll Along (previews begin January 26) at Porchlight's new home, The Ruth Page Center for the Arts, 1016 N. Dearborn Street. Tickets for They're Playing Our Song are $35.
The Smith Center for the Performing Arts in Las Vegas Capezio Dance Foundation presents: Capezio celebrates 130 years of excellence in a one-night only special Awards and show on Monday, May 14, 2018 at 7:30 pm at The Smith Center for the Performing Arts, 361 Symphony Park Avenue, Las Vegas NV 89106. A glorious production will highlight some of the magical history of Capezio with numerous dance legends and stars of stage and screen saluting this milestone. The show is produced and directed by Ann Marie DeAngelo. The show benefts The Actors Fund and Future Dance (a program sponsored by Nevada Ballet Theatre). This is the first time that the Capezio Dance Awards are being presented to receipients of various dance genres.
Porchlight Music Theatre announced that Lorenzo Rush Jr has replaced James Earl Jones II in Porchlight Revisits They're Playing Our Song, music by Marvin Hamlisch, lyrics by Carole Bayer Sager and book by Neil Simon, with direction and choreography by Christopher Carter and musical direction by Andra Velis Simon. Porchlight Revisits They're Playing our Song is presented for three-nights-only Tuesday, March 6 through Thursday, March 8 at 7:15 p.m. and is performed on the set of Porchlight's Merrily We Roll Along (previews begin January 26) at Porchlight's new home, The Ruth Page Center for the Arts, 1016 N. Dearborn Street. Tickets for They're Playing Our Song are $35. All tickets include access to the popular pre-performance event, Behind the Show Backstory, a multimedia presentation, created and hosted by Porchlight Music Theatre Artistic Director Michael Weber that discusses the evening's production including the show's creative history, juicy backstage gossip and the state of the art on Broadway that season. Single tickets to They're Playing Our Song and subscriptions for the entire series are available at porchlightmusictheatre.org or by calling the Porchlight Music Theatre box office at 773.777.9884.
The National YoungArts Foundation (YoungArts) today announced the nominees for the 2018 U.S. Presidential Scholars in the Arts, one of the nation's highest honors for high school students who exemplify academic and artistic excellence. YoungArts is the sole nominating agency for this high honor and the 60 candidates, representing 25 states and nine artistic disciplines, are all YoungArts winners. The students have been nominated to the U.S. Presidential Scholars Program for their artistic achievement on the heels of the organization's annual signature program, National YoungArts Week, which concluded in Miami on January 14.
Choreographer, playwright, and dancer Jinah Parker's momentous and timely work SHE will run March 31 - May 19 at the Gym at Judson in Manhattan. This moving work of dance-theater-"a Choreoplay"-opens up all-too-necessary conversations about sexual trauma, systemic racism, women's healing and ownership of their bodies, and the undoing of rape culture.
