Daft Punk News

The Sundance Institute Board of Trustees today announced that Ebs Burnough will serve as the nonprofit's next Chair, Board of Trustees, starting in October 2021.

The Board of Trustees holds the fiduciary responsibility for the Institute, and works closely with the staff to develop strategic priorities that align with the values and vision of founder Robert Redford.

There are few individuals in the world of dance music who can claim the kind of influence Pete Tong MBE has had over the last three decades, publicly and behind the scenes: revered as an arena-selling artist, DJ, music producer, A&R, and the voice of Radio 1’s prestigious dance programming.

In addition, the EP features a new remix of the Raw Silk classic, 'Do It To The Music' by Fred Falke and Zen Freeman.

VaultWorks, a New York City media company that celebrates artistic and archival content, and Duggal Visual Solutions announce the debut of EYE CONTACT, a traveling exhibition that features a recently unearthed trove of rare photographs of music icons.

Speaking about the remix, Fred Falke and Zen Freeman reveal, 'We were really honored when West End Records asked us to do a remix of Do it to the Music, because it has always been a go to floor filler in our DJ set.

The 'Modern Life' video showcases a variety of lifestyles and people, basking in the glowing summer sun.

The rework will be released on the forthcoming Year Zero remix package, which recently saw Malaa remix Tchami & Gunna’s hit ‘Praise’ - the full collection of remixes is out later this year.

Zen and Fred add, 'Rufus is an exceptional talent and we had a fantastic time collaborating with him on this project. We created rich textures with strong electronic elements which we feel resonated perfectly with Rufus' depth and intensity.'

SebastiAn has collaborated with an array of leading talents. As well as contributing extensively to Frank Ocean’s Endless and Blonde albums, his remixes have been sought after by everyone from Justice and Daft Punk to Foals and Beastie Boys.

With this video, Waterparks' play on the song's lyric 'No I'm not a stalker but I watch you while you're walkin',' featuring a giant eye that appears throughout the video, watching the guys. Viewers surely won't be able to take their eyes off of the 'Violet!' video, either.

Hailing from Cork, Ireland, Bantum’s releases have always been optimistic and cheerful, but the year of lockdown has inspired a new energy in his productions.

In the latest Kellyoke, Kelly Clarkson and her band Y'all perform a funky cover of 'Get Lucky' by Daft Punk featuring Pharrell Williams and Nile Rodgers.

The video is the latest installment of Waterparks Wednesdays - where the guys debut a new release on Wednesdays leading up to the album. 'Just Kidding' is a stripped down, personal track that puts Awsten's bold vocals on display alongside a deftly-produced beat and very honest lyrics. 

The Toxic Avenger has previously worked with several big names including touring with Skrillex, collaborating with Chromeo, OrelSan and Look Mum no Computer, and has done official remixes for Magic Sword amongst others.

Born and based in Montpellier, France, Joris Delacroix draws inspiration from the likes of Daft Punk, Paul Kalkbrenner, Stefan Bodzin, Claude VonStroke, Stuart Price, David August, Maceo Plex, Rone, Rodriguez Jr, to name a few.

'New Leaf' introduces a new sound and direction for Bantum inspired by the disco-funk soul sound of Stardust, Cassius, Royksopp, Daft Punk, Jungle and Four Tet among many others.

Anchored by an other-worldly background of dreamy ethereal synths, layered vocals, and an intoxicating beat, “Boys Don’t Cry” lyrically challenges the stereotypical connotation that men should withhold their emotions.

Today VHS Collection have shared new single 'The Dark' via Tiger Tone Records / [PIAS] and its accompanying visualizer.'The Dark' seamlessly fuses analog synths, searing guitar hooks and an anthemic chorus, true to the band's retro-modern aesthetic while also teasing the more serious tone of the band's upcoming album.

Expanding on the video, Director Ollie Birt explains: 'Tim and I really wanted to take a trip to Miami to shoot this clip but for some weird reason the planes weren't flying.'