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VIDEO: Go Inside Opening Night Of Broadway-Bound THE DEVIL WEARS PRADA In Chicago

The world premiere production of The Devil Wears Prada, The Musical has officially opened in Chicago! The production began performances on July 19th, and celebrated opening night tonight, August 7th. The production runs through August 21st at Broadway In Chicago's James M. Nederlander Theatre. Watch the opening night curtain speeches from producer Kevin McCollum and director Anna D. Shapiro.

ID Channel Announces PEOPLE MAGAZINE INVESTIGATES

Each hour-long episode is captured through the lens of PEOPLE’s renowned journalists, taking viewers to the scene of the crime and revealing shocking twists and surprising new details through exclusive interviews, archival footage and emotional first-hand accounts from survivors. The new season kicks off with back-to-back episodes.

SMASH: THE MUSICAL Has First Reading; Teases Future Broadway Run

Today, composer Marc Shaiman shared via Facebook post that the first reading of 'SMASH- The Musical' took place on Friday, May 20th. The musical is centered around the hit NBC television show, which has a successful two season run back in 2012. 

BIRDLAND Jazz Club to Present Gravitte in New Residency Show, 'Debbie Plus One'

Her special guests for May 9 will include NaTasha Yvette Williams (Waitress), Christian Thompson (Ain’t Too Proud), and Hayley Podschun (Wicked), in addition to students from the Manhattan School of Music. Each show has a $40 music charge. Birdland is located at 315 West 44th Street in New York.

Photos: On the Red Carpet for Opening Night of HANGMEN

Martin McDonagh's Olivier Award-winning and New York Drama Critics' Circle Award-winning comedy Hangmen opened just last night at Broadway's Golden Theatre (252 West 45th Street). BroadwayWorld was there for the big night and you can check out photos from the star-studded red carpet arrivals!

BWW Interview: Molly Smith of CATCH ME IF YOU CAN at Arena Stage

Catch Me If You Can is not Molly Smith’s first musical with a con artist at the heart of it. In 2012, she directed a hit production of The Music Man, whose main character, Professor Harold Hill, could give Abagnale a run for his money. What is it about these men who have the ability to make us see what we want, and to command the stage while doing so, that lends itself to the theater?

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