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PYGmalion Theatre Company Continues 2025/26 Season With BECKY NURSE OF SALEM

PYGmalion Theatre Company will present 'BECKY NURSE OF SALEM' from Feb. 6-21 at the Rose Wagner Center for Performing Arts in Salt Lake City. Directed by Morag Shepherd, this play explores themes of misogyny and witchcraft through the story of Becky, a descendant of the Salem witches.

Award-Winning Classic DEATH OF A SALESMAN Returns To The Citadel Theatre

In a nod to the Citadel Theatre's very first season in 1965, Arthur Miller's Death of a Salesman returns to the Citadel stage this January. Death of a Salesman follows Willy Loman, a traveling salesman nearing the end of his career, as he struggles to reconcile his lifelong aspirations with reality.

Qui Nguyen Will Be Honored At The 2026 William Inge Theatre Festival

Emmy Award-winning writer and playwright Qui Nguyen will be honored at the 2026 WILLIAM INGE THEATRE FESTIVAL in Independence, Kansas. Nguyen will receive the William Inge Distinguished Achievement in the American Theatre Award in recognition of his impact on contemporary storytelling.

PURPOSE Makes Australian Premiere at Sydney Theatre Company

After claiming the 2025 Tony Award for Best Play, the 2025 Pulitzer Prize for Drama and the 2025 New York Drama Critics’ Circle Award, Branden Jacobs-Jenkins’ Purpose is set for its next major milestone: a new production at Sydney Theatre Company.

Interview: Two Seans: Marlow & Brown of DEATH OF A DRAG QUEEN at Portland's THE ECHO THEATER CO.

DEATH OF A DRAG QUEEN is a hilarious glitter-streaked Southern gothic about love, loss, and the personas we build to survive. Set in a small Louisiana apartment doubling as a backstage dressing room, the play follows Cram Brulée—a fading drag legend—as she prepares for what might be her final performance. Haunted by memories and betrayals, Cram struts, spirals, and sews her soul back together in a one-drag queen showdown soaked in sequins and secrets. Equal parts camp and confession, it’s a lipstick-stained elegy for those of us who love too much, give too much, and believe in everyone but ourselves. Breaking new ground as a one actor/one drag queen live performance. 'Tuck after tuck, somethin's gotta give!'

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