Aída es una ópera en cuatro actos, perteneciente al repertorio del romanticismo tardío italiano, con música de Giuseppe Verdi y libreto de Antonio Ghislanzoni, basado en un argumento del egiptólogo Auguste Mariette.
The new season, the 70th in Lyric Opera’s history, will include four mainstage productions at the Kauffman Center for the Performing Arts, including La bohème and Aida.
OPERA America has announced the nine recipients of the 2025 Marineau Opera Grants for Women Stage Directors and Conductors. Learn more about the recipients here!
Idina Menzel has returned to Broadway in Redwood, now playing at the Nederlander Theatre! Menzel famously got her start in Rent on Broadway, and has gone on to star in iconic productions including Wicked, Hair, Aida, The Wild Party, and more.
Someone at the Met should have been giving out flu shots (before RFK Junior makes them illegal), because something is obviously going around the cast of the new AIDA. They should have handed out a scorecard to help the audience keep track of who-was-who.
On Sunday evenings this November, Cincinnati Opera will partner with 90.9 WGUC, Cincinnati's classical public radio station, to broadcast select productions from its 2022 Summer Festival. Each broadcast will begin at 8 p.m. ET. You can listen on air at 90.9 FM and online at wguc.org.
Cincinnati Opera today shared updated cast, production, and schedule details for its 2022 Summer Festival, which will take place June 18 through July 31, 2022. After two seasons away, the company returns this summer to its longtime performance venues, Cincinnati Music Hall and the School for Creative and Performing Arts (SCPA).
Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.
We found ourselves in the conflict zone of the 2011 Egyptian Revolution, where protesters on stage were shouting "Down with Mubarak!" as we entered The Singapore Airlines Theatre of LASALLE College of the Arts. We settled down to watch the latest production of Aida, as part of The Lasalle Show, an annual graduation showcase.
Na Willemijn Verkaik speelt ook Freek Bartels een van de hoofdrollen in Aida in Concert. Van 20 tot en met 30 juni vindt op het festivalterrein van Autotron in 's-Hertogenbosch zes keer het openluchtconcert van Aida in Concert plaats. Freek vertolkt de rol van Radames. Willemijn Verkaik speelt de rol van Amneris. Na twee uitverkochte edities van Elisabeth in Concert in 2017 en 2018 geeft Stage Entertainment deze zomer aan deze traditie een vervolg met Aida in Concert. Net als bij Elisabeth in Concert zullen de bezoekers van het musicalconcert dezelfde festival-sfeer op en rondom het terrein ervaren. Met de fantastische muziek van Elton John, een top cast en een 14-koppig orkest, beleeft het publiek een onvergetelijke avond uit in de open lucht. Freek Bartels verheugt zich op de rol. 'Het is een prachtig en ontroerend liefdesverhaal met geweldige songs. Ik ben blij dat deze voorstelling, achttien jaar na de musical-premiere, weer in Nederland te horen is.' Wie de rol van Aida gaat spelen, wordt later bekend.
Linda Woolverton does a masterful job of modernizing - and feminizing - Verdi's libretto for A DA, but despite an excellent Theatre Charlotte cast, slogging through Sir Elton's parade of power ballads grows tedious.
Verdi's sumptuous epic AIDA graces the Kennedy Center for the first time in more than 25 years, and it is a knock-out. The three hour visual and auditory spectacle helmed by director Francesca Zambello and conductor Evan Rogister with original sketches and concept design by famed visual artist RETNA and choreography by one of contemporary dance's leading voices Jessica Lang is not to be missed. In her director's note, Francesca Zambello speaks to AIDA's appeal with opera lovers as part of the very "fabric of our beings", but you surely don't have to be a lover of opera to fall in love with this ensemble and creative team.
Opera is for everyone-and so is Seattle Opera's 2017/18 season! There's a new bilingual performance for elementary-school students, new performance venues such as Georgetown Steam Plant, a new mainstage collaboration with ACT Theatre and Seattle Symphony leaders, and even an outdoor performance offered free of charge. Regardless of background or socioeconomic status, this season offers ways for a broad audience to be able to experience opera; it's an open invitation for the Pacific Northwest.
San Francisco Opera presents Giuseppe Verdi's Aida in a new production directed by Francesca Zambello and featuring designs by Los Angeles-based, contemporary visual artist RETNA (Marquis Duriel Lewis). A co-production with Washington National Opera, Seattle Opera and Minnesota Opera, this striking and bold vision for Verdi's enduring classic will feature soprano Leah Crocetto and tenor Brian Jagde in their role debuts as the lovers at the heart of the opera, the enslaved princess Aida and the Egyptian war hero Radames. Mezzo-soprano Ekaterina Semenchuk is Amneris, the daughter of the king who desires Radames' love, baritone George Gagnidze portrays Aida's vengeful father, Amonasro, and bass Raymond Aceto is Ramfis. The international cast and San Francisco Opera Orchestra will be conducted by Company Music DirectorNicola Luisotti. Resident Conductor Jordi Bernàcer will conduct the final performance on December 6.Ian Robertson is Chorus Director.