Bubba Weiler's Off-Broadway play WELL, I'LL LET YOU GO, a New York Times Critic's Pick directed by Jack Serio, will be recorded for the NYPL Theatre on Film and Tape Archive before its run closes at Studio Seaview.
Bubba Weiler’s Well, I’ll Let You Go officially opened at Studio Seaview. The stars came out for opening night, including insert and Julia Chan, Micaela Diamond, Susannah Flood, Sam Gold, Zhailon Levingston, N'yomi Allure Stewart, Bess Wohl. Check out photos of the production.
Bubba Weiler’s Well, I’ll Let You Go has officially returned to New York for seven-weeks only! Studio Seaview has released new video footage of the production, which is directed by Drama Desk and Obie winner Jack Serio. Watch the exclusive new video.
Bubba Weiler’s Well, I’ll Let You Go will return to New York for seven-weeks only for a strictly limited engagement at Studio Seaview. Get a first look at rehearsal photos for the production!
The New York Times critic's pick production of Bubba Weiler's Well, I'll Let You Go will return for seven-weeks only for a strictly limited engagement at Studio Seaview.
Avantika, Peter Gallagher, and Constance Wu will star in the one-night-only reading of A BOLD STROKE FOR A HUSBAND at The Public, produced by The Acting Company.
Producer Jacob Stuckelman and Andrew Patino of Regular People have announced that the critically acclaimed production of Bubba Weiler's Well, I'll Let You Go, which closes today, has recouped its initial investment after seven weeks Off-Broadway.
Tony nominee Marin Ireland joins the company of Bubba Weiler’s Well, I’ll Let You Go for the production’s final 12 performances. Learn more about how to see the show here!
Obie winner Michael Chernus (Severance, Orange is the New Black, Spider-Man: Homecoming) returns to the NY stage after 11 years in Bubba Weiler’s debut play WELL, I’LL LET YOU GO. Extended through September 12 at The Space at Irondale. Read our interview.
Due to demand, the sold-out production of Bubba Weiler’s Well, I’ll Let You Go has been extended to September 12, 2025. Directed by Drama Desk and Obie winner Jack Serio, performances continue at The Space at Irondale (85 S Oxford St, Brooklyn).
Bubba Weiler's Well, I'll Let You Go at The Space at Irondale (85 S Oxford St, Brooklyn). This new American play, which marks Weiler's professional playwriting debut, will run through August 29, 2025. Read reviews for the production.
Fresh from winning a Drama Desk Award for Ken Urban's Danger and Opportunity, Obie winner Jack Serio is set to direct Bubba Weiler's Well, I'll Let You Go at The Space at Irondale (85 S Oxford St, Brooklyn).
Jordan Harrison’s new play THE ANTIQUITIES asks the question, “What does it mean to be human?” It opens with two museum curators inviting the audience to tour a museum displaying relics from the late human era...with the implication that said place exists in a post-human one. This is the first play I’ve seen that specifically tackles A.I. and technology...and the potential ramifications of letting that go unchecked.
Next up at Goodman Theatre is Pulitzer Prize finalist playwright Jordan Harrison (Marjorie Prime, Maple and Vine)'s newest work, A Tour of the Permanent Collection in the Museum of Late Human Antiquities or, just The Antiquities—a startling and transcendent portrait of the present as seen from the future—is on stage now in preview performances.
On Monday night, The Horton Foote Prize held their first in person ceremony since 2018 honoring Christina Anderson, the 2022 winner. Pulitzer Prize winning playwrights and Ms. Anderson's former teachers and mentors, Paula Vogel and Lynn Nottage, presented Christina with $50,000 and a limited edition of Keith Carter’s iconic photograph of Horton Foote.
The off-Broadway production of Jane Anger or The Lamentable Comedie of JANE ANGER, that Cunning Woman, and also of Willy Shakefpeare and his Peasant Companion, Francis, Yes and Also of Anne Hathaway (also a Woman) Who Tried Very Hard, will stream for two weeks this month.
The Fisher Center at Bard will present a bold, gender-reframed, era-transcending vision of Molière’s 1665 tragicomedy Dom Juan, conceived and directed by Ashley Tata, with a new translation from NYU Professor of French Literature and theater scholar Sylvaine Guyot and Fisher Center Artistic Director Gideon Lester.