Amelia Workman News

A woman, Maggie, (Danielle Slavick) who is a sales representative for a medical supply company checks in to a long-term residential hotel in Temp, Arizona for a month-long stay. Right away she establishes an uneasy sort of alliance with two hotel employees, Bobby (Alexandro Rodriguez) and Theresa (Leah Karpel). This curious triangle of people in transition forms the nucleus of Laura Jacqmin's Residence, a play about the ephemerality of human existence.

Playwrights Joshua Young and Phillip Christian along with director Lucia Bellini have formed The Playwriting Collective - a new production company aimed at raising up voices from lower class backgrounds. Specifically, The Collective is playwright driven, with a goal to finance and produce new works that support playwrights from poor economic environments and other marginalized communities.

How to Live on Earth is a haunting new play about our unrelenting obsession with the next frontier and the desire to give your life for something greater than yourself. Inspired in part by the Mars One project to colonize Mars by 2025 - this piece is a funny, wry, and deeply truthful portrait of the fears and hopes that drive us towards exploration and expansion. 

On the heels of their successful production Brothers from the Bottom starring Wendell Pierce, a play about gentrification, The Billie Holiday Theatre (BHT) is pleased to announce the world premiere of Dancing on Eggshells by award-winning playwright Cynthia G. Robinson and directed by the Billie Holiday Theatre's own Cezar Williams.

Each week Joe's Pub at The Public presents some of New York City's most eclectic programming ranging from world to classical, pop, singer-songwriter, jazz and more. At the center of Joe's Pub's genre-blind booking is The Public Theater's mission to bring world-class performance to New York City's diverse cultural community.

Ars Nova is set to present their latest mainstage production, NATASHA, PIERRE, & THE GREAT COMET OF 1812, from October 1 through November 10. Ticket prices for the performances between tonight, October 1st-6th are $10, October 9th-20th are $20, and the subsequent performances until closing are $30. Tickets for all performances may be purchased at www.arsnovanyc.com.

Ars Nova presents the world premiere of Ars Nova 2011 Composer-in-Residence Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Directed by Rachel Chavkin, this production will play a limited Off-Broadway engagement, beginning previews this coming Monday, October 1 and running through November 10. Official Opening Night is set for Tuesday, October 16 at 7:00 PM. Get a first look at the cast below!

Ars Nova is set to present their latest mainstage production, NATASHA, PIERRE, & THE GREAT COMET OF 1812, from October 1 through November 10. Ticket prices for the performances between October 1st-6th are $10, October 9th-20th are $20, and the subsequent performances until closing are $30. Tickets for all performances may be purchased at www.arsnovanyc.com.

Ars Nova has announced the world premiere of Ars Nova 2011 Composer-in-Residence Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Directed by Rachel Chavkin, this production will play a limited Off-Broadway engagement October 1 - November 10. Official Opening Night is set for Tuesday, October 16 at 7:00 PM.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) welcomes The Shop with the US premiere of TENDER NAPALM, written by Philip Ridley and directed by Paul Takacs. TENDER NAPALM begins performances on Thursday, August 23 for a limited engagement through Sunday, September 9. Press opening is Wednesday, August 29 at 7:30 PM. The performance schedule is Tuesday - Thursday at 7:30 PM; Friday and Saturday at 8:30 PM; and Sunday at 3:30 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $18 ($12.60 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.

Since its first production, The Seven Deadly Elements, premiered at La MaMa E.T.C. in 1977, the Soho-based Creation Production Company has worked to generate innovative forms of theatre.

Lauren Ferebee is the featured playwright for On the Square Productions third reading in their Write Angle Series for their 2011-2012 season. The reading of Somewhere Safer will take place on Monday, February 27th at 8pm at The Bridge Theatre at Shetler Studios (244 W 54th St., 12th Floor) This event will serve as a fundraiser/benefit for the not for profit theatre company. Somewhere Safer marks the first piece to go through the company's Square One Writing Series dedicated to providing artists a place to create and develop new work.

Lauren Ferebee is the featured playwright for On the Square Productions third reading in their Write Angle Series for their 2011-2012 season. The reading of Somewhere Safer will take place on Monday, February 27th at 8pm at The Bridge Theatre at Shetler Studios (244 W 54th St., 12th Floor) This event will serve as a fundraiser/benefit for the not for profit theatre company. Somewhere Safer marks the first piece to go through the company's Square One Writing Series dedicated to providing artists a place to create and develop new work.

Theaterlab (Co-Artistic Directors Carlo Altomare and Orietta Crispino) will host She's Got the Beat, Yeah!, a benefit party celebrating Rwandan poet, director and writer Odile Gakire Katese Monday, July 18th at its Manhattan studios (137 West 14th Street).

Theaterlab (Co-Artistic Directors Carlo Altomare and Orietta Crispino) will host She's Got the Beat, Yeah!, a benefit party celebrating Rwandan poet, director and writer Odile Gakire Katese Monday, July 18th at its Manhattan studios (137 West 14th Street).

The Cape Cod Theatre Project brings together playwrights of new American plays with professional directors and actors each July for staged readings with the goal of contributing to the legacy of American Theater.

I have to say that I was pretty excited to see this piece, especially as the Vatican currently reviews its long-held stances on several issues (including the use of condoms to stop the spread of AIDS). I also wasn't surprised to see religious figures taking on the social and emotional issues of the secular world. If you ever had a Jesuit education, this would be called a "Tuesday." Seriously though, I deeply appreciated seeing religious figures portrayed as thoughtful philosophers examining the world around them for once, as opposed to the crazed zealot stereotype we've become far too familiar with in television and movies today.