Co-CEOs of Society of London Theatre and UK Theatre, Claire Walker and Hannah Essex, have commented on the Chancellor Jeremy Hunt's budget which includes maintaining the Higher rate of Theatre Tax Relief to support theatres through these uncertain and challenging times.
Ambassador Theatre Group has announced an exclusive three-year partnership with the newly formed Bad Robot Live, the theatre division of J.J. Abrams's Bad Robot Productions.
Following last week's Olivier Award nomination for Best Entertainment or Comedy, the critically acclaimed production of My Son's a Queer, (But what can you do?) announces their upcoming series of events, Queer Hero Thursdays.
The biggest night in theatre, the Olivier Awards, celebrates the brightest and best of London's world-leading theatre industry with a starry ceremony at the Royal Albert Hall on Sunday 2 April. Check out a full list of nominations!
Casting has been announced for VISITORS the major new UK revival of Barney Norris' award-winning play that will run at The Watermill Theatre Friday 31 March until Saturday 22 April.
Clean up on aisle love! That's what this festival of short plays is all about. In this curated selection of new work, New Ambassadors Theatre Company brings to the stage tales of what it means to risk it all for love, only to find yourself in a heap on the floor, left behind like dusty Valentine's Day cards and discounted candy.
As the show today celebrates its 100th performance, the critically acclaimed production of My Son's a Queer, (But what can you do?) announces its extension at the Ambassadors Theatre in London's West End due to popular demand.
Final tickets are on sale this week for the Melbourne season of Agatha Christie's The Mousetrap which will open at the Comedy Theatre this Friday 17 February. Extra performances have been added to the season due to huge demand.
Following a sell-out season last November, the 70th Anniversary Australian tour of Agatha Christie's The Mousetrap will return to Brisbane for a short season from 26 May at the Playhouse, QPAC. The national tour of the world's longest-running play has played to capacity audiences since it opened in Sydney last October.
Following a strictly limited run at the Ambassadors Theatre in the West End (6 April – 20 May 2023),Vardy v Rooney: The Wagatha Christie Trial will tour beginning in May.
There is beauty in the simplicity of this concept. My Son's A Queer (But What Can You Do?) is a tale about growing up. More specifically, the 'ups and downs of raising a queer child.' It is also clearly a production made for and by generations of theatre kids, the kind who prefer to stay in the dress-up section of the school (especially if it gets them out of a football match).
The award-winning, critically acclaimed production of Martin Sherman’s Rose transfers to the Ambassador’s Theatre for 28 performances, from Tuesday 23rd of May after sell-out runs at Hope Mill Theatre, Manchester, and The Park Theatre, London once again starring Maureen Lipman.
Following unprecedented demand, tickets for all existing performances of Streetcar have now sold out for the run at the Phoenix Theatre from 20 March to 29 April 2023.
Rob Madge is a busy person. A theatre maker, writer and actor, they began working professionally in theatre at the age of 9, having spent the majority of their childhood forcing their family to help them put on shows in the living room, which is brought to life in Rob’s debut play My Son’s A Queer, (But What Can You Do?).
The winners have been announced for the 2022 BroadwayWorld UK / West End Awards, honouring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 until September 30, 2022.
Two extra performances have been announced for the West End run of Liz Kingsman's critically acclaimed, smash-hit One Woman Show – 11 and 18 January at 9.30pm due to unprecedented demand.
From the London commute and edgy social media spoken word to dramatic orange-lit flashbacks, Kingsman presents us with a fully-formed show-within-a-show that’s a parody of itself. She squeezes every last drop of funny from every single line of her script. It's a fast-paced takedown of the chaotic white woman in her twenties working in the arts that we all know so well.