Paul Pinto

In celebration of the 78th birthday (June 4, 1945) of Anthony Braxton—one of the most important musicians, educators, and creative thinkers of our time, as well as a mentor to EiO—Experiments in Opera presents a rare run of performances of Compositions No. 279-283, composed in 2000 for improvisational actor and improvising musicians.

In celebration of the 78th birthday (June 4, 1945) of Anthony Braxton—one of the most important musicians, educators, and creative thinkers of our time, as well as a mentor to EiO—Experiments in Opera presents a rare run of performances of Compositions No. 279-283, composed in 2000 for improvisational actor and improvising musicians.

ALL ARTS, the streaming platform and channel dedicated to the arts, will premiere four film projects from notable New York City artists commissioned for its 2023 Kate W. Cassidy Artist in Residence program, presented in collaboration with Obie Award-winning performance space HERE.

OPERA America has announced the recipients of the 2023 IDEA Opera Residencies program (Inclusion, Diversity, Equity, and Access), an initiative that provides New York City-based composers and librettists of color an opportunity to explore opera as an expressive medium.

The American Opera Project announces the online release of First Glimpse : Songs from the Great Room, a concert of World Premiere songs recorded in May 2022 in Brooklyn, NY.

The Obie Award-winning HERE will be launching URHERE, a new one-of-a-kind, rigorously curated virtual platform for outdoor and digital premieres. The platform will launch November 9, 2022.

Necessary Digression in collaboration with Torn Page and The Martin E. Segal Center for Theatre Research as well as Colgate University will present two English Language premieres of celebrated Argentinian playwright Romina Paula, FAUNA (September 16 - October 1, 2022), translated by April Sweeney & Brenda Werth, directed by April Sweeney, and THE WHOLE OF TIME (October 21 - November 13, 2022), translated by Jean Graham-Jones and directed by Tony Torn. 

Necessary Digression in collaboration with Torn Page and The Martin E. Segal Center for Theatre Research as well as Colgate University will present two English Language premieres of celebrated Argentinian playwright Romina Paula.

Yarn/Wire is hosting its seventh annual International Institute, an incubator for sonic collaborations between performers, ensembles, composers, and creators, serving as an ecosystem for emerging and world-class artists to collectively push the boundaries of music, performance and sound.

The American Opera Project announces First Glimpse : Songs from the Great Room, a live concert of World Premiere songs written by the current composers and librettists of Composers & the Voice, the groundbreaking vocal-writing fellowship program that has been the starting point for some of today’s most recognized contemporary opera creators. 

The Fisher Center at Bard will present a bold, gender-reframed, era-transcending vision of Molière’s 1665 tragicomedy Dom Juan, conceived and directed by Ashley Tata, with a new translation from NYU Professor of ​​French Literature  and theater scholar Sylvaine Guyot and Fisher Center Artistic Director Gideon Lester.

Today American Composers Forum announces the first collection of recording projects selected through a panel process for its in-house record label, innova Recordings. A national call issued in December 2021 launched innova's new business model aimed at making the process of visioning, producing, and releasing recordings more inclusive and accessible to artists.

Look + Listen's free annual spring festival marks its 20th anniversary with a trio of boldly imaginative programs in venues around NYC, May 3, 5 + 6.

The American Opera Project has released the first issue of a self-published “‘Zine” providing a unique trip into the revolutionary world of Eat The Document, a new opera written by composer John Glover and librettist Kelley Rourke, directed by Kristin Marting, and now in development at AOP.

WHITENESS: PART ONE (and other portraits) by the experimental theatre and media makers Paul Pinto and Kameron Neal will debut February 10 to 12 in person in an installation presented by La MaMa and CultureHub at the Ellen Stewart Theatre (66 E. 4 St.) 

On Thursday, April 14th at 7pm ET, The American Opera Project will push play on The AOP Mixtape #1: No More!, the first concert in its new annual series The AOP Mixtape – a live, handwritten love letter of music featuring world premiere songs from contemporary operas and music theater.

Through the generous sponsorship of the Andrew W. Mellon Foundation, The American Opera Project (AOP) has been awarded a $270,000 Grant to support the 2021-23 cycle of renowned training program, Composers & the Voice (C&V).

OPERA America has announced the recipients of the 2022 IDEA Opera Residencies (Inclusion, Diversity, Equity, and Access) program, an initiative that provides New York City-based composers and librettists of color an opportunity to explore opera as an expressive medium. The program is supported by the Katherine S. and Axel G. Rosin Fund of The Scherman Foundation.

This year, 6 composers and 3 librettists have been selected to receive fellowships, including composers Gabrielle Herbst, J.E. Hernández, Raquel Acevedo Klein, Paul Pinto, Tidtaya Sinutoke and Ania Vu, and librettists Jeesun Choi, Isabella Dawis, and Troy Defour.

Ars Nova has announced details for a series of events that welcome audiences back to the Ars Nova Hub (511 West 54th Street). These experiences can also be enjoyed online on the Ars Nova Supra digital platform.