RIGOLETTO Will Come to Teatro Massimo in Palermo
by Stephi Wild - Oct 8, 2026
Teatro Massimo in Palermo will present Giuseppe Verdi’s Rigoletto as part of its 2026-27 season. The production will be staged at Teatro Massimo’s Main Stage in Palermo, Sicily, with performances scheduled across eight dates.
MACBETH to Open Opera Colorado's 2026–27 Season at the Ellie
by A.A. Cristi - Sep 23, 2026
Opera Colorado presents Verdi's MACBETH at the Ellie Caulkins Opera House, conducted by Patrick Summers in his company debut. The production marks the first season programmed by new Artistic Director Barbara Lynne Jamison.
San Diego Opera to Present RIGOLETTO at Civic Theatre
by A.A. Cristi - Sep 2, 2026
Michael Chioldi will star in the title role of Verdi's RIGOLETTO as San Diego Opera continues its season with a production directed by Christopher Mattaliano at the San Diego Civic Theatre.
SIMON BOCCANEGRA To Open San Francisco Opera's 26/27 Season
by Marissa Faith Curley - Aug 14, 2026
San Francisco Opera’s 2026–27 Season begins with Opera Ball, the opening night benefit co-presented with San Francisco Opera Guild, and Caroline H. Hume Music Director Eun Sun Kim leading an international cast in Giuseppe Verdi’s Simon Boccanegra.
Review: TRAVIATA May Not Be in Opera’s ABCs But Jaho Gives Lesson in Making It Her Own
by Richard Sasanow - May 8, 2026
Albanian soprano Ermonela Jaho wasn’t the first Violetta of this season’s LA TRAVIATA by Verdi at the Met. That means less rehearsal time and preparation in general—but you could have fooled me and the rest of the audience at Wednesday’s performance. She was in tiptop shape, after a bit of warming up, as if she’d been working in this production every day of her life. She doesn’t make her way to New York very often, but it’s certainly a welcome visit.
Ambition, Blood, and Guilt: Verdi's MACBETH Is Staged at The Theatro Municipal in A Bold New Production
by Claudio Erlichman - Oct 30, 2025
From October 31 to November 9, the Theatro Municipal de São Paulo stages Giuseppe Verdi’s Macbeth in a bold new production by Elisa Ohtake, with musical direction by Roberto Minczuk. Inspired by Shakespeare’s tragedy, the opera delves into ambition, guilt, and power through Verdi’s dramatic score. Ohtake’s contemporary take transforms the medieval tale into a striking visual experience, where excess, collapse, and madness echo today’s world.
Review: Out Damned Spot—But Hello to Teatro Nuovo’s Unusual MACBETH!
by Richard Sasanow - Jul 25, 2025
I must admit that I was a little disappointed when I read that this season’s offerings from Will Crutchfield’s Teatro Nuovo featured a couple of familiar titles: Verdi’s MACBETH and Bellini’s LA SONNAMBULA, particularly the former, which one doesn’t think of in the domain of bel canto, the group’s specialty. I needn’t have worried, for this performance made it clearer than usual why Verdi said that “this MACBETH…I love in preference to my other operas.”
La Ópera Rigoletto, De Giuseppe Verdi, Regresa Al Palacio De Bellas Artes
by A.A. Cristi - Apr 15, 2025
La Secretaría de Cultura del Gobierno de México y el Instituto Nacional de Bellas Artes y Literatura (INBAL), a través de la Compañía Nacional de Ópera (CNO), presentarán la obra Rigoletto, una de las óperas más emblemáticas del compositor italiano Giuseppe Verdi (1813 – 1901), en una nueva producción que reúne a grandes talentos del ámbito operístico nacional e internacional.
Review: Will Philadelphia’s LOVER Stay Anonymous?
by Richard Sasanow - Feb 4, 2025
Even though there’s no shortage of contemporary opera around, we all still long for the rediscovery of a delightful operatic work from the archives, particularly a comedy, of which there is a short supply. Would Opera Philadelphia’s THE ANONYMOUS LOVER (L’AMANT ANONYME)--by Joseph Bologne, Chevalier de Saint-George, a contemporary of Mozart, with libretto by Francois-Georges Fouques Deshayes, Desfontaines--fit the bill? Hope sprang eternal, for me at least.