Review: OPERA À LA CARTE'S ORPHEUS IN THE UNDERWORLD at St. Peter's Episcopal Church in Del Mar
by Ron Bierman - Oct 6, 2025
What did our critic think of OPERA À LA CARTE'S PRODUCTION OF OFFENBACH'S ORPHEUS IN THE UNDERWORLD at St. Peter's Episcopal Church Of Del Mar? With even large companies struggling to survive, why did soprano and voice teacher Abla Hamza decide to found Opera À La Carte?
Her goals were laudable. As national opportunities continued to shrink, she wanted to provide new ones to local professional opera singers and attract San Diegoans new to opera with lower cost tickets and less intimidating venues.
But could she succeed during such a difficult period? Opera À La Carte began with vocal recitals at small venues, and last year graduated to its first full opera.
Washington Concert Opera Single Tickets Now On Sale For 39th Season
by A.A. Cristi - Aug 22, 2025
Washington Concert Opera has announced that single tickets are now on sale for its 39th season at Lisner Auditorium. The 2025/26 season will feature Gluck’s Iphigénie en Tauride, Bizet’s Les Pêcheurs de Perles, and Mozart’s Idomeneo, with leading American singers under the baton of Artistic Director Antony Walker.
El INBAL Celebra El Día Mundial Del Arte
by A.A. Cristi - Apr 11, 2025
En el marco del Día Mundial del Arte, que se celebra cada 15 de abril, establecido por la UNESCO, el Instituto Nacional de Bellas Artes y Literatura (INBAL) llevará a cabo una serie de actividades conmemorativas, con funciones de danza, teatro, música y literatura.
Gluck's Two Iphigénie Operas Will Open The GNO's 2024/25 Season
by Stephi Wild - Oct 10, 2024
The 2024/25 season of the Greek National Opera commences with a significant artistic challenge. Gluck’s two famous operas based on the ancient Greek legend of Iphigenia –Iphigénie en Aulide and Iphigénie en Tauride– will be presented together for the first time in a double bill.
Bard Music Festival Presents BERLIOZ & HIS WORLD In August
by A.A. Cristi - May 2, 2024
This August, the Bard Music Festival returns for its 34th season with an intensive two-week exploration of “Berlioz and His World.” In eleven themed concert programs, the festival examines the life and times of visionary French composer Hector Berlioz, whose grand-scale works, startling sonorities, and advanced literary leanings helped redefine musical Romanticism.
Review: ORPHEE ET EURYDICE at Grand Théâtre
by David Sousa Lopes - Feb 11, 2024
In this timeless tale of love and tragedy, the hero Orpheus (Marie-Claude Chappuis) ventures to the depths of the underworld to retrieve his deceased wife, Eurydice (Mirella Hagen), only to discover that even when working under the grace of gods, fate can be very hard to overcome.
Photos: First Look at Pittsburgh Opera's IPHIGENIE EN TAURIDE
by Blair Ingenthron - Jan 13, 2024
Pittsburgh Opera continues its 2023–24 Season with Iphigénie en Tauride. Composed in 1779 by Christoph Willibald Gluck, and based on Euripides’ great Greek drama Iphigenia in Tauris, it is the powerful Trojan War-era tale of a sister whose duty requires that she kill a man who turns out to be her brother. Check out photos here!
MEDEE Comes to Teatr Wielki in January 2024
by Stephi Wild - Jun 26, 2023
What kind of circumstances can lead a mother to commit infanticide? The story of Medea has fascinated artists for centuries, opera creators included. The libretto of Luigi Cherubini’s work, originally staged in Paris in 1797, is a condensation of the tale known from classical mythology.
Review: ONLY AN OCTAVE APART at Spoleto Festival USA
by Perry Tannenbaum - Jun 12, 2023
Starring Anthony Roth Costanzo and Justin Vivian Bond, ONLY AN OCTAVE demonstrates how much we've changed - and how much we haven't - since Carol Burnett and Beverly Sills first sang the song in 1976, one year before Spoleto arrived in Charleston. But what about 2011, when Taylor Mac strutted onstage and proclaimed, 'This is my festival bitches!'?
Boston Baroque Presents Gluck's IPHIGENIE EN TAURIDE This April
by A.A. Cristi - Mar 2, 2023
Boston Baroque's 50th Season concludes with the much-anticipated annual staged opera with performances of Gluck's rarely-heard Iphigénie en Tauride. Performances will take place on Thursday, April 20 at 8pm, Friday, April 21 at 8pm, and Sunday, April 23 at 3pm at GBH's Calderwood Studio in Brighton, MA. The Friday evening performance will also be livestreamed on the global streaming platform IDAGIO, welcoming virtual audiences around the world alongside live studio audiences on site.