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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review: Steven Levenson's Charming and Funny DAYS OF RAGE Takes a Sentimental Loo

BWW Review: Steven Levenson's Charming and Funny DAYS OF RAGE Takes a Sentimental Look at Young '60s Activists

by Michael Dale — October 31, 2018
'I hate white people,' blurts out a diminutive, small-voiced white teenager, trying to convince the white activist she just met that she would be a valuable addition to his commune. 'I can't help it. I always have.'...
BWW Review: Cynthia von Buhler's Entrancing Immersive Adventure THE GIRL WHO HANDCUFF

BWW Review: Cynthia von Buhler's Entrancing Immersive Adventure THE GIRL WHO HANDCUFFED HOUDINI

by Michael Dale — October 30, 2018
It was October 31st, 1926 when the world famous escape artist Harry Houdini succumbed to the one thing in life that's inescapable, and every year since, believers hold seances on Halloween night, anticipating his return....
BWW Review: Eleanor Burgess' Thought-Provoking THE NICETIES Debates Microaggressions

BWW Review: Eleanor Burgess' Thought-Provoking THE NICETIES Debates Microaggressions and Revolutions

by Michael Dale — October 28, 2018
"You're more afraid of looking like a racist than you are of being a racist," an African-American college student surmises when her white professor reacts with panic when it becomes clear that she intends to go public on social media with the content of the conversation they just had....
BWW Review: John Kevin Jones is Both Ghoulish and Exquisite in KILLING AN EVENING WIT

BWW Review: John Kevin Jones is Both Ghoulish and Exquisite in KILLING AN EVENING WITH EDGAR ALLAN POE

by Michael Dale — October 25, 2018
For the past five years the very fine actor John Kevin Jones has been drawing packed houses to East 4th Street's 1832 landmark Merchant's House Museum building for Summoners Ensemble Theatre's delightful recreation of Charles Dickens' public readings of 'A Christmas Carol.'...
BWW Review: Miranda Rose Hall's PLOT POINTS IN OUR SEXUAL DEVELOPMENT Has a Loving Co

BWW Review: Miranda Rose Hall's PLOT POINTS IN OUR SEXUAL DEVELOPMENT Has a Loving Couple Torn By Sexual Incompatibility

by Michael Dale — October 23, 2018
Falling in love is the easy part. Functioning day to day as a couple can take work, especially when sexual incompatibility becomes an issue....
BWW Review:  MCC Encores Jocelyn Bioh's Colorism Drama  SCHOOL GIRLS; OR, THE AFRICAN

BWW Review: MCC Encores Jocelyn Bioh's Colorism Drama SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY

by Michael Dale — October 23, 2018
As the grand finale of their fourteen year residency at Christopher Street's Lucille Lortel Theatre, before moving to their brand new Hell's Kitchen digs, Manhattan Class Company brings in an encore engagement of Jocelyn Bioh's Lortel and Outer Critics Circle Award-winning drama from last season, th...
BWW Review: Christine Lahti is Gloria Steinem in Emily Mann's Riveting GLORIA: A LIFE

BWW Review: Christine Lahti is Gloria Steinem in Emily Mann's Riveting GLORIA: A LIFE

by Michael Dale — October 21, 2018
'I grew up in working class Toledo,' says the subject of Emily Mann's Gloria: A Life, arguably the most potent, informative, emotionally riveting and ultimately uplifting theatre piece currently playing in New York, 'and my biggest dream was to become a Rockette.'...
BWW Review: The Fist Pumping Phenomenon of POP PUNK HIGH at (le) poisson rouge

BWW Review: The Fist Pumping Phenomenon of POP PUNK HIGH at (le) poisson rouge

by Kristen Morale — October 17, 2018
You have officially entered pop-punk paradise: a place where the people eat, sleep and breathe the essence of punk culture, channeling their thickly eyelined, rebellious year 2003-selves to walk in the famed footsteps of Avril Lavigne. It is a place where teenage angst and insecurity lend themselves...
BWW Review: Glenn Close is Joan of Arc's Bewildered Mom in Jane Anderson's MOTHER OF

BWW Review: Glenn Close is Joan of Arc's Bewildered Mom in Jane Anderson's MOTHER OF THE MAID

by Michael Dale — October 18, 2018
Behind most poverty-to-celebrity stories, there's usually a hard-working parent or two who dreamed of a better life for their child, but perhaps never imagined that better life might include rock stardom, athletic heroism or, in the case of Jane Anderson's Mother of the Maid, breaking all gender mo...
BWW Review: Mark Sonnenblick's Superb MIDNIGHT AT THE NEVER GET Mixes Song, Romance a

BWW Review: Mark Sonnenblick's Superb MIDNIGHT AT THE NEVER GET Mixes Song, Romance and Resistance

by Michael Dale — October 16, 2018
While it would be easy to exit the York Theatre these days having been absolutely swept away by Mark Sonnenblick's wonderfully engaging and ear-tingling score for his new musical, MIDNIGHT AT THE NEVER GET - a sumptuous collection mixing beautiful melodies framing lyrical poetics with jaunty numbers...
BWW Review: Aasif Mandvi Offers New Yorkers Seconds of His Obie-Winning SAKINA'S REST

BWW Review: Aasif Mandvi Offers New Yorkers Seconds of His Obie-Winning SAKINA'S RESTAURANT

by Michael Dale — October 14, 2018
Savvy New Yorkers will immediately have a clear picture of the work environment when Azgi, the narrating character of playwright/actor Aasif Mandvi's solo piece SAKINA'S RESTAURANT, says he's moving from a village in India to Manhattan to work as a waiter at a restaurant located at 400 E. 6th Street...
BWW Review: Epic Theatre Ensemble's THE WINNING SIDE Battles Moral Issues with Charm

BWW Review: Epic Theatre Ensemble's THE WINNING SIDE Battles Moral Issues with Charm and Poise

by Julie Musbach — October 12, 2018
Epic Theatre Ensemble is currently presenting The Winning Side by James Wallert at The Acorn Theatre/Theatre Row. The play tells the story of Nazi Germany scientist Wernher von Braun and his role in building the rockets that took an American man to the moon. Through time (and space) The Winning Side...
BWW Review: MOTHER NIGHT at 59E59 Theaters is an Excellent Play Full of Intrigue

BWW Review: MOTHER NIGHT at 59E59 Theaters is an Excellent Play Full of Intrigue

by Marina Kennedy — October 12, 2018
The New York City premiere of Mother Night, based on the 1962 novel by Kurt Vonnegut is now being performed at 59E59 Theaters through November. This riveting story has been superbly adapted and directed by Brian Katz. It features a talented cast that brings Vonnegut's intense tale of romance, decept...
BWW Review:  Eddie Korbich Plays Brilliant But Bigoted Richard Wagner in Allan Leicht

BWW Review: Eddie Korbich Plays Brilliant But Bigoted Richard Wagner in Allan Leicht's MY PARSIFAL CONDUCTOR

by Michael Dale — October 12, 2018
'A Jew? In heaven? Jews?' an incredulous 92-year-old Cosima Wagner asks her delirium-induced vision of her long-gone husband, Richard, at the outset of Allan Leicht's history-based My Parsifal Conductor....
BWW Review: SHAKESBEER-The Popular Pub Crawl Captivates and Entertains

BWW Review: SHAKESBEER-The Popular Pub Crawl Captivates and Entertains

by Marina Kennedy — October 10, 2018
The ShakesBEER pub-crawl is a fall happening, and like the other programs by New York Shakespeare Exchange, it is entertaining and captivating. The presentations were held on three consecutive Saturday afternoons on 9/15, 9/22, and 9/29....
BWW Review: Heidi Schreck's Inescapably Truthful WHAT THE CONSTITUTION MEANS TO ME

BWW Review: Heidi Schreck's Inescapably Truthful WHAT THE CONSTITUTION MEANS TO ME

by Michael Dale — October 10, 2018
Though designer Rachel Hauck's set for Heidi Schreck's inescapably truthful, yet eventually hopeful autobiographical performance piece WHAT THE CONSTITUTION MEANS TO ME is based on the author/performer's memories of her home town's VFW Hall, it's likely that many audience members entering the audito...
BWW Review: THE EVOLUTION OF MANN at The Cell

BWW Review: THE EVOLUTION OF MANN at The Cell

by Kathryn Kitt — October 5, 2018
The Cell is a unique gallery space used to present new shows. A current charmer is the New York premiere of The Evolution of Mann, with music by Drama Desk Nominee Douglas J. Cohen (Children's Letters to God, The Opposite of Sex) and book by Dan Elish (13, the Musical) and based on Mr. Elish's novel...
BWW Review: Beautifully Sung and Acted GIRL FROM THE NORTH COUNTRY Matches Storytelle

BWW Review: Beautifully Sung and Acted GIRL FROM THE NORTH COUNTRY Matches Storytellers Conor McPherson and Bob Dylan

by Michael Dale — October 2, 2018
Do not expect a rousing 'Rainy Day Woman'/'Blowin' In The Wind'/'Mr. Tambourine Man' dance mega-mix.at the end of Girl from the North Country, playwright/director Conor McPherson's lovely, introspective drama that incorporates twenty selections from the extraordinary songbook of American folk legend...
BWW Review: Craig Lucas' Job-Inspired Drama, I WAS MOST ALIVE WITH YOU, Performed in

BWW Review: Craig Lucas' Job-Inspired Drama, I WAS MOST ALIVE WITH YOU, Performed in Both Spoken English and ASL

by Michael Dale — September 25, 2018
The press script provided to critics reviewing Craig Lucas' somber and overstuffed drama, I WAS MOST ALIVE WITH YOU, specifies that the play 'was created to be performed by Deaf and hearing actors for Deaf and hearing audiences' and that all productions 'must provide full access for hearing and Deaf...
BWW Review: KINK HAÜS at La MaMa is a Rad, Dizzying Spectacle

BWW Review: KINK HAÜS at La MaMa is a Rad, Dizzying Spectacle

by David Clarke — September 24, 2018
La MaMa is opening its 57th season with a crowd-pleasing bang by presenting Gunnar Montana's totally rad and dizzying performance art and dance spectacle KINK HAÜS. The piece is just the kind of ebullient combination of high brow ballet principles and techniques mixed with low brow hedonism all pla...
BWW Review:  Kristine Nielsen and Annette O'Toole in Tennessee Williams Rarity A LOVE

BWW Review: Kristine Nielsen and Annette O'Toole in Tennessee Williams Rarity A LOVELY SUNDAY FOR CREVE COEUR

by Michael Dale — September 23, 2018
Don't be surprised to immediately sense a bit of familiarity in the dynamic between the two main characters as director Austin Pendleton's very fine La Femme Theatre production of the lesser-known Tennessee Williams drama A Lovely Sunday for Creve Coeur commences....
BWW Review: Edie Falco, Michael McKean and Peter Scolari Tackle Politics and Marriage

BWW Review: Edie Falco, Michael McKean and Peter Scolari Tackle Politics and Marriage in Sharr White's THE TRUE

by Michael Dale — September 21, 2018
Dorothea 'Polly' Noonan, the real-life central character of Sharr White's new political drama, THE TRUE, was the grandmother of current United States Senator Kirsten Gillibrand.  If times were different, she might have been in the Senate herself, keeping the seat warm for her....
BWW Review: Musical Dating Adventure NEUROSIS Is Extremely Enjoyable Fluff

BWW Review: Musical Dating Adventure NEUROSIS Is Extremely Enjoyable Fluff

by Michael Dale — September 19, 2018
While the exact location of composer Ben Green, lyricist Greg Edwards and bookwriter Allan Rice's funny and frothy new musical dating adventure, Neurosis, is never revealed, it's a safe bet that New Yorkers, who have glamorized and romanticized neurotic tendencies into a beloved badge of honor, will...
BWW Review:  Richard Nelson Gives UNCLE VANYA The Rhinebeck Treatment

BWW Review: Richard Nelson Gives UNCLE VANYA The Rhinebeck Treatment

by Michael Dale — September 17, 2018
For the better part of the present decade, playwright/director Richard Nelson has been going seriously Chekhovian, first with a quartet of plays set during the Obama years in the Rhinebeck, New York home of a family named Apple and then with a trio of visits during the 2016 presidential campaign wit...
BWW Review: AGNES at 59E59 Theaters is an Excellent Story About Human Connections

BWW Review: AGNES at 59E59 Theaters is an Excellent Story About Human Connections

by Marina Kennedy — September 14, 2018
The NYC premiere of 'Agnes,' written by Catya McMullen and directed by Jenna Worsham is being performed at 59E59 Theaters through September 29. It is a riveting portrayal of five individuals with with very different personalities and how they deal with their interactions and commitments. Performed i...
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