The latest reviews and critic recommendations from Off-Broadway.
While the exact location of composer Ben Green, lyricist Greg Edwards and bookwriter Allan Rice's funny and frothy new musical dating adventure, Neurosis, is never revealed, it's a safe bet that New Yorkers, who have glamorized and romanticized neurotic tendencies into a beloved badge of honor, will
For the better part of the present decade, playwright/director Richard Nelson has been going seriously Chekhovian, first with a quartet of plays set during the Obama years in the Rhinebeck, New York home of a family named Apple and then with a trio of visits during the 2016 presidential campaign wit
The NYC premiere of 'Agnes,' written by Catya McMullen and directed by Jenna Worsham is being performed at 59E59 Theaters through September 29.
The New York City premiere of 'Separate and Equal,' written and directed by Seth Panitch, is now enthralling its audiences at 59E59 Theaters.
Eat your heart out, THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE.
There are times in musical theatre when a talented cast performing their hearts out can make questionable material not only endurable, but even somewhat enjoyable.
Perhaps if Clifford Odets' landmark pro-union drama, WAITING FOR LEFTY, hadn't opened the year before, Lillian Hellman's 1936 labor drama, DAYS TO COME, the sophomore Broadway effort of the playwright who made a huge name for herself two years earlier with THE CHILDREN'S HOUR, might have been bette
The stage is quite empty, save for a makeshift throne in a corner and a couple of rows of ordinary looking chairs in the back, where actors not involved with scenes sit.
It may not have the romantic sweep of 'Some Enchanted Evening' or the driving intensity of 'Don't Rain On My Parade,' but so far, the best new theatre song of this young season is a finely-crafted emotional shut-down carrying the unlikely title 'Michael In The Bathroom.
Back in the days, really not very long ago, when self-effacing gags about failed diets were one of the few topics of discussion deemed acceptable for women in comedy, the punchline Renee Taylor uses after telling about the time when she ate nothing but meatballs every day because it was the diet tha
It's the summer theater event that many of us wait for at 59E59 Theaters.
One of the most exciting and important voices to emerge from the 1980s-90s American performance art movement, Karen Finley might be regarded as one of the country's most noted censored artists.
The late afternoon and early evening rain that had been steadily falling last Friday didn't stop the faithful from arriving at Central Park's Delacorte Theater for Shakespeare In The Park's return of the Public Works' 2016 musical version of TWELFTH NIGHT.
'I sound like Borat and I look like Seinfeld,' jokes the Russian-accented illusionist Vitaly Beckman, who indeed sports a resemblance to 9th Avenue's most famous diner patron.
Coming in at the heels of landmark musicals like AIN'T SUPPOSED TO DIE A NATURAL DEATH and INNER CITY, composer/lyricist Micki Grant's DON'T BOTHER ME, I CAN'T COPE was an important part of the early 1970s surge of Broadway musicals that were not only about African-American experiences but were writ
MACBETH seems to be one of the most abused pieces from Williams Shakespeare's canon; yet, when a production does the show justice, it is incredibly spellbinding.
When the smash hit revue SMOKEY JOE'S CAFE, celebrating the pop classics of Jerry Leiber and Mike Stoller, opened on Broadway in 1995, director Jerry Zaks staged each beloved number with snazzy show-biz slickness and glitz, suggesting the ways they might have been performed by the artists who introd
The NYC premiere of 'The Originalist,' written by John Strand and directed by Molly Smith, is now on stage at 59E59 theaters.
'If life were only moments, then you'd never know you had one,' sings a character from Stephen Sondheim and James Lapine's INTO THE WOODS while pondering whether the intimate encounter she just experienced would turn out to be of lifelong meaning or just a barely significant distraction.
It's a classically-styled cinematic pose.
The person seated in the back of the orchestra section on opening night of the Encores! Off-Center concert mounting of GONE MISSING, who was loudly sobbing during the closing song, was by no means causing a disturbance.
'Now that the winter formal gives way to glorious spring fling,' recites our antihero at the outset of Mike Lew's enormously clever contemporary riff on Shakespeare's RICHARD III, titled Teenage Dick, 'we find our rocks for brains hero Eddie - the quarterback - sleeping through his job as junior cla
This is not shaping up to be a good year for Oscar Hammerstein II, American musical theatre's most important writer, who spent the first half of the 20th Century not only making significant strides to convert the genre from loosely assembled entertainments into respected and influential pieces of dr
'We're all fully interested in navigating this brave new world with them,' says an exasperated character in Jordan Harrison's comedy of social politics, Log Cabin, 'but it sometimes seems like they want us to get it wrong.
Jason Robert Brown was just 25 years old when his SONGS FOR A NEW WORLD took the stage of Off-Broadway's intimate WPA Theatre.
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/17-9/17) |
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EN EL TIEMPO DE LAS MARIPOSAS Repertorio (1/07-12/31) |
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Bailey Swilley's Gimme A Sign! Soho Playhouse (9/20-9/20) |
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A Baby For Me? No Thank You, Please! Soho Playhouse (9/18-9/19) |
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LA CASA DE BERNARDA ALBA Repertorio (11/15-12/31) |
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13 The Musical Griffin Theatre (8/14-8/23) PHOTOS |
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LA GRINGA Repertorio (2/08-12/31) |
