BWW Review: SUMMER SHORTS 2018 at 59E59 Theaters Brings Audiences a Top Variety of Shows
It's the summer theater event that many of us wait for at 59E59 Theaters. Produced by Throughline Artists, Summer Shorts 2018 Festival of New American Short Plays presents three different short plays performed in one program. With Series A and Series B is now happening, you can get your tickets for ...
BWW Review: Karen Finley's Defiant GRABBING PUSSY Attacks Patriarchal Sexual Oppression
One of the most exciting and important voices to emerge from the 1980s-90s American performance art movement, Karen Finley might be regarded as one of the country's most noted censored artists....
BWW Review: Public Works' Joyous Musical TWELFTH NIGHT Returns To The Delacorte
The late afternoon and early evening rain that had been steadily falling last Friday didn't stop the faithful from arriving at Central Park's Delacorte Theater for Shakespeare In The Park's return of the Public Works' 2016 musical version of TWELFTH NIGHT....
BWW Review: Illusionist Vitaly Beckman Dazzles and Charms in VITALY: AN EVENING OF WONDERS
'I sound like Borat and I look like Seinfeld,' jokes the Russian-accented illusionist Vitaly Beckman, who indeed sports a resemblance to 9th Avenue's most famous diner patron....
BWW Review: Savion Glover Directs/Choreographs Micki Grant's Landmark DON'T BOTHER ME, I CAN'T COPE
Coming in at the heels of landmark musicals like AIN'T SUPPOSED TO DIE A NATURAL DEATH and INNER CITY, composer/lyricist Micki Grant's DON'T BOTHER ME, I CAN'T COPE was an important part of the early 1970s surge of Broadway musicals that were not only about African-American experiences but were writ...
BWW Review: NINAGAWA MACBETH at Lincoln Center's Mostly Mozart Festival is Lush, Opulent & Masterful
MACBETH seems to be one of the most abused pieces from Williams Shakespeare's canon; yet, when a production does the show justice, it is incredibly spellbinding. Luckily for fans of the play and art of theatre in general, you'll be hard-pressed to find a more robustly magnificent production of the c...
BWW Review: Joshua Bergasse Creates a Sensational New Style For the Leiber and Stoller Smash SMOKEY JOE'S CAFE
When the smash hit revue SMOKEY JOE'S CAFE, celebrating the pop classics of Jerry Leiber and Mike Stoller, opened on Broadway in 1995, director Jerry Zaks staged each beloved number with snazzy show-biz slickness and glitz, suggesting the ways they might have been performed by the artists who introd...
BWW Review: THE ORIGINALIST at 59E59 Theaters Must Be Seen and Appreciated
The NYC premiere of 'The Originalist,' written by John Strand and directed by Molly Smith, is now on stage at 59E59 theaters. This is a vital story for our times. It contrasts political and social perspectives while still proving that people can maintain a sense of civility. This enthralling theatri...
BWW Review: Tracy Letts' MARY PAGE MARLOWE Offers Random Moments That Add Up To A Life
'If life were only moments, then you'd never know you had one,' sings a character from Stephen Sondheim and James Lapine's INTO THE WOODS while pondering whether the intimate encounter she just experienced would turn out to be of lifelong meaning or just a barely significant distraction....
BWW Review: Rebecca Naomi Jones is Terrifically Engaging in Rinne Groff's Coney Island Excursion, FIRE IN DREAMLAND
It's a classically-styled cinematic pose. The kind that tends to define a certain era of film noir. A woman stands alone on the Coney Island boardwalk on a chilly day. Covered in a tan trench coat, belt tied at the waist, she stares out at the ocean. After a few moments, emotions sweep over her and ...
BWW Review: The Late Michael Friedman's GONE MISSING Evokes an Emotional Response From Encores! Off-Center Audience
The person seated in the back of the orchestra section on opening night of the Encores! Off-Center concert mounting of GONE MISSING, who was loudly sobbing during the closing song, was by no means causing a disturbance. In fact, the choked-up moans of heartbreak being emitted throughout New York Cit...
BWW Review: High School Machiavellian With Cerebral Palsy Claws His Way To Power in Michael Lew's Shakespeare Riff TEENAGE DICK
'Now that the winter formal gives way to glorious spring fling,' recites our antihero at the outset of Mike Lew's enormously clever contemporary riff on Shakespeare's RICHARD III, titled Teenage Dick, 'we find our rocks for brains hero Eddie - the quarterback - sleeping through his job as junior cla...
BWW Review: Anika Noni Rose is Captivating , But John Doyle Heavily Edits Oscar Hammerstein's CARMEN JONES
This is not shaping up to be a good year for Oscar Hammerstein II, American musical theatre's most important writer, who spent the first half of the 20th Century not only making significant strides to convert the genre from loosely assembled entertainments into respected and influential pieces of dr...
BWW Review: Jesse Tyler Ferguson As A Gay Man Facing His Own Privilege in Jordan Harrison's LOG CABIN
'We're all fully interested in navigating this brave new world with them,' says an exasperated character in Jordan Harrison's comedy of social politics, Log Cabin, 'but it sometimes seems like they want us to get it wrong... Like they're filling a quota of perceived transgressions.'...
BWW Review: SONGS FOR A NEW WORLD Reveals The Remarkable Artistic Maturity of a Young Jason Robert Brown
Jason Robert Brown was just 25 years old when his SONGS FOR A NEW WORLD took the stage of Off-Broadway's intimate WPA Theatre. As he played piano and led the handful of musicians in director Daisy Prince's production, a quartet of actors who all had big things ahead of them (Brooks Ashmanskas, Andre...
BWW Review: Carey Mulligan Considers Violence and Gender in Dennis Kelly's GIRLS & BOYS
Perhaps some of the good people at Britain's Royal Court are in need of a hug these days. This week New York playgoers welcomed two transfers of exceedingly violent productions from that celebrated London theatre. But while, over at The Public, the bloody finish of David Ireland's CYPRUS AVENUE ...
BWW Review: Stephen Rea is Chillingly Understated in David Ireland's CYPRUS AVENUE
On the surface, the plot of CYPRUS AVENUE is just a little too weird to take seriously, and that's one of the strengths of David Ireland's creepy drama, as director Vicky Featherstone, Artistic Director of London's Royal Court, seamlessly transitions the piece from cerebral exploration to dark comed...
BWW Review: Donja R. Love's SUGAR IN OUR WOUNDS Depicts Gay Love Between Slaves During The Civil War
"The existence of queer people of color, particularly of African descent, has repeatedly been washed over, or forgotten altogether," writes Donja R. Love, whose SUGAR IN OUR WOUNDS is receiving a handsome and well-acted production from Manhattan Theatre Club, via director Sahaam Ali....
BWW Review: Antoinette Nwandu's PASS OVER, A Tightly Written Bit Of Urban Absurdism
If upon entering a theatre, the stage is populated by a young black man sleeping under a street lamp as another young black man quietly scrutinizes all in attendance, while the pre-show music plays Doris Day singing 'Que Sera, Sera,' it's a good sign that there are going to be some strong opinions e...
BWW Review: Problem Solved! Wild West Shakespeare Musical DESPERATE MEASURES is Hilarious and Tuneful
David Friedman and Peter Kellogg may be billed, respectively, as composer and bookwriter/lyricists of the rollickingly fun new musical comedy DESPERATE MEASURES, which has just moved from the intimate York Theatre to more spacious digs at New World Stages, but they can also add 'problem-solver' to t...
BWW Review: POLICE COPS at 59E59 Theaters for Zany Fun
Everybody needs a good laugh. That's just what you'll get when you see 'Police Cops' at 59E59 Theaters. The show wraps up the theater's annual Brits Off Broadway Festival of shows. Presented by New Diorama Theatre, this imaginative, zany show is written, directed and performed by the three member aw...
BWW Review: Angelina Fiordellisi and Michael O'Keefe Are Charming As Older Leftists in Charles Mee's FIRST LOVE
Is there anything more charming than watching two older people falling in love? Well, perhaps. Like when the romance occurs, as instructed by playwright Charles Mee in his 2001 one-act, FIRST LOVE, in 'the world of Magritte.'...
BWW Review: Chukwudi Iwuji and Corey Stoll Give Memorable Turns in Director Ruben Santiago-Hudson's OTHELLO
From the very beginning, one of the most important tenants of Joseph Papp's vision of free Shakespeare in Central Park has been the insistence the company of actors audiences see on stage will always reflect the extraordinary and powerful cultural diversity of New York City....
BWW Review: BLACKBIRD at Sargent Theatre at the American Theatre for Actors is Timely and Important Storytelling
'Blackbird,' is currently being presented at the Sargent Theatre at the American Theatre of Actors. In the play written by David Harrower, Una, a 27 year old woman, shows up at the workplace of an acquaintance, 'Peter', with an axe to grind. Fifteen years earlier, they had a relationship which had ...
BWW Review: What Lies Beyond Ideality in A.R. Gurney's THE FOURTH WALL
Presented by Theater Breaking Through Barriers and under the direction of Christopher Burris, The Fourth Wall is anything but inhibiting, especially in terms of its creation. This Off-Broadway company brings actors with and without disabilities together to break stereotypes and portray how little th...
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