Review: THE GREAT GATSBY ADAPTED BY KEN DUNCUM at Gryphon Theatre

Originally published in 1925, The Great Gatsby was a commercial disappointment during F. Scott Fitzgerald’s lifetime. Its reputation grew significantly after the Second World War, when it was distributed to American soldiers, eventually earning its place as a cornerstone of American literature and a defining work of the Jazz Age—a term coined by Fitzgerald himself.

Set in the summer of 1922, the novel centres on Nick Carraway, a Yale graduate and First World War veteran, who relocates to Long Island and becomes drawn into the opulent world of his enigmatic neighbour, Jay Gatsby. Gatsby, a self-made millionaire, is fixated on rekindling a past romance with Daisy Buchanan, now married to the wealthy and arrogant Tom Buchanan. Through lavish parties and dubious dealings, Gatsby attempts to win Daisy back.

Ken Duncum’s stage adaptation prioritises theatricality over strict fidelity to the novel, employing a minimalist set to focus the audience’s attention on the emotional immediacy of the story. Notably, Duncum shifts the emotional centre from Gatsby and Daisy to the relationship between Nick and Jordan, offering a fresh and compelling perspective.

Costuming was a standout feature of this production. Meredith Dooley, well-regarded in Wellington for her meticulous attention to detail, once again delivered a stunning array of period-perfect costumes that beautifully evoked the era.

Devon Heaphy’s lighting design was, as expected, excellent. However, the opening scene—featuring Older Nick Carraway (Kevin Hastings) backlit—meant some facial expressions were obscured, which slightly diminished the impact of the moment.

Sound designer Alan Burden also deserves praise for managing a complex array of sound cues.

The cast delivered strong performances across the board. Lydia Verschaffelt brought a delightful charm to Jordan Baker, pouting her way through the role with charisma. Joseph Corbett was compelling as Nick Carraway, and Ashton Henty gave a memorable performance as George B. Wilson. Other notable performances included Kevin Hastings as Older Nick, Tom Kereama as a suave yet elusive Gatsby, Mike McJorrow as the detestable Tom Buchanan—a role he clearly relished—Micaela Craven as Daisy Buchanan, and Ava Wiszniewska as Myrtle Wilson.

Anna Ormsby Lowe’s pared-back set design complemented the production well. While the moveable pieces occasionally drew attention away from the action, they ensured seamless transitions that kept the narrative flowing.

Director Catherine McMechan demonstrated a strong command of the material, guiding her cast with skill and drawing out nuanced performances that elevated the production.