Review: DURAN DURANTHONY AND CLEOPATRA at Troubadour Theater At The COlony
The Bard is back and DURAN DURANTHONY & CLEOPATRA is up to snuff, zanily on point both in its concept and execution. When it comes to pop-Bard hybridization, Walker and his company know exactly what they’re doing....
Review: THE SPY WHO WENT INTO REHAB at Pacific Resident Theatre
The Spy Who Went Into Rehab is a cheeky, high-spirited, brilliant new world premiere comedy at the Pacific Resident Theatre. This sexy, adventurous, romp follows a simple and hilarious premise — what would happen if James Bond were court-ordered to rehab?...
Review: THE RABBIT QUEEN at The Broadwater MainStage
Did I mention that this all takes place in 1726? No? Well, if it weren’t for the popinjays, you would initially think this is a medieval morality play. ...
Review: Disney's Enchanting THE LITTLE MERMAID Swims Back to the La Mirada Theatre
La Mirada Theatre for the Performing Arts' mesmerizing, visually-stunning 2016 production of Disney's stage adaptation of THE LITTLE MERMAID has returned for a limited engagement continuing through June 23, 2024. Filled with colorful costumes and sets and soaring mermaids, this spectacular show will...
Review: Katerina McCrimmon's Star Shines Bright in FUNNY GIRL Revival at Segerstrom Center
This 2022 revival of the 1964 musical is quite enjoyable, not because of its new changes (via director Michael Mayer and Harvey Fierstein's new book) but thanks mostly to its lead star McCrimmon, who is reason enough to see this touring iteration. The show continues at Segerstrom Center for the Arts...
Review: FRIDA-STROKE OF PASSION: THE IMMERSIVE EXPERIENCE at Casa 0101
Ticket holders expecting the sprawling 360-degree LED screens of viral exhibitions like the Van Gogh or Monet 'Immersive Experiences' should know: This is not that. What it is, however, is a gorgeously produced play that fans of Frida Kahlo—the Mexican painter known for her brilliantly colored se...
Review: HOLMES & WATSON at Laguna Playhouse
Lovers of Agatha Christie, Knives Out, Michael Connelly, and of course, Sir Arthur Conan Doyle, will be absolutely delighted by this fiendish period mystery starring everyone’s favorite sleuth and cocaine addict....
Review: Seth Rudetsky presents Tony Winner Lillias White at OC's Segerstrom Center
To close out their 2023-2024 Series, Segerstrom Center welcomed theater aficionado Seth Rudetsky to serve as an interviewer/pianist for Tony Award winner Lillias White for three shows May 16-18, 2024 in one of the most incredibly wonderful, fan-favoring shows that the OC arts campus has ever hosted ...
Review: TOPSY TURVY at The Actors Gang
The latest play by The Actors’ Gang, written and directed by founder/Artistic Director Tim Robbins, is a melancholy reckoning over the early days of the covid pandemic...The gods are around for TOPSY TURVY, but they’re contemplative, grouchy and decidedly critical of the poor blighters who have ...
Review: MISALLIANCE at A Noise Within
Misalliance is a delight, a breezy, witty, carefree period romp and delectable social satire set on the sprawling Surrey estate of underwear tycoon John Tartleton....
Review: Chance Theater Stages OC Premiere of ALMA
Having its OC Premiere at Chance Theater in Anaheim, CA through May 31, ALMA—the touching, poignant, and very timely play written by Benjamin Benne—delves dramatically into the complex, sometimes contentious, but achingly relatable relationship between a struggling single immigrant mother and he...
Review: TURANDOT at LA Opera
A sharp blade wielded threateningly, forced perspective creating looming palatial walls, the rotting heads of failed suitors, and a princess literally shrouded in mystery quickly orient us within Puccini’s iconic fairytale....
Review: Tony Award Winner Matt Doyle Makes Segerstrom Center Cabaret Debut
Matt Doyle—the 2022 Tony Award winner for his gender-bent role of Jaime in the Broadway revival of COMPANY—made his Segerstrom Center for the Arts Cabaret Series debut over a three-night engagement that began on May 2, 2024 with an incredible set that showcased his amazing vocal talents and his ...
Review: GHOST WALTZ at Latino Theatre Company At LATC
A moody dramatic dive into the life of a violinist whose celebrated waltz got him mistaken for Strauss. As lovely as Alberto Barboza’s production looks on stage at the Los Angeles Theatre Center – and as melodic as it often sounds – GHOST WALTZ’s impact is as fleeting as the spirits who popu...
Review: THE BODY'S MIDNIGHT at Boston Court Pasadena in co-production with IAMA Theatre Company
The Body’s Midnight is a brilliant, meditative, fiercely funny and brutally heartrending world premiere drama at Boston Court Pasadena. It is a hard play to capture its essence, both explosively hilarious and lyrical, surreal, and profoundly mournful, a ferocious elegy to all the things that are...
Review: BEAUTY AND THE BEAST at The Nocturne Theatre
Nocturne Theatre’s production of Beauty and the Beast hits all the right notes. Fans of the original story will be delighted with the stellar performances of their favorite songs, while fans of Meyer2Meyer’s macabre touch will relish the costumes and the overall ambiance of the Nocturne Theatre ...
Review: THE HOPE THEORY at Geffen Playhouse
Every immigrant experience is unique and Guimarães’ story is a deeply engaging rumination on the power of faith and the capacity of hope to see one through....
Review: South Coast Repertory Presents World Premiere Play GALILEE, 34
Eleanor Burgess’ brilliant, thoughtful, and often bitingly funny GALILEE, 34—currently having its impressive world premiere production at South Coast Repertory through May 12, 2024—is a humorously insightful, beautifully-performed new play that offers an unreliably revisionist examination of s...
Review: MONSTERS OF THE AMERICAN CINEMA at Rogue Machine At The Matrix Theatre
MONSTERS OF THE AMERICAN CINEMA, a whip smart and heartfelt play by Christian St. Croix produced in its L.A. premiere by Rogue Machine Theatre, argues that in the present, monsters and human beings aren’t easily distinguishable from each other. Monsters can take human form and vice versa. I gues...
Review: NORA at Antaeus Theatre Company
The problem with NORA is that in the longer, three-act running time of “A Doll’s House,” Nora’s world and its inhabitants would be fleshed out so that they had depth that is not evident in this adaptation....
Review: A CHORUS LINE at The Norris Theatre
The Palos Verdes Performing Arts' production of A Chorus Line is everything community theater should be: It makes you realize you don’t need a big Broadway house to get a Broadway experience....
Review: A Triumphant JERSEY BOYS Debuts at the La Mirada Theatre
A brand-new, reimagined regional iteration of the Tony-winning 2005 musical JERSEY BOYS now at the La Mirada Theatre for the Performing Arts is exceeding all expectations. Featuring a superb ensemble cast performing The Four Seasons' greatest hits, this spectacular, high-energy, crowd-pleasing produ...
Review: TWELFTH NIGHT at Actors Co-op David Schall Theater
Twelfth Night is a glorious example of how to do Shakespeare right. This production is full-bodied, fresh, cheeky, lighthearted, inventive, imaginative, and flat-out hilarious....
Review: PRELUDE TO A KISS Returns to South Coast Repertory as a World Premiere Musical
Based on Craig Lucas' 1988 play and 1992 film adaptation of the same name, PRELUDE TO A KISS - THE MUSICAL is an admirable first attempt of a new musical that is, clearly, still a work-in-progress. In its current state, this genuinely charming but disjointed musical could use a sharp refocus and som...
Review: Wildly Over-the-top BEETLEJUICE - THE MUSICAL Spooks Laughs at OC's Segerstrom Center
Adapted from the 1988 Tim Burton cult classic, BEETLEJUICE - THE MUSICAL is an over-the-top, chaotic, and wildly unhinged reimagining that amps up the kooky-ness of its source material a thousand-fold. Mostly funny and entertaining despite its tonal shifts and forced outlandishness, the show elicits...
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