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BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Broadway
BWW Review: An Uneven COMEDY TONIGHT Presenting 'Broadway's Funniest Clowns' Offers B

BWW Review: An Uneven COMEDY TONIGHT Presenting 'Broadway's Funniest Clowns' Offers Both Chuckles and Vocal Pratfalls at Feinstein's/54 Below

by Alix Cohen — February 17, 2016
Hosted by famously deadpan Julie Halston (You Can't Take It With You), the melange of actors presented in Monday night's comedy show at Feinstein's/54 Below drove home the fact that humor is simply not universal. Additionally, lack of continuity made it seem as if artists chose material no one revie...
BWW Review: NEW YORK PHILHARMONIC MAHLER 6TH SYMPHONY at David Geffen Hall

BWW Review: NEW YORK PHILHARMONIC MAHLER 6TH SYMPHONY at David Geffen Hall

by Peter Danish — February 18, 2016
Bychkov leads the NY Philharmonic a magnificent and majestic Mahler 6th....
BWW Review: Spectacular Sleepwalking in Bellini's SONNAMBULA at Juilliard Opera

BWW Review: Spectacular Sleepwalking in Bellini's SONNAMBULA at Juilliard Opera

by Richard Sasanow — February 17, 2016
It's a shame that Bellini wasn't Donizetti--because the story of LA SONNAMBULA seems to be begging for the full comic treatment and could have been a great companion to L'ELISIR D'AMORE. (I'm not sure how Maria Callas would have felt about changes in one of her great roles.) As it stands, performing...
BWW Review: Todd Murray & Sean Harkness Deliver a Swoony (and Croony) Valentine's Day

BWW Review: Todd Murray & Sean Harkness Deliver a Swoony (and Croony) Valentine's Day Show at the Metropolitan Room

by Alix Cohen — February 16, 2016
When vocalist Todd Murray discovered several of the musicians for his excellent show Croon were unavailable for their scheduled Valentine's Day appearance last Sunday afternoon at the Metropolitan Room, he asked Sean Harkness (the guitarist in the show) to join him for a two-hander. The fortuitous a...
BWW Review: NEW YORK CITY BALLET's 'New Combinations' Isn't as Innovative as the Prog

BWW Review: NEW YORK CITY BALLET's 'New Combinations' Isn't as Innovative as the Program Title Suggests

by Wesley Doucette — February 18, 2016
Justin Peck's 'Most Incredible Thing' headlines this program of new works....
BWW Review:  SURYA in the West Village is Absolutely Superb

BWW Review: SURYA in the West Village is Absolutely Superb

by Marina Kennedy — February 15, 2016
Visit Surya on Bleecker Street in the West Village. The Sharma family will welcome you with gracious service and delicious Indian food. Open for lunch, dinner, a daily happy hour and weekend brunch, guests will have many good reasons to return again and again....
BWW Review: An ALT-ernative View of Opera for the 21st Century

BWW Review: An ALT-ernative View of Opera for the 21st Century

by Richard Sasanow — February 16, 2016
Opera for the 21st century is more than setting RUSALKA in a whorehouse, populating RIGOLETTO with a cast of apes or sending MARIA STUARDA to a maximum security prison. It must start with a different vocabulary for the words and music--one that still appeals to traditional audiences while also being...
BWW Review: Ageless Chanteuse Liliane Montevecchi Defines Joie de Vivre With Valentin

BWW Review: Ageless Chanteuse Liliane Montevecchi Defines Joie de Vivre With Valentine's Show at Feinstein's/54 Below

by Alix Cohen — February 12, 2016
The indomitable Liliane Montevecchi revived her 25-year-old cabaret show Thursday night at Feinstein's/54 Below with verve, style, and the expansive flirting of a lifelong femme fatale. This time it's aptly titled Be My Valentine. Few can ad lib with so much beguiling heat. As the Cliff Notes of he...
BWW Review: After a Slow Start, Former JERSEY BOYS Star John Lloyd Young's New Café

BWW Review: After a Slow Start, Former JERSEY BOYS Star John Lloyd Young's New Café Carlyle Show Builds to An Enjoyable Crescendo

by victoria ordin — February 11, 2016
Performing at the Cafe Carlyle for his fourth time, John Lloyd Young sashayed to the stage on his Tuesday opening night wearing leather and aviator glasses, and with the swagger one would expect from the performer who originated the role of Frankie Valli in Jersey Boys in 2005 (Young became the only...
BWW Review: Chabrier's EDUCATION Makes for a Charming but 'Incomplete' Evening from O

BWW Review: Chabrier's EDUCATION Makes for a Charming but 'Incomplete' Evening from Opera Lafayette

by Richard Sasanow — February 10, 2016
There's a great Scottish word that came to mind while I was watching Emmanuel Chabrier's one-act French operetta, UNE EDUCATION MANQUEE (AN INCOMPLETE EDUCATION), this past weekend by Washington, DC's Opera Lafayette at the French Institute-Alliance Francaise in New York. It's “twee,” which roug...
BWW Review: TRAVIS WALL'S SHAPING SOUND Brings Eclectic Dreamscape to the Beacon Thea

BWW Review: TRAVIS WALL'S SHAPING SOUND Brings Eclectic Dreamscape to the Beacon Theatre

by Melanie Votaw — February 10, 2016
Travis Wall's Shaping Sound performed an eclectic dance program at New York's Beacon Theatre on February 8, 2016....
BWW Review: Blending the Beauty of the East and West with NAI-NI CHEN DANCE COMPANY

BWW Review: Blending the Beauty of the East and West with NAI-NI CHEN DANCE COMPANY

by Caryn Cooper — February 10, 2016
Brooklyn Center for the Performing Arts at Brooklyn College, in conjunction with its third Annual Lunar New Year Celebration, partnered once again with the prestigious Nai-Ni Chen Dance Company in an all new celebration of Chinese arts and culture. Under the direction of renowned traditional dancer ...
BWW Review: Radvanovsky Tears Up the Stage in MARIA STUARDA at the Met

BWW Review: Radvanovsky Tears Up the Stage in MARIA STUARDA at the Met

by Richard Sasanow — February 9, 2016
With MARIA STUARDA at the Met, we're back for the second installment of Donizetti's so-called Tudor Trilogy, with ANNA BOLENA (Anne Boleyn) already off to the gallows and ROBERTO DEVEREUX (with Bette Davis and Errol Flynn, it was “Elizabeth and Essex”) still to come. It's the first time the Met ...
BWW Review: Brian Gallagher and Friends Shakes Birdland Jazz Club

BWW Review: Brian Gallagher and Friends Shakes Birdland Jazz Club

by David Clarke — February 4, 2016
Closing January 2016 with a bang, Broadway veteran and singer-songwriter Brian Gallagher shook Birdland Jazz Club with BRIAN GALLAGHER AND FRIENDS. He has been crafting new songs, writing a musical about a serial killer haunted by her victims, and even crafting a song cycle about rats. Utilizing his...
BWW Review: Digging in Deep with JOYA POWELL/MOVEMENT of the People Dance Company

BWW Review: Digging in Deep with JOYA POWELL/MOVEMENT of the People Dance Company

by Caryn Cooper — February 5, 2016
The Annual FLICfest, founded and curated by Jeramy Zimmerman and now in its sixth year, gave six choreographers an opportunity to present feature-length independent works at the Irondale Center, located in the heart of Brooklyn's Downtown Arts District. The work featured the world premiere of the pi...
BWW Review: Dada Masilo's SWAN LAKE Sets New Standard for Ballet and Beyond

BWW Review: Dada Masilo's SWAN LAKE Sets New Standard for Ballet and Beyond

by Olga El — February 4, 2016
The house was full on the opening night of Dada Masilo's Swan Lake at the Joyce and I quickly realized why. The ballet boasts incredible energy, attitude, innovation and diversity rarely seen in a typical ballet, all without sacrificing an engaging story and superb technique....
BWW Review: NEW YORK CITY BALLET Offers a Win-Win with a Balanchine and Robbins Doubl

BWW Review: NEW YORK CITY BALLET Offers a Win-Win with a Balanchine and Robbins Double Bill

by Sondra Forsyth — February 1, 2016
As part of New York City Ballet's Winter Season 2016 at Lincoln Center's Koch Theater, the program appropriately entitled 'Masters at Work' was a perfect pairing of two disparate yet in one way similar creations by the troupe's founding choreographers, George Balanchine and Jerome Robbins. Mr. B's L...
BWW Review: VILLA CEMITA for Excellent Mexican Food and Drink in NYC

BWW Review: VILLA CEMITA for Excellent Mexican Food and Drink in NYC

by Marina Kennedy — January 28, 2016
Villa Cemita presents wonderful traditional Mexican fare and Puebla specialties. Located on the Lower East Side, it will quickly become one of your favorite restaurants in New York City....
BWW Review:  I AND YOU at 59E59 is Excellent and Poignant Theater

BWW Review: I AND YOU at 59E59 is Excellent and Poignant Theater

by Marina Kennedy — January 28, 2016
'I AND YOU' is now being performed at 59E59 Theaters through February 28th. Written by Lauren Gunderson and directed by Sean Daniels, the show is excellent and poignant....
BWW Review: As Dynamic As Ever, BEN VEREEN Again Lights Up Feinstein's/54 Below With

BWW Review: As Dynamic As Ever, BEN VEREEN Again Lights Up Feinstein's/54 Below With Unabashed Optimism

by Alix Cohen — January 27, 2016
Attending a Ben Vereen show these days is like worshipping at the altar of Happy. As he displayed once again on Monday's opening night of his latest run at Feinstein's/ 54 Below, the veteran entertainer exudes palpable pleasure at being on stage while repeatedly expressing gratitude to his audience....
BWW Review: NYCB Lauds Balanchine and Creates Beautiful Harmony

BWW Review: NYCB Lauds Balanchine and Creates Beautiful Harmony

by Christina Pandolfi — January 25, 2016
Magic happened this past Thursday night at the gorgeous David H. Koch theatre as New York City Ballet lit the stage in the premiere week of their much-anticipated winter season. Getting back to their roots and showcasing what they do so well, the company's three-piece All Balanchine I program celebr...
BWW Review: All Puccini, All the Time at the Met with LA BOHEME and TURANDOT

BWW Review: All Puccini, All the Time at the Met with LA BOHEME and TURANDOT

by Richard Sasanow — January 25, 2016
Sometimes, the Metropolitan Opera seems like an endless Puccini festival. It's particularly apparent this season, when top dogs LA BOHEME, TOSCA and MADAMA BUTTERFLY are joined by TURANDOT and MANON LESCAUT, which are not second drawer, though certainly less popular than the first three. (Let's see ...
BWW Review: Veteran Jazz Vocalist Mary Foster Conklin's New CD PHOTOGRAPHS Offers Her

BWW Review: Veteran Jazz Vocalist Mary Foster Conklin's New CD PHOTOGRAPHS Offers Her Interpretive Stamp On Classic Songs

by Alix Cohen — January 23, 2016
With her new CD release Photographs, veteran New York jazz and cabaret singer Mary Foster Conklin puts her own stamp on the material, which is part interpretation and part the limited range of her often smoky alto. Accompanying musicians—led by John diMartino on piano--are top notch with especiall...
BWW Review:  LABUTE NEW THEATER FESTIVAL at 59E59 Six Fascinating New Plays

BWW Review: LABUTE NEW THEATER FESTIVAL at 59E59 Six Fascinating New Plays

by Marina Kennedy — January 19, 2016
The LABUTE NEW THEATER FESTIVAL is now onstage at 59E59 Theaters through February 7th. Six fascinating one-act plays are receiving their New York Premiere....
BWW Review: PROTOTYPE vs. CITY OPERA - The King is Not Dead. Long Live a Different Ki

BWW Review: PROTOTYPE vs. CITY OPERA - The King is Not Dead. Long Live a Different King.

by Richard Sasanow — January 19, 2016
It seems ironic--to me at least--that New York's venerable City Opera would be returning to life at Jazz at Lincoln Center's Rose Theater, just as the “Prototype: Opera/Theatre/Now” festival was finishing up its run at alternative venues in Manhattan and Brooklyn. Prototype “unleashed a powerf...
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