THIS BEAUTIFUL FUTURE Submission - Cherry Lane Theater Auditions

THIS BEAUTIFUL FUTURE - EQUITY VIDEO SUBMISSIONS

Producing Org TBD

CONTRACT

Off Broadway $735 weekly minimum

SEEKING

Equity actors for understudy roles in THIS BEAUTIFUL FUTURE (see breakdown).

COVID-19: All employees are required to be fully vaccinated against COVID-19, and provide proof of vaccination in accordance with requirements established by the producer. Under this policy, Employees are considered fully vaccinated once they have completed the primary vaccination series (2 doses of Moderna or Pfizer or single dose of Johnsons and Johnson), as well as the booster vaccination. These policies are subject to change.

INSTRUCTIONS

Please prepare a contemporary monologue under 2 minutes. Email your headshot/resume and video submission. In the subject line, please include: Equity number & This Beautiful Future.

Deadline: Thu, Jun 23, 2022

SUBMIT TO

submissionstaylorwilliams@gmail.com

PERSONNEL

Director: Jack Serio
Playwright: Rita Kalnejais
Producer: OHenry Productions/ Oliver Roth
General Management: Mott/Fischer Productions
Taylor Williams, Casting Director (viewing auditions)

OTHER DATES

First Rehearsal - 8/16/22
First Preview - 9/11/22
Opening - 9/20/22
Run Thru - 11/6/22
Possible Extension Thru - 12/11/22

OTHER

Venue: Cherry Lane Theater Mainstage

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

SEEKING:

OTTO (Understudy) - 16. He/him. This character identifies as white. German soldier. Otto is and feels like a boy. He's in a very grown-up world but he hasn't quite grown up yet. Both an ingenue and a monster.

ELODIE (Understudy) - 17. She/her. This character identifies as white. French. Elodie lets down her hair and puts it up again. Lets it down. Puts it up. She can always find reflective surfaces. She has decided what she would part with for a pair of stockings. She has memories she will take to the grave.

TRACK A (Understudy) - (60s - 80s). She/her. A graceful woman with cropped hair and a voice like Karen Carpenter. Character is comfortable singing and conveying through music, but might not have a necessarily polished/ traditional musical theater voice. Note: Actor will use their own name in the role.

TRACK B (Understudy) - (60s - 80s). He/him. A man with a deep dignity and all his ages at the same time. Character is comfortable singing and conveying through music, but might not have a necessarily polished/ traditional musical theater voice. Note: Actor will use their own name in the role.

OTTO - OFFER OUT - 16. He/him. This character identifies as white. German soldier. Otto is and feels like a boy. He's in a very grown-up world but he hasn't quite grown up yet. Both an ingenue and a monster.

ELODIE - CAST - 17. She/her. This character identifies as white. French. Elodie lets down her hair and puts it up again. Lets it down. Puts it up. She can always find reflective surfaces. She has decided what she would part with for a pair of stockings. She has memories she will take to the grave.

TRACK A - CAST - (60s - 80s). She/her. A graceful woman with cropped hair and a voice like Karen Carpenter. Character is comfortable singing and conveying through music, but might not have a necessarily polished/ traditional musical theater voice. Note: Actor will use their own name in the role.

TRACK B - CAST - (60s - 80s). He/him. A man with a deep dignity and all his ages at the same time. Character is comfortable singing and conveying through music, but might not have a necessarily polished/ traditional musical theater voice. Note: Actor will use their own name in the role.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.