Milwaukee Repertory Theater
AUDITION DATE
Fri, Jan 31, 2020
10:00 am - 6:00 pm (CST)
Break From 1:30pm - 2:30pm
APPOINTMENTS
Frank Honts fhonts@milwaukeerep.com (Email submissions only)
CONTRACT
LORT Non-Rep LORT A, B, D $717-1161, depending on space
SEEKING
Actors for Milwaukee Repertory Theater's 2020/21 season. Actors of all ethnicities encouraged to audition. The 2020/21 season will likely include:
A large musical
The Rep's 45th annual production of A CHRISTMAS CAROL
One or two world and/or American premieres
The inaugural production in our Classics Initiative, defined as a play written before 1900
We anticipate at least one co-production with other regional theaters in the 20/21 season.
PREPARATION
For musical auditions: 32 bars of a song; 1 Shakespeare or contemporary monologue (60-90 seconds)
For non-musical auditions: 1 Shakespeare and/or 1 contemporary monologue (not to exceed 3 minutes total)
Please bring headshot/resume. An accompanist will be in attendance for the entire day.
LOCATION
Milwaukee Repertory Theater
108 E Wells St
Milwaukee, WI 53202-3504
PERSONNEL
Frank Honts, Casting Director
OTHER DATES
See Breakdown
OTHER
Note: Milwaukee Rep will hold EPAs in Chicago on Friday, February 21 and Monday, February 24
EPA Procedures are in effect for audition.
An Equity Monitor will not be provided. The producer will run all aspects of audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
The 2020/21 season remains under consideration at this time. A complete breakdown of the season will be released once the season has been finalized.
Note: Milwaukee Rep will hold EPAs in Chicago on Friday, February 21 and Monday, February 24.
Production Schedule for the 2020/21 season is as follows:
Quadracci Powerhouse #1 (LORT B) 1st Rehearsal- August 18, 2020; 1st Preview- September 15; Opening- September 19; Closing- October 25
Quadracci Powerhouse #2 (LORT B) 1st Rehearsal- October 13, 2020; 1st Preview- November 10; Opening- November 13; Closing- December 13
Quadracci Powerhouse #3 (LORT B) 1st Rehearsal- December 15, 2020; 1st Preview- January 12, 2021; Opening- January 15; Closing- February 7
Quadracci Powerhouse #4 (LORT B) 1st Rehearsal- January 26, 2021; 1st Preview- March 2; Opening- March 5; Closing- April 4
Quadracci Powerhouse #5 (LORT B) 1st Rehearsal- March 23, 2021; 1st Preview- April 20; Opening- April 23; Closing- May 23
Stiemke Studio #1 (LORT D) 1st Rehearsal- August 18, 2020; 1st Preview- September 23; Opening- September 25; Closing- November 1
Stiemke Studio #2 (LORT D) 1st Rehearsal- December 22, 2020; 1st Preview- January 20, 2021; Opening- January 22; Closing- February 28
Stiemke Studio #3 (LORT D) 1st Rehearsal- March 30, 2021; 1st Preview- April 3; Opening- April 3; Closing- April 11
Stackner Cabaret #1 (LORT D) 1st Rehearsal- August 18, 2020; 1st Preview- September 11; Opening- September 13; Closing- November 8
Stackner Cabaret #2 (LORT D) 1st Rehearsal- October 20, 2020; 1st Preview- November 13; Opening- November 15; Closing- January 17, 2021
Stackner Cabaret #3 (LORT D) 1st Rehearsal- December 29, 2020; 1st Preview- January 22, 2021; Opening- January 24; Closing- March 21
Stackner Cabaret #4 (LORT D) 1st Rehearsal- March 23, 2021; 1st Preview- March 26; Opening- March 28; Closing- May 30
A CHRISTMAS CAROL (LORT A) 1st Rehearsal- November 3, 2020; 1st Preview- November 24; Opening- November 27; Closing- December 24
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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