North Carolina Stage Company | Asheville, NC
Tuesday, September 30, 2025
12:00 PM - 8:00 PM (E)
Break 4:00 PM - 5:00 PM
To schedule an audition appointment and to receive Sides, please email
auditions@ncstage.org or call 828-239-0263 between noon and 5pm Wednesday through Friday (email preferred). If you are unable to attend these in-person auditions you may submit a video audition. Please see breakdown for instructions.
SPT
$496 weekly minimum (SPT 4)
Equity actors for roles in JEEVES IN BLOOM (See breakdown).
Please prepare Sides from the script. Sides will be provided when the audition appointment is confirmed. Also, please bring your headshot and resume stapled together.
North Carolina Stage Company
15 Stage Lane
Asheville, NC 28801
For information on audition location go to:
https://www.ncstage.org/visit-us/location-parking-directions/
Adapted by Margaret Rather
Angie Flynn-McIver: Director
Expected to attend:
Charlie Flynn-McIver: Artistic Director, Producer
Michelle Carello: Managing Director
1st Rehearsal: 1/6/26
Previews: 1/28/26
Opens: 1/31/26
Closes: 2/22/26
Performances run:
Preview week & Week 2 of the run – Wednesday, Thursday, Friday, and Saturday at 7:30 PM; Sunday at 2 PM.
Week 3 & Week 4 of the run - Wednesday, Thursday, Saturday at 7:30 PM; Friday and Sunday at 2 PM.
www.ncstage.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Notice: Audition Call Type: EPA
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Video audition instructions:
If you are unable to attend these in-person auditions, you may submit a video audition.
Please submit your headshot, resume, and private or password protected links of audition videos at:
https://form.jotform.com/252545067776164
Please prepare the Side for the audition. Please email
auditions@ncstage.org for specific sides.
Please state your name and the role being auditioned for at the beginning of the submission.
Video submission deadline is Tuesday, 9/30/25, 9pm ET.
BETRAM “BERTIE” WILBERFORCE WOOSTER: he/him, 40s. An affluent bachelor with a tendency to get himself into tricky situations. Simply has not grown up and has little understanding of the world around him. Self-centered but very likable and harmless.
JEEVES: he/him, 50s-60s. Bertie’s unflappable valet. Level-headed. Always thinking 5 steps ahead. Long suffering but discreet and flawlessly mannered.
DAHLIA TRAVERS: she/her, 50s – 60s. Bertie’s formidable aunt, a woman of strong opinions and stronger voice who combines genuine affection for her nephew with exasperation at his antics. She's accustomed to getting her way and isn't shy about expressing her views with characteristic directness.
THOMAS PORTARLINGTON TRAVERS: he/him, 50s - 60s. Dahlia’s husband, a mostly calm gentleman, more interested in personal pursuits than the dramas that unfold around him. Enamored with the superb dishes Anatole prepares.
AUGUSTUS “GUSSIE” FINKNOTTLE: he/him, 50s - 60s. An earnest, scholarly gentleman whose expertise in newts far exceeds his confidence in social situations. His shy nature and tendency toward romantic anxiety make him both endearing and prone to requiring rescue from awkward predicaments.
MADELEINE BASSET: she/her, 30s – 40s. A romantic who views the world through a lens of poetry and sentiment, finding deep meaning in nature's smallest details. Her ethereal worldview and delicate sensibilities often put her at odds with the more practical concerns of those around her.
ANATOLE: Any age, any gender. Highly skilled, highly temperamental French chef, employed by Dahlia Travers. Often referred to as “God’s gift to the gastric juices,” speaks limited English and threatens violence at the least hint of culinary criticism.
Videos
