EVITA (Tour) – Equity Chorus Call / Singers
SETA TIER 2 (AEA approval pending; possible salary $756/week)
Producers: Hal Luftig, Scott Sanders, Randall A. Buck
Music: Andrew Lloyd Webber
Lyrics: Tim Rice
Director: Michael Grandage
Choreographer: Rob Ashford
Musical Supervisor: Kristen Blodgette
Associate Director: Seth Sklar-Heyn
Associate Choreographer: Christopher Bailey General Manager: Joe Christopher
Casting: Telsey + Company/Craig Burns
Rehearsal: August 5 in NYC
Performance: September 10 in Providence, RI
Equity Chorus Call / Singers:
Tuesday, February 19, 2013 at Telsey + Company
10:30 AM – Equity male singers 315 West 43rd Street, 10th Floor
2 PM – Equity female singers
Prepare 16 bars of a contemporary musical theatre song in the style of the show, showing range. Bring sheet music for your song; a piano accompanist will be provided. Bring a photo/resume stapled together.
SEEKING:
Ensemble Singers:
Seeking a broad range of males and females of all ethnicities from early 20s to 60s. Excellent singing voices in all ranges. All must understand the Latin temperament even if they don’t fit perfectly into the “look”. All shapes and sizes to play everything from Generals to peasants. A fully featured versatile ensemble that helps define this world. Movement ability needed. Understudies for the principal roles of EVA, CHE, and PERON (See EPA notice for descriptions) will be assigned from the ensemble, as well as understudies for the ensemble features of MAGALDI and MISTRESS
Magaldi
(Featured Ensemble) Male, any ethnicity, 30 – 40. A tango singer with whom Eva has her first love affair. Charming loser – never quite made it. Has the first number in the show (“On This Night of a Thousand Stars”) and sets up the world in which Eva exists and establishes a Latin flavor to the piece which is essential. Also appears in the ensemble. Latin American in personality and feel. Strong high baritone or tenor.
Mistress
(Featured Ensemble) Female, any ethnicity, 18 – early 20s. Juan Peron’s Mistress who is pushed out of Peron’s life by his future wife, Eva. The Mistress ponders the rejection in a big number, “Another Suitcase in Another Hall.” Beautiful, period, fragile, vulnerable. Also appears in the ensemble. Powerful contemporary mix voice.
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