CLUE Submission - McCoy Rigby Auditions

CLUE - EQUITY VIDEO SUBMISSIONS

McCoy Rigby

CONTRACT

COST $913 weekly minimum

SEEKING

Equity actors for roles in CLUE (see breakdown). Local Los Angeles actors particularly encouraged to submit.

No stage manager positions are available at this time.

INSTRUCTIONS

Please prepare one side from Clue audition material available at https://www.dropbox.com/sh/ieyqxhhzgicr7l9/AABT8PxKGri0xqIG5_3SQyqfa?dl=0 OR a 2-minute contemporary, comedic monologue of your choice. We prefer video sent via Vimeo, YouTube or Dropbox. (We will not download from WeTransfer, etc.) Please make sure that your name is include in your video (either titles or spoken) before you start your material. Please email your headshot and resume with your video link.

Deadline: Tue, Jun 8, 2021 (PST)

SUBMIT TO

Video@Florescasting.com

PERSONNEL

Producers: Tom McCoy and Cathy Rigby
Producing Artistic Director: B.T. McNicholl
Director: Casey Hushion (viewing auditions)
Casting Director: Julia Flores (viewing auditions)

OTHER DATES

1st rehearsal: 9/5
Open: 9/24
Closing: 10/17

OTHER

Rehearsals will be in person at the rehearsal hall in La Mirada.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

Local Los Angeles actors particularly encouraged to submit.

DIRECTOR’S NOTE: Looking for fearless actors with a great love of comedy. A spirit of mischief and madness welcome. A generous ensemble of unique actors with a collective “yes and” vibe. Truth essential to the comedy; these characters are literally in a life and death circumstances.

WADSWORTH – Late 30’s to 50. A traditional British butler in every sense: uptight, formal and “by the book.” Wadsworth is the driving force in the play.

MISS SCARLET – 35-50. A dry, sardonic D.C. Madam, more interested in secrets than sex.

MRS. PEACOCK – 40’s to 50’s The wealthy spouse of a Senator. A bit batty, neurotic, and quick to hysteria.

MRS. WHITE – 40’s to 50’s Morbid and tragic. Mrs. White may or may not be the murderer of five ex-husbands.

COLONEL MUSTARD – 40’s to 50’s. A puffy, pompous, dense, blow-hard of a Colonel.

PROFESSOR PLUM -- 40’s to 50’s . Arrogant, academic and egotistic.

MR. GREEN – Late 20’s to 30’s. A timid, yet officious, rule follower who is awfully anxious until true identities are revealed, and we see a much more together type.

YVETTE – 25-35. A loyal and sexy, French Maid.

ENSEMBLE 1: 30-45 THE COOK – Gruff with a threatening presence. (Alive and Dead). SINGING TELEGRAM MESSENGER - A tap dancer with a heart of gold. (Alive and Dead). AUXILIARY SCARLET - The back of Miss Scarlet during a scene of theatrical trickery.

ENSEMBLE 2: 35-50. MR. BODDY – A slick, Frank Sinatra, film noir-esque type. (Alive and Dead). THE MOTORIST - A benign passerby who rings the wrong doorbell. (Alive and Dead). CHIEF OF POLICE - A cop who helps to save the day.

ENSEMBLE 3: 35-50. THE BROKEN DOWN CAR COP -- A hard working, blue collar cop (Alive and Dead). BACKUP COP - Backup for the chief. AUXILIARY MUSTARD - The back of Colonel Mustard during a scene of theatrical trickery

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.