BWW Review: Steppenwolf's World Premiere of THE FUNDAMENTALS Takes A Cheeky, Entertaining Stab at Corporate Culture
by Rachel Weinberg - November 25, 2016
Erika Sheffer's witty and laugh-out-loud funny new play THE FUNDAMENTALS paints a bleak portrait of corporate culture within the New York location of a fictitious major hotel chain. Sheffer sets the tongue-in-cheek tone from the initial moments of the play, which opens with an overly polished film e...
BWW Review: Drury Lane's CRAZY FOR YOU Brings a Much-Needed Dose of Broadway Magic
by Kailey Hansen - November 14, 2016
This holiday season, the intimate Drury Lane Theatre receives a dash of Broadway magic. George and Ira Gershwin's classical music comes to life in a dazzling revue. Big dance numbers, familiar tunes and slapstick comedy make for a wondrous, two-hour escape from reality....
BWW Review: Lovely FUN HOME Will Break Your Heart
by Teresa Budasi - November 06, 2016
FUN HOME is a great title for a musical. It conjures lightness, joy, whimsy … fun. There is some of that in the Tony Award-winning show, now enjoying its first national tour that includes a two-week stint at Chicago's Oriental Theatre. But for the most part, FUN HOME is dark....
BWW Review: THE BURIALS Beautifully Portrays The Haunting, Heartbreaking Cost of Gun Violence in Schools
by Rachel Weinberg - October 11, 2016
In Caitlin Parrish's new play THE BURIALS, Steppenwolf for Young Adults has found an informative and moving new play that tackles the realities of gun violence in schools with intensity and heart under the direction of Erica Weiss. Loosely based on the Greek tragedy ANTIGONE, THE BURIALS smartly add...
BWW Review: Wagner's Music Shines in DAS RHEINGOLD
by Teresa Budasi - October 10, 2016
Richard Wagner's 'Ring' cycle is an intriguing opportunity to immerse oneself in an epic experience -- something akin to reading the 'Harry Potter' or 'Lord of the Rings' series, savoring each singular story, then eagerly anticipating the next installment....
BWW Review: LIFE SUCKS at Lookingglass … or does it?
by Teresa Budasi - October 03, 2016
Lookingglass Theatre's season opener, the ironically life-affirming LIFE SUCKS, might as well have been titled 'Love Sucks,' because every character's issues stem from that all-encompassing drive to connect with the person with whom they think completes them....
BWW Review: Steppenwolf's VISITING EDNA is an Emotional Lesson in Dealing with Loss
by Patrick Rybarczyk - September 27, 2016
Plays that deal with a terminal illness are tough. The storytelling can be tricky as each audience member comes to it with varying degrees of personal impact. In Visiting Edna, currently making its world premiere at Steppenwolf Theatre Company, cancer is an actual character who gives voice to its ow...
BWW Review: THE CITY OF CONVERSATION a Lively, Timely Political Tale
by Teresa Budasi - September 27, 2016
Northlight Theatre couldn't have chosen a better time to launch this show. The current presidential race is perhaps the most polarizing in U.S. history, but playwright Anthony Giardina's drama, which begins in the late '70s, reminds us that the landscape was shifting long before The Donald promised ...
Cheers is Live On Stage but Better on TV
by Patrick Rybarczyk - September 22, 2016
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BWW Review: There is Joy in Porchlight's Controversial IN THE HEIGHTS
by Teresa Budasi - September 19, 2016
If you aspire to see 'Hamilton' while it's in Chicago but have yet to score tickets, you can get a tease of what Lin-Manuel Miranda has to offer this town by checking out Porchlight Theatre's production of IN THE HEIGHTS....
BWW Review: Sharp, Intense TRUE WEST at Shattered Globe
by Rachel Weinberg - September 15, 2016
With deft direction by James Yost, Shattered Globe's production of TRUE WEST made for a solid first Sam Shepard experience for this critic. Kevin Viol and Joseph Wiens have cultivated a convincing and powerful dynamic as estranged brothers Austin and Lee, who are holed up at their mother's house in ...
BWW Review: HELLDRIVERS OF DAYTONA Hits Too Many Speed Bumps
by Rachel Weinberg - September 13, 2016
Chicago, fasten your seat belts-the world premiere musical HELLDRIVERS OF DAYTONA has parked at the Royal George Theatre...and it's a bumpy, messy ride. Billed as a spoof of 1960s racing films, composer Berton Averre (known for 'My Sharona'), lyricist Rob Meurer, and book writer Mark Saltzman have d...
BWW Review: HOW TO SUCCEED in Modern-day Theater
by Teresa Budasi - September 02, 2016
'How often does it happen that a secretary's boss wants to marry her? Hallelujah!' These lyrics get to the heart of why shows like HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING can't possibly maintain relevance in modern theater....
BWW Review: KINKY BOOTS Returns With All the Same Sparkle and Joy
by Patrick Rybarczyk - August 31, 2016
When I saw Kinky Boots here in Chicago during its pre-Broadway tryouts, I left the theatre with a huge smile on my face. While the show does have its share of heavier moments, it is also full of so much joy. As it returns for a short run to the Oriental Theatre, I was thrilled to see it maintained t...
BWW Review: Kevin Smith Shares Stories and Laughter to Zanies Crowd
by Kevin Pollack - August 10, 2016
Most people know Kevin Smith from the movies he's directed and starred in like Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back and Jersey Girl, but others know him as Silent Bob of Jay & Silent Bob with his partner Jason Mewes....
BWW Review: Remounting of BYHALIA, MISSISSIPPI at Steppenwolf's 1700 Theatre Fuels the Mind and the Heart
by Rachel Weinberg - August 01, 2016
Evan Linder's new play BYHALIA, MISSISSIPPI begins with a scene familiar to those in the audience: a mother and her adult daughter squabbling. The daughter, Laurel, is several months pregnant. And while her mother just wants to be present for the birth of her grandchild, Laurel has had enough. But a...
BWW Review: Sometimes You Get Stuck BETWEEN RIVERSIDE AND CRAZY at Steppenwolf Theatre Company
by Patrick Rybarczyk - July 19, 2016
Parts of the plot of Between Riverside and Crazy reflect events and situations very similar to those happening in society today. At times they are so close to home that you could feel a sense of unease in the audience. These elements ring true but don't always have enough strength to sustain the sto...
BWW Review: Come TOMORROW MORNING, Kokandy Modestly Approaches Love and Marriage
by Patrick O'Brien - July 14, 2016
A daring company takes it easy this summer, which may just be OK....
BWW Review: 'Impossible Dream' Realized in Marriott's MAN OF LA MANCHA
by Teresa Budasi - July 01, 2016
From the haunting opening notes to the robust finale, there's not a wrong note in Marriott Theatre's latest musical, MAN OF LA MANCHA....
BWW Review: Newly Conceived THE FIREBIRD Belies the Clarity of it Creator's Vision
by David Fick - July 01, 2016
Piecing together a new mythology is an audacious undertaking, and yet it is an act that is at the very heart of theatre-making: the building of a new world, with its own origins and order, that only becomes fully realised when an audience believes in it. THE FIREBIRD attempts just that, telling a po...
BWW Review: Windy City Playhouse's THIS Muddles in the In-Between
by Rachel Weinberg - June 27, 2016
Both Melissa James Gibson's play THIS and Windy City Playhouse's production exist on a precipice. For the characters in Gibson's script, they stand on the ledge approaching forty and the onset of middle age, while also waxing nostalgic about the good old college days.These college friends-Jane, Marr...