BWW Review: Singing (and Writing) Like Her Life Depends On It, MAC Winner Meg Flather Brings 'Carly & Me' to Don't Tell Mama
Fresh off her 2016 MAC Award for best original song after a successful revival of Portraits (1993) for Stephen Hanks' New York Cabaret's Greatest Hits series, Meg Flather paid tribute in Carly & Me to the 'artist who gave [her] her voice.' With her longtime musical director Paul Greenwood on piano a...
BWW Review: Beautifully Orchestrated EVERYTHING'S COMING UP ROSIE for 10th Anniversary of Sterling's Upstairs
On Sunday July 31 Michael Sterling celebrated 10 years of his cabaret supper club now called Sterling's Upstairs at the Federal with a mega-delightful show headlining the music of his mentor Rosemary Clooney called Everything's Coming Up Rosie. On the bill were two exuberantly talented singers�...
BWW Review: Jade Jones Presents JAZZED AND JADED at Creative Cauldron's 2016 Summer Cabaret Series
Let's be honest - with the state of current affairs, the political circus, the ongoing tragedies around the world - we're all feeling at least a little jaded these days. So it makes sense that DC singer Jade Jones' 'Jazzed and Jaded,' part of Creative Cauldron's 2016 Summer Cabaret Series, is exactl...
BWW Review: Blurring Boundaries in Search of Truth, Cynthia von Buhler Brings 'Speakeasy Dollhouse: The Bloody Beginning' to the Weylin
Cynthia von Buhler's Speakeasy Dollhouse: The Bloody Beginning grew out of the artist's lifelong fascination with the mysterious death of her Italian immigrant grandfather, Frank Spano, in 1935. Originally conceived as a one-night event, Speakeasy Dollhouse took on a life of its own and since 2011 h...
BWW Review: Lesli Margherita is All Brass and Belting in One-Woman Show 'Broad' at Birdland, Paying Tribute to the Women Who Never Backed Down
'Broad: A term originated in the 1930s meaning woman. Less respectable than 'lady,' but much more respectable than 'bitch.' Broad: An independent, aggressive, assertive woman, usually in show business. Broads sing loud, are sarcastic, and are in your face. Broads are generally moderately attractive ...
BWW Review: Cabaret Artist JEANNE PAGE Heats Up the Federal
One thing you may be sure of in attending a Jeanne Page concert: you will have a good time. The lady is a dynamic singer, giving it everything she's got and really enjoys doing it. She has such fun...
BWW Review: Lady Rizo Reports From the Fuzzy Dreamscape of New Motherhood in Her Terrific New Show 'Multiplied' at Joe's Pub
Alt-cabaret star Lady Rizo (aka Amelia Zirin-Brown) made her way to the stage to join her multi-instrumental accompanist, Yair Evnine. Threading regally through the audience, she held a translucent umbrella over her head, singing (my favorite Prince song) 'The Beautiful Ones' to Evnine's cello in a ...
BWW Review: Dani Stoller Presents AWKWARD at Creative Cauldron's 2016 Summer Cabaret Series
In an evening featuring classic musical favorites and unexpected gems, longtime DC performer Dani Stoller presents 'Awkward: A Musical Ode to the Funny Best Friend' as part of Creative Cauldron's 2016 Summer Cabaret Series....
BWW Review: Maureen Taylor Celebrates Unheralded Composer Bob Merrill in New York Cabaret's Greatest Hits at Metropolitan Room
In her A-line black and white polka dot dress with petticoats, a lively (and lithe!) Maureen Taylor delivered an entertaining tribute to lyricist Bob Merrill at the Metropolitan Room (on July 13). Originally directed by Peter Napolitano when the show debuted in 2008-09, Taylor Made is the latest ins...
BWW Review: Michael Griffiths Channels Cole Porter In His Latest Biographical Cabaret, COLE
In the year that celebrates 125 years since Cole Porter's birth, cabaret favourite Michael Griffiths channels the famous composer with his one man show COLE....
BWW Review: Top Notch Cabaret DANI & THE LION Reinvigorates the Genre at #NAF16's Albany Cabaret Club
DANI & THE LION is cabaret as it was meant to be. Created by Daneel van der Walt, who performs original songs and stories with a cameo appearance by a few unexpected classic tunes, this show sets the gold standard for this trickiest of theatre genres....
BWW Review: Political and Social Satirist Katie Goodman Definitely Doesn't 'F*ck It Up' In Her Hilarious Show at Stage 72
If Lorelai Gilmore, with her lightning fast speech, did political satire while rapping and playing both the piano and acoustic guitar, it would look something like Katie Goodman's hybrid comedy and cabaret act. Her latest show, I Didn't F*ck It Up, ran at Stage 72 (The Triad) on June 17, her cabaret...
BWW Review: DREAM SUITE: SONGS IN BLUES & JAZZ Is An Exceptional Evening at Birdland
Though somewhat familiar with and already an admirer of actor/vocalists Carpathia Jenkins and Alton Fitzgerald White, I was, until tonight, unaware of the apparently prolific musician, songwriter, librettist, and educator Louis Rosen. Rosen's Dream Suite, which occupied the second part of this June ...
BWW Review: Left To Her Own Devices, AMY ENGELHARDT Charms Don't Tell Mama With Comical and Emotional Original Songs
A longtime member of the Grammy-nominated a cappella band, the Bobs, LA-based composer/vocalist Amy Engelhardt delivered a riotously funny hour of song at Don't Tell Mama on what she conceded was a “shvitzy” Sunday in June (the 19th to be exact). Three o'clock on Father's Day may not be the b...
BWW Review: Laughs And Latino Stereotypes Abound In ¡HISPANIC ATTACK!
The stories and snipes of a Latino 'superstar' are shared over 70 minutes of high energy dance and song in ¡HISPANIC ATTACK!...
BWW Review: Paula Dione Ingram Shines Brightly Celebrating 'Black Broadway' in New York Cabaret Debut at Feinstein's/54 Below
2016 is one of Broadway's most diverse seasons, so much so it spawned a Twitter trending hashtag #TonysSoDiverse following the nominations for this past weekend's awards ceremony. 12 Black and non-Black actors of color were nominated for a Tony Award. For the first time in the Tonys' history, all fo...
BWW REVIEW: ADELAIDE CABARET FESTIVAL Discover The World Of Cabaret, One Laundry Basket At A Time With RUDI'S THE RINSE CYCLE
Adelaide's favourite clown and Cabaret personality Hew Parham takes on a new persona to explore what goes into a make a Cabaret....
BWW Review: Michael Feinstein's SING ME A SWING SONG Breezes, Bounces and Bows at Jazz at Lincoln Center
Jazz at Lincoln Center's 2016 Popular Song series at the Appel Room ended this year's agenda on June 8 with host Michael Feinstein's appreciation of the interconnection between swing and popular song, a subject about which he's clearly enthusiastic. Each musical era, he suggests, is previewed by a s...
BWW Review: The Talented MICHAEL LONGORIA Truly Connects With His Biographical Cabaret
On June 7, the Rockwell Table & Stage featured the stunning vocals of Michael Longoria. Smartly written by Longoria and his director Taylor James, Broadway standards received re-imagined, re-purposed raison-d'etre in advancing Longoria's fascinating narrative. His verbal accounts (serving as song in...
BWW Review: Marissa Mulder's Impressionistic Theater/Cabaret Piece Exploring the Life of Marilyn Monroe is Both Fascinating and Fragmented
When New York cabaret community insiders and frequent club goers heard that Marissa Mulder was planning a Marilyn Monroe-themed show, the consensus was the vocalist's naturally breathy voice paired with a roster of songs from Monroe's films would be a good fit. Sidestepping expectations, Mulder and ...
BWW Review: Ronny Whyte's Inimitable Elegant Style Buoys The Jazz Room at Kitano
Ronny Whyte epitomizes everything gracious, refined, and sophisticated that's become rare in music presented by artists under a certain age and temperament. Even with jazz interpretation, his accessible choices and deceptively casual delivery present songs as their authors intended. When he composes...
BWW Review: JOEY ARIAS (with Ben Allison) Brings His LITTLE BLACK BOOK and Downtown Sensibilities To Pangea
Joey Arias, vocalist/songwriter/actor/performance artist/host, has been on the scene here since the 1980s. Visually and vocally distinctive, Arias's signature black bangs and ponytail have been on stages such as Club 57, Astor Theater, HERE, and Abrons Art Center--not to mention playing Mistress of ...
BWW Review: Dazzling 'Diva' VIVIAN REED Is Awe-Inspiring On STANDARDS & MORE at the Metropolitan Room
Vivian Reed and her consummate band—led by conductor and pianist Billy McDaniel, and joined by guest vocalists Janinah Burnett and Raun Ruffin—dazzled a packed Metropolitan Room on May 23 with her new show, An Evening with Vivian Reed: Standards and More....
BWW Review: 2015 MetroStar Champ Minda Larsen Delivers Another Winning Performance With MY SOUTHERN SONG at Metropolitan Room
The fourth time was the charm for Minda Larsen, winner of the 2015 MetroStar Competition: “I have an MFA in opera,” she joked during the debut of her show, My Southern Song, at the Metropolitan Room on May 21, “So it took four tries in six years to win that competition.” The remark is typica...
BWW Review: With TWO GUYS AND A GRAND at the Laurie Beechman Theatre, Cabaret Veterans Jim Brochu & Steve Ross Evoke the Spirit of Music Halls
Veteran performers Jim Brochu and Steve Ross have known one another since the 1970s, an era when New York was filled with piano bars, cabaret rooms, and nightclubs. Pause for a deep, wistful sigh. Framing their new show, Two Guys and a Grand (last Wednesday night at the Laurie Beechman Theatre), in ...
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