BWW Review: Kennedy Davenport Puts Emotion on Display in Cathartic THE GOSPEL ACCORDING TO KENNEDY DAVENPORT
"There's nothing formal about this but this dress.
The latest reviews and critic recommendations from Cabaret.
"There's nothing formal about this but this dress.
Throughout her career, above all else, P!nk has proven to be something of a power ballad machine.
It's safe to say that Natalie Douglas is a little obsessed with Cher.
One of the most exciting and important voices to emerge from the 1980s-90s American performance art movement, Karen Finley might be regarded as one of the country's most noted censored artists.
Leona Helmsley shuffled back to this mortal coil for one night only---three, actually---and, as portrayed by Tovah Feldshuh, she's lost none of her bite in those intervening years.
If you've heard of Adrienne Truscott's work, the title of her current show, ADRIENNE TRUSCOTT'S A ONE TRICK PONY (OR ANDY KAUFMAN IS A FEMINIST PERFORMANCE ARTIST AND I'M A COMEDIAN), is self-explanatory: she last made waves with ADRIENNE TRUSCOTT'S ASKING FOR IT, a comedy special in which she stood
Musical fans love a good 'songs from the shows' cabaret and House of Broadway present a polished evening packed with heart and humour as they share songs old and new from the musical theatre canon.
Good Night Theatre Collective kicked off Pride weekend in Sioux Falls with their last cabaret show of season 2, PRIDE: The Love Cabaret.
'God, you guys are easy,' Gina Gershon joked at Cafe Carlyle, after garnering applause simply for taking off her jacket.
Salty Brine has made what is becoming a familiar move: reckon with your beloved art works which time has "revealed" to be problematic (by which I mean, you have become aware enough to realize this; it was problematic from the beginning).
Welcome to the exciting world of "14th century Italian literature.
Kathleen Turner is many things, but bashful isn't one of them.
In her new show A HYMN TO HER at Feinstein's/54 Below, Liz Callaway paid tribute to numerous women who have served as her role models.
In Bond's latest show, BOYS IN THE TREES, the performer seems particularly interested in exploring what happens when one colors outside prescribed lines of gender---masculinity, in particular---primarily performing songs by men who did just that.
This past weekend Good Night Theatre Collective hosted their fourth cabaret show of the season presenting songs known for being One-Hit Wonders.
Of the many great parts of the Broadway community and the performing arts community at large, perhaps the greatest is its ability to come together and provide support for one another.
Byron Lane's meditation on the artifice and projection of fame and celebrity is brilliantly explored through the prism of Tom Lenk's exquisitely crafted performance in TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST, which ran March 16-25 at the Laurie Beechman Theatre.
If you want to know how to act a song, go see Bebe Neuwirth, who recently performed STORIES WITH PIANO, #1 at Feinstein's/54 Below.
For nearly 35 years, I have loved the score of BABY, the Broadway musical that ran for 241 performances from 1983 to 1984 and made Liz Callaway a star.
Quite the contradiction, no one is as simultaneously surprised and unfazed by Lena Hall's success as Lena Hall.
The show, aptly titled 'The Story Goes On,' featured an eclectic set list, but there was one common thread - each song was exceptionally well sung.
Tap dancer Savion Glover (BRING IN 'DA NOISE, BRING IN 'DA FUNK, SHUFFLE ALONG) and tanguero Leonardo Suarez Paz (FOREVER TANGO, TANGO ARGENTINO) mixed tap dance and tango music at Feinstein's/54 Below on February 15.
In his latest show at Cafe Carlyle titled HEART TO HEART, John Lloyd Young continues to hearken back to an earlier era in look, sound, and song choice, mostly performing pieces from the 60s and 70s.
Rachel Bloom has no shame, and we're all better for it.
Returning to Cafe Carlyle, fashion designer-plus-TV personality-plus-performer Isaac Mizrahi was far too controlled to fall prey to anything remotely resembling a sophomore slump.
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The Bryce Edwards Frivolity Hour BIRDLAND (9/14-9/14) |
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John Barrowman 54 Below (11/06-11/06) |
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Lyric Theatre of Oklahoma on Broadway 54 Below (10/18-10/18) |
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Litusical the Musical by Adam Azrieli and Payton Daly 54 Below (9/20-9/20) |
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Christine Ebersole with Billy Stritch 54 Below (10/29-10/29) |
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Christine Ebersole with Billy Stritch 54 Below (10/28-10/28) |
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Ben Franklin In Paris 54 Below (9/13-9/13) |
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La Música de mi Casa: An Evening of Latino Culture 54 Below (10/08-10/08) |
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El David Aguilar Joe's Pub (11/06-11/06) |
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Songs for Slutty Girls by Kailey Marshall 54 Below (10/21-10/21) |