Review: HAY FEVER at IRISH CLASSICAL THEATRE
By: Michael Rabice
A frothy Noel Coward evening on a warm June night sounds like perfect programming. Buffalo's Irish Classical Theatre is presenting his light hearted romp HAY FEVER with mixed results, at best. Although considered one of Coward's lesser works, HAY FEVER has achieved a respectable position in the theatre canon, mostly in part to it's unique opportunities to portray lovably odd characters. The ironically named Bliss family, led by the glamorous stage actress Judith and her writer husband David, are summering in the countryside of England with their children Sorel and Simon. Unbeknownst to any of the others, each of the four have invited a friend/paramour/muse down for the weekend. What would have been known as a madcamp romp in it's day plays out as a 3 act lesson in droll silliness. Director Gordon McCall has assembled an uneven cast, often with disregard for the physical types explicitly described in the script itself. ICTC favorite Josephine Hogan as Judith never truly convinces as the grande dame who has suffered for her art in raising her impertinent and sometimes rude children. Coward writes best for these over the top leading ladies and Ms. Hogan gives it her all, but her inner diva never lives up to the pomposity that Coward suggests. In order for the family dynamic to be understood, one must believe that Judith's eccentricities are inherently lovable and quirky, but Hogan never truly commands the stage. Often Mr. McCall misses out on the necessary timing and inherent subtleties of Coward's witty repartee, resulting in missed laughs. David Oliver, as David, is aptly indifferent to the craziness that surrounds his household, and his indifference bespeaks volumes as the self absorbed writer.
Set designer Paul Bostaph seems to have taken the the Bohemian concept to the extreme, with gaudy color choices and furniture that appears off the floor of your local T. J. Maxx. His novel idea of rotating the set pieces a quarter turn in each act was clever. Lise Harty's costumes designs were often unflattering for the ladies, and despite some lovely concepts for the glamorous second Act, the designs were often over done, such as Myra's clumsy entrance outfit. Just like the belovedly silly operettas of Gilbert and Sullivan that dot the stages of summer theatres, the breezy comedies of Coward and Oscar Wilde require a perfect combination of impeccable timing, tongue in cheek humor, paired with a nod to melodramatic sensibility, in order to be successful. Sadly, this time ICTC missed the mark.
Hay Fever, presented by the Irish Classical Theatre Company plays at the Andrews Theatre through June 25, 2017. Contact irishclassical.com for more information.
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