The Fall season builds on National Sawdust’s pioneering Digital Discovery Festival, with two streamed performances by the National Sawdust Ensemble and the JACK Quartet.
This Fall National Sawdust has announced the New Works Commissions-world premieres of commissioned works by 20 winning composers performed by the JACK Quartet and National Sawdust Ensemble, and a series of 9 weekly broadcasts (New Works Composer Sessions) that reflect the institution's commitment to supporting and empowering artists through mentorship, community, and financial assistance during this challenging time of change. The Fall season further commits itself to community building by partnering with The Kennedy Center on their Arts Across America live digital performance series, giving two National Sawdust artists enhanced exposure.
The pioneering Digital Discovery Festival provided a performance platform and financial support to over 100 artists during the COVID-19 pandemic. As the culmination of the festival, National Sawdust will present two online performances of commissioned works by the 20 winners of the New Works Commission, who will receive $3,000 each for their commission. The first, on Thursday, Dec 10th at 5pm ET, will feature the National Sawdust Ensemble performing music by Michele Cheng, James Diaz, Baldwin Giang, Clifton Joey Guidry III, Julie Herndon, Mario Layne Fabrizio, Finola Merivale, Kelley Sheehan, Bethany Younge and Manjing Zhang. The second concert will take place on Friday Dec 11th at 5pm ET, featuring the JACK Quartet performing new commissions by Eddie Codrington, Jessie Cox, Yaz Lancaster, Ted Moore, Daniel Sabzghabaei, Golnaz Shariatzadeh, Nina Shekhar, Rajna Swaminathan, Tanyaradzwa Tawengwa and Nicholas Tran. National Sawdust will also present the New Works Composer Sessions series on their Live@NationalSawdust platform (http://live.nationalsawdust.org), and broadcast weekly for free on its Facebook page from September 17th to November 12th at 5pm ET. The 20 New Works Commission winners will participate in a Q&A during each session, and industry luminaries will discuss topics such as composition, curation, collaboration, improvisation, music criticism, recording, intellectual property, creating a Pulitzer Prize winning work, women and leadership, and more.Masterclasses in the New Works Composer Sessions:
The New Works Composer Sessions begin with composer, and professor of composition UCSD, Marcos Balter, who will explore the topic of Collective Structures: collaboration, cooperation, and reimagining hierarchical methods in music.
Steve Smith, writer and editor, will explore the topic of Interdependence of Music and Criticism: Musicians and Critics at the End of Time.
Ellen Reid, composer, sound artist, and Pulitzer Prize winner 2019, will present on creating her Pulitzer Prize winning work - Creating p r i s m: unpacking the messy process of bringing ideas into the real world.
Jeffrey Zeigler, cellist and Music Director for the National Sawdust Ensemble, will present on the topic of Survival and Evolution: Finding your voice as a 21st Century Artist. He will also touch on recording techniques and recording curation.
Andy Bart, trial lawyer and Billboard list of Top Music Lawyers, will discuss intellectual property in music. All creative works are "born" into a legal structure that sets rules for the ownership and exploitation of those works. Understanding those rules and the practices and entities that result from those rules is essential to artists maintaining control of their works and careers and maximizing the economic potential of those works.
String quartet, JACK Quartet members, violinists Christopher Otto and Austin Wulliman, violist John Pickford Richards, and cellist Jay Campbell, will participate in this lecture on Tuning in Color: Alternative Tunings in Action.
Chris Grymes, clarinetist with the NS Ensemble and curator of Open G Series will present on the topic of Musical Citizenship and Collaboration.
Pamela Z, composer, performer, and Frederic A. Juilliard/Walter Damrosch Rome Prize Fellow 2019/2020 will present a lecture on the topic of Crossing Disciplines (working as an extremely hyphenated artist). Highlighting her use of voice, processing, gesture-based MIDI controllers, and video, and her integration of sampled speech sounds with chamber music composition, she will illustrate the various directions her work has taken over the years.
Karen Wong, Deputy Director of the New Museum will present on the Future of Culture. As cultural production expands and innovates, how will musicians absorb and incorporate these current attitudes of hybridity and immersion into their shows, recitals, and concerts? No matter the framing device, be it a stage or headset, we are increasingly obsessed with an experience that immerses us. As audiences shift from observer to active participant, there will be new platforms in theater, music, and visual arts. More than ever, musicians will require fluency in future-leaning formats and the vehicles that amplify and distribute emergent culture.
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