Trinity's production of Richard III is set, roughly, present day. War-torn concrete slabs and blocks are the base of the minimalist, but effective set. Firearms substitute for swords and scabbards. The men wear guerilla-style uniforms and the women wear conservative cloth-coat fashions.
Brian McEleney plays the scheming Richard, who would be King, when the half-dozen people who are in the line of succession before him are eliminated. It is a powerhouse performance from McEleney, whose monotone style works well as it is melded into Richard's style of speaking. As Richard schemes through his internal dialogue the audience is keyed into the change by a finger-snap and an effective lighting change. The current king, Edward IV (Johnny Lee Davenport), is the first domino to fall in Richard's deadly game. Davenport's brings weight to the role, his first production with Trinity. I hope we see more of Mr. Davenport in the future, though I thought it a mistake to bring him back as the Mayor in this production. The bad Samuel L. Jackson wig is distracting.Fred Sullivan Jr. gives a reined-in performance as the Duke of Buckingham, who schemes with Richard to take the throne. Sullivan dutifully cedes to McEleney in much of the wicked humor, which pervades the first act.
Timothy John Smith, Jonathan Horvath, Christopher Bonewitz, Noah Tuleja, Kelby Akin round out the, by necessity, large cast. Cameron Connaughton and Tebddy McNulty both do a fine job as the young Prince Edward and Duke of York.
Photo # 1 Brian McEleney and Stephen Berenson with guest artist Johnny Lee Davenport
Photo #2 Brian McEleney as Richard and Mauro Hantman as Lord Hasting
Photos Courtesy of Trinity Repertory Company
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