One of my faves was Magaldi in EVITA, years ago when the rights were first available. Directed by Mark Waldrop, who was in the origninal. Awesome experience and a privilege. (Although I was one of the shortest Magaldis on record)
Treat - Orphans Felix - The Odd Couple Harold Hill - The Music Man Alton Scales - The Sign in Sidney Brustein's Window
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
The Wizard-The Wizard of Oz Prince Charming-Cinderella Mr. Mushnik-LSOH
David walked into the valley
With a stone clutched in his hand
He was only a boy
But he knew someone must take a stand
There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
-Into the Fire
Scarlet Pimpernel
My favorite role was in a small one act play called ADAPTATION that I'm sure nobody here has ever heard of.
"Noah, someday we'll talk again. But there's things we'll never say. That sorrow deep inside you. It inside me, too. And it never go away. You be okay. You'll learn how to lose things..."
Reno Sweeney - Anything Goes Essie - You can't take it with you (I'm currently in a run of "You can't..", and last night in the ballet lesson scene, my shoe got caught on my dress and I fell and slid across the stage, and ripped my tights, and my knees were bleeding, and I hit my face on our window seat....But, you know...got up and went with it...blood stains and all. Oh well, it builds character, right?)
I want to write music. I want to sit down right now at my piano and write a song that people will listen to and remember and do the same thing every morning...for the rest of my life. - Jonathan Larson. Tick, Tick...BOOM!
I had tons of fun playing Annelle in Steel Magnolias (although I can't seem to spell her name. You'd think after staring at the name on the page for so long, I'd figure it out, but I think this is right.) It was a really fun cast, and because she's a complicated character, I felt almost like I was playing 3 different people.
Why do we play with fire?
Why do we run our fingers through the flame?
Why do we leave our hands on the stove, although we know we're in for some pain?
-tick...tick...BOOM!
Cervantes/Don Quixote in Man of La Mancha. It has the most meaning to me as a person and as a performer -such a beautiful, morally up-lifting story...
"I don't really get the ending,all i can go with is when after several months,Judith saw Pat sang,and later she kissed him on the toilet,after that the story back to where Pat went down from the stage after he'd sung,and he went to the italian lady.I just don't get it,what Judith exatcly meant when he kissed Pat that she had seen,and did Pat end up together with The Italian Lady?Please help me,thank u very much!"
Quote from someone on IMDB in reference to a movie he/she didn't understand. Such grammar!