Click below to access all the Broadway grosses from all the shows for the week ending 1/12/2020 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Sponsored By: The Book of Mormon - The New York Times calls The Book of Mormon "the best musical of this century." The Washington Post says, "It is the kind of evening that restores your faith in musicals." And Entertainment Weekly says, "Grade A: the funniest musical of all time." Jimmy Fallon of The Tonight Show calls it "Genius. Brilliant. Phenomenal." The Book of Mormon, the nine-time Tony Award®-winning Best Musical.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Holy cow! Only 1/3 of shows (approx) of shows made less than 1M dollars. That is just insane. (Yes, I realize that, perhaps, this has been going on for multiple weeks.) For JANUARY, that's fabulous.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
dramamama611 said: "Holy cow! Only 1/3 of shows (approx) of shows made less than 1M dollars. That is just insane. (Yes, I realize that, perhaps, this has been going on for multiple weeks.) For JANUARY, that's fabulous."
A bunch of shows recently closed, so it's also for lack of availability. The options at TKTS this past weekend were very limited.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
ACL2006 said: "dramamama611 said: "Holy cow! Only 1/3 of shows (approx) of shows made less than 1M dollars. That is just insane. (Yes, I realize that, perhaps, this has been going on for multiple weeks.) For JANUARY, that's fabulous."
A bunch of shows recently closed, so it's also for lack of availability. The options at TKTS this past weekend were very limited."
Still, 18 of 29 shows grossing over a million with 3 more shows grossing in the 800k - 900k+ range is pretty amazing. That’s almost 75% of the shows last week..
I just had a thought--Broadway isn't the only place where theater happens. I wonder if they'd ever consider posting off-Broadway grosses. Off the top of my head--The Public Theater, Second Stage, etc. might be interesting. Plus it might bring more attention to those shows and make people realize there are gems to be found beyond Broadway. JUST a thought.
magictodo123 said: "I just had a thought--Broadway isn't the only place where theater happens. I wonder if they'd ever consider posting off-Broadway grosses. Off the top of my head--The Public Theater, Second Stage, etc. might be interesting. Plus it might bring more attention to those shows and make people realize there are gems to be found beyond Broadway. JUST a thought."
Broadway shows are commercial enterprises, and I am guessing that reporting grosses is part of their legal requirements. It isn't done primarily to bring attention to the shows.
magictodo123 said: "I just had a thought--Broadway isn't the only place where theater happens. I wonder if they'd ever consider posting off-Broadway grosses. Off the top of my head--The Public Theater, Second Stage, etc. might be interesting. Plus it might bring more attention to those shows and make people realize there are gems to be found beyond Broadway. JUST a thought."
A miniscule number of people actually read the grosses weekly, and I bet 95% of them are already frequent theatergoers. There are a few issues with posting off-Bway grosses:
- All the non-profits have subscription or membership programs, so a lot of the houses are being filled with people paying less than full-price, especially in the first 3 weeks of the run.
- On Broadway, the majority of houses are similarly-sized; Off-Bway, the houses vary in capacity.
- On Broadway, the goal is to sell tickets at the highest price that the market will allow. Off-Bway, the ticket demand varies per-company (and even per-show within the company).
- Non-profit theatre is largely subsidized by donations, so ticket sales aren't a great barometer for success. There is also no official capitalization and recoupment like on Broadway –– with a non-profit, your sales and donations also have to keep the building running (if you own space) and pay the administrative staff and develop new work, etc. One could even make an argument that it's kind of misleading for the Broadway non-profits to post grosses, though I'm glad they do.
Of course I am happy that so many shows are grossing huge amounts of money- but, on the other hand, BWAY shows are really expensive these days for good seats- I wish I was not so picky- but if I cannot have a seat close up to the stage- I do have a bit of a hearing problem- and I feel as if I miss something if I cannot see the expressions on the characters faces close up - but I am amazed that Caroline or Change- for example - is charging close to 800 bucks for two seats in the center orchestra up close. Would love to see it- but frankly- that is a lot of money for two and a half hours- hate to miss it- but will.
BWAY Baby2 said: "Of course I am happy that so many shows are grossing huge amounts of money- but, on the other hand, BWAY shows are really expensive these days for good seats- I wish I was not so picky- but if I cannot have a seat close up to the stage- I do have a bit of a hearing problem- and I feel as if I miss something if I cannot see the expressions on the characters faces close up - but I am amazed that Caroline or Change- for example - is charging close to 800 bucks for two seats in the center orchestra up close. Would love to see it- but frankly- that is a lot of money for two and a half hours- hate to miss it- but will."
I always get the earphones and decide whether I actually need to use them once the show is underway. They are not ideal but, when I need them, they make all the difference. I have found that occasionally, with musicals that are dialogue heavy, I will use them during the dialogue scenes and slide them down to my neck during the musical numbers.
BWAY Baby2 said: "Of course I am happy that so many shows are grossing huge amounts of money- but, on the other hand, BWAY shows are really expensive these days for good seats- I wish I was not so picky- but if I cannot have a seat close up to the stage- I do have a bit of a hearing problem- and I feel as if I miss something if I cannot see the expressions on the characters faces close up - but I am amazed that Caroline or Change- for example - is charging close to 800 bucks for two seats in the center orchestra up close. Would love to see it- but frankly- that is a lot of money for two and a half hours- hate to miss it- but will."
Most shows hold more premium seats than they need, so if you're flexible, you can often buy a third row seat a day in advance, once they start converting the premiums to regular price. But if you want to have things booked long in advance, not as much of an option.
I agree with haterobics. I live in NYC area and thus am able to watch shows at least once and sometimes twice. I normally do rush or heavily discounted ticket first time around sitting anywhere in the theater. If I loved a show from sitting in last row of rear mezzanine, then I can justify purchasing the best seat I can afford the second time around.